Baldassare Tommaso Peruzzi Collection

An Allegory of Prudence, between circa 1518 and circa 1520. Creator: Baldassare Peruzzi
An Allegory of Prudence, between circa 1518 and circa 1520

A hermit, 16th century. 16th century. Creator: Monogrammist YHS
A hermit, 16th century

The Pantheon - Rome, 1850. Creator: Unknown
The Pantheon - Rome, 1850. The Pantheon, in modern times, derives additional interest from its being the burial-place of Rafaele, A. Caracci, Zuccari, Peruzzi, and other eminent artists

Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left, 1530-60

Josephs cup found in Benjamins sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, ca. 1520-25

Baldassare Tommaso Peruzzi (engraving)
815423 Baldassare Tommaso Peruzzi (engraving) by Italian School, (18th century); Private Collection; (add.info.: Baldassare Tommaso Peruzzi. 7 March 1481 - 6 January 1536)

Portrait of Baldassare Tommaso Peruzzi, Italian architect and painter, born near Siena, 1481-1536
6338820 Portrait of Baldassare Tommaso Peruzzi, Italian architect and painter, born near Siena, 1481-1536 by Italian School, (16th-17th century); (add.info.: Portrait of Baldassare Tommaso Peruzzi)

Venus at left in the company of cupids playing, ca. 1520-27

Cybele in her chariot drawn by two lions, 1530-60. Creator: Master of the Die
Cybele in her chariot drawn by two lions, 1530-60

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the Story of Apollo and Daphne, 1530-60

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the Story of Apollo and Daphne, 1530-60

River gods consoling Peneus for the Loss of his Daughter, Daphne from The Story of Apollo and Daphne, 1530-60

Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from The Story of Apollo and Daphne, 1530-60

Triompho di Fortuna, January 1526. Creator: Unknown
Triompho di Fortuna, January 1526

Hercules chasing Avarice from the Temple of the Muses, ca. 1520-27. Creator: Ugo da Carpi
Hercules chasing Avarice from the Temple of the Muses, ca. 1520-27

Saint Jerome seated by a tree looking up at a crucifix, a lion drinking water from a stream to his right, 1728

Portrait of an Olivetan Monk. Creator: Baldassare Peruzzi
Portrait of an Olivetan Monk

Baldassare Tommaso Peruzzi, 1481 A

Drawings Prints, Print, Lonely Man, Artist, Monogrammist YHS, Baldassare Tommaso Peruzzi
Drawings and Prints, Print, The Lonely Man, Artist, After (?), Monogrammist YHS, Baldassare Tommaso Peruzzi, Italian, active ca

Crouching Figure Atlas 1481-1536 Pen brown ink
Artokoloro

Envy Avarice right driven temple Muses Hercules
Artokoloro

Frescoes Villa Stati-Mattei Fresco transferred
Artokoloro

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Baldassare Tommaso Peruzzi: A Master of Art and Architecture Step into the world of Baldassare Tommaso Peruzzi, an Italian architect and painter born near Siena in 1481. Known for his exceptional talent, he left behind a legacy that continues to inspire generations. In one of his engravings, we see Joseph's cup found in Benjamin's sack from the biblical story of Joseph. This depiction showcases Peruzzi's attention to detail and ability to bring stories to life through art. A portrait captures the essence of this remarkable artist himself. With a gaze filled with wisdom and creativity, Peruzzi stands as a testament to his own brilliance. Moving on, we encounter Venus at left in the company of cupids playing. The delicate strokes depict love and beauty with grace, showcasing Peruzzi's mastery over capturing emotions on canvas. Cybele in her chariot drawn by two lions is another masterpiece attributed to him. The image exudes power and strength while highlighting his skillful use of composition. Envy or Avarice being driven from the temple of the Muses by Hercules reveals Peruzzi's ability to convey narratives through visual storytelling. His attention to mythological details adds depth and meaning to each piece. Apollo standing at left shooting a python with an arrow demonstrates not only his artistic prowess but also his knowledge of classical mythology. The presence of muses above signifies inspiration flowing from Apollo himself. The tender moment between Daphne embracing her father, the river-god Peneus, showcases Peruzzi's ability to capture human emotions within mythical contexts. Three nymphs bringing jars add an element of mysticism that permeates throughout his work. River gods consoling Peneus for the Loss of his Daughter further highlights how he effortlessly merges mythology with raw human emotion. Through intricate details and masterful brushstrokes, he creates scenes that resonate deeply with viewers.