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Backside Collection

"Exploring the Backside: A Unique Perspective on Life and Art" From the Southdown Sheep Show to the captivating engravings of yesteryears

Background imageBackside Collection: Southdown Sheep Show showing the rear view of five sheep

Southdown Sheep Show showing the rear view of five sheep George Garland Collection West Sussex Record Office Ref No: Garland N12303

Background imageBackside Collection: Cows - Two together nose to tail

Cows - Two together nose to tail
HAR-91 COWS - two heifers together, nose to tail. One young Friesian faces viewer alongside rear end of another in green pasture Dairy farming

Background imageBackside Collection: Idol-Worship or the Way to Preferment, 1740 (engraving)

Idol-Worship or the Way to Preferment, 1740 (engraving)
XJF863053 Idol-Worship or the Way to Preferment, 1740 (engraving) by English School, (18th century); Private Collection; (add.info.: Prime Minister Robert Walpole)

Background imageBackside Collection: Seven young apprentice female jockeys sitting on a wooden fence during their training at

Seven young apprentice female jockeys sitting on a wooden fence during their training at the National Equestrian Centre in Stoneleigh

Background imageBackside Collection: Il ne faut pas mettre le doigt... 19th century. Creator: Honore Daumier

Il ne faut pas mettre le doigt... 19th century. Creator: Honore Daumier
Il ne faut pas mettre le doigt... 19th century. Proverbs and Maxims - Do not put your finger between wood and bark

Background imageBackside Collection: Bum cleavage, Norfolk

Bum cleavage, Norfolk
A male painter, stripped to the waist, shows the cleavage of his buttocks as he works on the deck of a boat, First published The Daily Telepgraph Date: 1989

Background imageBackside Collection: Le Pot de Chambre, 1908. Artist: Konstantin Somov

Le Pot de Chambre, 1908. Artist: Konstantin Somov
Le Pot de Chambre, 1908. Illustration from the Livre de la Marquise. Found in the collection of the Russian State Library, Moscow

Background imageBackside Collection: The Raised Skirt, 1742. Artist: Francois Boucher

The Raised Skirt, 1742. Artist: Francois Boucher
The Raised Skirt, 1742. From a private collection

Background imageBackside Collection: Africa, Botswana, Okavango delta. the rear side of an elephant

Africa, Botswana, Okavango delta. the rear side of an elephant

Background imageBackside Collection: nonie galau

nonie galau
Teguh Yudhi Winarno

Background imageBackside Collection: Backside

Backside
Ivy Green Illustrations

Background imageBackside Collection: Enema scene (wood)

Enema scene (wood)
490160 Enema scene (wood) by Flemish School, (19th century); Groeningemuseum, Bruges, Belgium; (add.info.: Klisteerspuitscene); © Art in Flanders

Background imageBackside Collection: The poker game (colour litho)

The poker game (colour litho)
3101011 The poker game (colour litho) by Weiluc, Lucien Henri (Weil) (1873-1947); Private Collection; (add.info.: The poker game.); © Look and Learn

Background imageBackside Collection: DDE-90036322

DDE-90036322
Backside of Market Colonnade and Ljubljanica River at dusk, Ljubljana, Slovenia Date: 28/04/2004

Background imageBackside Collection: DDE-90024469

DDE-90024469
Indian Elephant suckling the calf, Corbett National Park, India Date: 03/05/2005

Background imageBackside Collection: DDE-90022334

DDE-90022334
Red-headed Quelea, Serengeti National Park, Tanzania. Date: 23/04/2009

Background imageBackside Collection: DDE-90022325

DDE-90022325
Southern red bishop, Serengeti National Park, Tanzania. Date: 23/04/2009

Background imageBackside Collection: The backside

The backside
Theo Luycx

Background imageBackside Collection: mirror

mirror
Michael Allmaier

Background imageBackside Collection: A true story at the Stuttgart Market Fountain (colour litho)

A true story at the Stuttgart Market Fountain (colour litho)
3102359 A true story at the Stuttgart Market Fountain (colour litho) by German School, (20th century); Private Collection; (add.info.: A true story at the Stuttgart Market Fountain)

Background imageBackside Collection: General McClellan style soldiers ID tag, belonging to Private Simon Hersey

General McClellan style soldiers ID tag, belonging to Private Simon Hersey
3087648 General McClellan style soldiers ID tag, belonging to Private Simon Hersey, Company C, 4th Rhode Island Volunteer Infantry, 1861 (metal) by American School

Background imageBackside Collection: Saucy seaside bathing scene (colour litho)

Saucy seaside bathing scene (colour litho)
5995947 Saucy seaside bathing scene (colour litho) by English School, (20th century); Private Collection; (add.info.: Saucy seaside bathing scene. Postcard, early 20th century.); © Look and Learn

Background imageBackside Collection: Woman in a bathing costume: saucy seaside postcard (chromolitho)

