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Bairnsfather Collection (page 13)

"Bairnsfather: A Creative Force in the Midst of War" During World War I, Bruce Bairnsfather emerged as a remarkable artist and humorist

Background imageBairnsfather Collection: Bairnsfather exhibition at the Graphic Galleries, 1916

Bairnsfather exhibition at the Graphic Galleries, 1916
A sketch from inside the Graphic Galleries at 190, Strand, London showing crowds gathered at the window, smiling and laughing at one of the Fragments from France

Background imageBairnsfather Collection: Advert for Bairnsfather Fragments from France exhibition, 19

Advert for Bairnsfather Fragments from France exhibition, 19
An advertisement in The Bystander, sister magazine of The Graphic, promoting an exhibition of the humorous wartime cartoons, Fragments from France, by Captain Bruce Bairnsfather

Background imageBairnsfather Collection: The Innocent Abroad, by Bairnsfather

The Innocent Abroad, by Bairnsfather
The Innocent Abroad Out Since Mons: " Well, what sort of night ave yer ad?" Novice (but persistent optimist): " Oh, alright

Background imageBairnsfather Collection: That 16-inch sensation - Bairnsfather postcard

That 16-inch sensation - Bairnsfather postcard
" That 16-inch sensation" - Bairnsfather postcard. Bairnsfather was badly wounded by a shell burst in April 1915 and during his weeks of convalescence suffered recurring nightmares

Background imageBairnsfather Collection: A. D. Nineteen Fifty

A. D. Nineteen Fifty
Cartoon by Captain Bruce Bairnsfather, originally published in The Bystander magazine on 29 September 1915 and subsequently issued as part of his Fragments from France, and, as here

Background imageBairnsfather Collection: In and out (Ii)

In and out (Ii)
That first half-hour after " coming out" of those same trenches" An air of relief amongst British soldiers who have completed another spell in the trenches

Background imageBairnsfather Collection: In and Out (I), Bairnsfather

In and Out (I), Bairnsfather
That last half-hour before " going in" to the same trenches for the 200th time. Silent trepidation amongst soldiers waiting to go into the trenches yet again

Background imageBairnsfather Collection: The Spirit of our Troops is excellent by Bairnsfather

The Spirit of our Troops is excellent by Bairnsfather
A Tommy in his trench helps himself to a generous glug of something alcoholic from a stoneware jug

Background imageBairnsfather Collection: Fairly Tree d

Fairly Tree d
A soldier disguised rather improbably as a tree, scampers gingerly through the mud of the West Front, doing his best to avoid a cluster of enemy shells falling nearby

Background imageBairnsfather Collection: They ve Evidently Seem Me by Bruce Bairnsfather

They ve Evidently Seem Me by Bruce Bairnsfather
A later version of a " Fragment from France" drawn by the famous World War One cartoonist, Bruce Bairnsfather for the Bystander magazine

Background imageBairnsfather Collection: The Sentry by Bruce Bairnsfather

The Sentry by Bruce Bairnsfather
Original pencil sketch by the famous World War I cartoonist, Bruce Bairnsfather, creator of " Old Bill", showing a British soldier standing sentry in a trench

Background imageBairnsfather Collection: Keeping His Hand In, by Bruce Bairnsfather

Keeping His Hand In, by Bruce Bairnsfather
Private Smith, the company bomber, formerly Shino, the popular juggler, frequently causes considerable anxiety to his platoon

Background imageBairnsfather Collection: Impoverished artists by Bruce Bairnsfather

Impoverished artists by Bruce Bairnsfather
Humorous illustration showing two impoverished and bohemian artists living in a top floor flat. The woman, holding a small statue or sculpture in her arms, asks her partner, " Robledo

Background imageBairnsfather Collection: Bruce Bairnsfather Ware pottery

Bruce Bairnsfather Ware pottery
A selection of pottery manufactured by the firm Grimwades of Staffordshire, featuring the designs of Bruce Bairnsfather, the artist whose cartoons featured in The Bystander during World War I

Background imageBairnsfather Collection: Bruce Bairnsfather War collectibles

Bruce Bairnsfather War collectibles
A selection of collectible items designed by the Bystanders World War I cartoonist, Bruce Bairnsfather. Includes an Ole Bill mascot (possibly a car mascot), a cigarette case

Background imageBairnsfather Collection: Fragments Day

Fragments Day
How London bookstall managers celebrated " Fragments" day, showing the immense popularity of the " Fragments from France" portfolios of cartoons by Captain Bruce Bairnsfather

Background imageBairnsfather Collection: A Light which shone in the Darkness by Bruce Bairnsfather

A Light which shone in the Darkness by Bruce Bairnsfather
Picture of " Old Bill" the old soldier creation of Bruce Bairnsfather, illuminated by a lit cigarette. Date: c.1916

Background imageBairnsfather Collection: An Innocent Abroad

An Innocent Abroad
Humorous illustration by Bruce Bairnsfather showing a young soldier sheltering in his funk hole in a trench while an " Ole Bill" type character observes his misery



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"Bairnsfather: A Creative Force in the Midst of War" During World War I, Bruce Bairnsfather emerged as a remarkable artist and humorist, leaving an indelible mark on history. His iconic Wartime Toby jugs became symbols of resilience and camaraderie amidst the chaos of war. In his famous cartoon series, "Old Bill, " Bairnsfather introduced us to a lovable character who embodied the spirit of every soldier kneeling in front of the Cenotaph in Whitehall. Old Bill's wit and wisdom resonated with millions, offering solace during times of uncertainty. Bairnsfather's book "Things That Matter" captured the essence of human connection amid wartime struggles. It served as a reminder that even in dark times, there are things worth fighting for – love, friendship, and hope. Through his poignant cartoons like "A Miner Success, " Bairnsfather shed light on the experiences faced by soldiers on the frontlines. These illustrations provided both entertainment and insight into their daily lives. The six Bruce Bairnsfather postcards showcased his artistic brilliance while capturing moments from World War I that would forever be etched in our collective memory. Each postcard told its own story – tales of bravery, sacrifice, and perseverance. In "The Thirst For Reprisals, " Bairnsfather explored themes of vengeance and forgiveness through thought-provoking artwork. He challenged society's thirst for revenge by urging compassion instead. With his Ta Poster/Bairnsfather collaboration, he demonstrated how art could be used as a powerful tool for propaganda during wartime - conveying messages that stirred emotions within people's hearts. "One Of Our Minor Wars" was another masterpiece where Bairnsfather depicted lesser-known conflicts with equal importance to major battles. Through this work, he highlighted forgotten heroes who fought valiantly despite being overshadowed by larger events. In "Another Maxim Maxim, " Captain Bairnsfather's first meeting with Old Bill came to life.