Woman in a bathing costume: saucy seaside postcard (chromolitho)
5995957 Woman in a bathing costume: saucy seaside postcard (chromolitho) by English School, (20th century); Private Collection; (add.info.: Woman in a bathing costume: saucy seaside postcard)

Background imageBackside Collection: The Only Officer who had a decent horse (pen & ink on paper)

The Only Officer who had a decent horse (pen & ink on paper)
NAM310764 The Only Officer who had a decent horse (pen & ink on paper) by English School, (19th century); National Army Museum

Background imageBackside Collection: Oldham Expelled from Plymouth 1623

Oldham Expelled from Plymouth 1623
John Oldham is expelled from the Plymouth colony, a soldier hitting him on the backside with the butt of his rifle to move him through a crowd. Date: 1623

Background imageBackside Collection: A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795

A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795
NCO190486 A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageBackside Collection: Sketch for an Al-bum, pub. 1835 (hand coloured engraving)

Sketch for an Al-bum, pub. 1835 (hand coloured engraving)
2492763 Sketch for an Al-bum, pub. 1835 (hand coloured engraving) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Background imageBackside Collection: With the Territorials. I don t believe in this silly gag about horseshoes for luck (colour litho)

With the Territorials. I don t believe in this silly gag about horseshoes for luck (colour litho)
5207457 With the Territorials. I don t believe in this silly gag about horseshoes for luck (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: With the Territorials)

Background imageBackside Collection: My lucks behind (chromolitho)

My lucks behind (chromolitho)
5996066 My lucks behind (chromolitho) by English School, (20th century); Private Collection; (add.info.: My lucks behind. Postcard, early 20th century.); © Look and Learn

Background imageBackside Collection: 'A Butcher Came Along to Lodz, We Said: Good Day, Sir. Well, Radom Is Near Lodz, and Off He Went

"A Butcher Came Along to Lodz, We Said: Good Day, Sir. Well, Radom Is Near Lodz, and Off He Went
1068609 "A Butcher Came Along to Lodz, We Said: Good Day, Sir. Well, Radom Is Near Lodz, and Off He Went, His Backside Hurting.", 1914-15 (colour litho) by Malevich

Background imageBackside Collection: Cap. Cardoni and Maramao. Creator: Unknown

Cap. Cardoni and Maramao. Creator: Unknown
Cap. Cardoni and Maramao

Background imageBackside Collection: Cap. Cardoni and Maramao, c. 1622. Creator: Jacques Callot

Cap. Cardoni and Maramao, c. 1622. Creator: Jacques Callot
Cap. Cardoni and Maramao, c. 1622

Background imageBackside Collection: Impression

Impression
Milan Malovrh

Background imageBackside Collection: 119509

119509

Background imageBackside Collection: 967386

967386

Background imageBackside Collection: Diana

Diana
Zachar Rise

Background imageBackside Collection: Awaiting

Awaiting
Antonella Renzulli

Background imageBackside Collection: SONY DSC

SONY DSC
1027662

Background imageBackside Collection: The third person

The third person
Ali Barootkoob

Background imageBackside Collection: i'm not a woman

i'm not a woman
Biban Hazard

Background imageBackside Collection: my future past

my future past
Peter

Background imageBackside Collection: Flayed sketches II

Flayed sketches II
Sebastien DEL GROSSO

Background imageBackside Collection: Desperate

Desperate
Rullyanto Wibisono

Background imageBackside Collection: Shall we dance?

Shall we dance?
Emil Edilersky



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"Exploring the Backside: A Unique Perspective on Life and Art" From the Southdown Sheep Show to the captivating engravings of yesteryears, this collection delves into the often overlooked rear view. In a display of elegance and symmetry, five sheep proudly showcase their hindquarters at the Southdown Sheep Show. Their woolly coats create a picturesque scene that celebrates nature's beauty from every angle. Moving on to bovine companionship, two cows stand nose to tail, forming an endearing bond. Their synchronized stance reminds us of the power of unity and friendship in unexpected places. Idol-Worship or the Way to Preferment takes us back in time with its intricate engraving from 1740. This thought-provoking piece invites contemplation about society's obsession with appearances and how it influences our journey towards success. Aubrey Beardsley's The Toilet of Lampito transports us to 1896 with its provocative artwork. Through his unique style, Beardsley challenges societal norms by presenting a bold depiction of femininity that embraces both vulnerability and strength. Witnessing seven young apprentice female jockeys perched on a wooden fence during their training at Backside evokes admiration for their determination and passion for horse racing. These aspiring athletes demonstrate resilience as they prepare themselves for future victories. Serbia spanks Austria 1914 captures an intense historical moment when tensions escalated between nations. This striking image serves as a reminder that actions have consequences - even those originating from behind closed doors can reverberate across continents. The creation of life is celebrated through various lenses; one such perspective reveals itself in Bum Cleavage, Norfolk. In this candid portrayal, we are reminded of humanity's connection to nature and how even seemingly mundane aspects can hold profound significance. Le Pot de Chambre by Konstantin Somov offers a glimpse into early twentieth-century artistry where humor intertwines with elegance.