Fraud Blocker Skip to main content

Baroque Era Collection (page 2)

The Baroque Era, a period of artistic grandeur and opulence, captivated the world with its intricate details and emotional intensity

Background imageBaroque Era Collection: A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)

A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)
990228 A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel) by Vrancx, Sebastian (1573-1647); 50.2x81 cm; Private Collection; (add.info)

Background imageBaroque Era Collection: Margaret of Austria, Queen of Spain, c. 1610 (oil on canvas)

Margaret of Austria, Queen of Spain, c. 1610 (oil on canvas)
5859944 Margaret of Austria, Queen of Spain, c.1610 (oil on canvas) by Polanco, Andres Lopez (d.1641); 210.6--109.3 cm; The Art Institute of Chicago, IL

Background imageBaroque Era Collection: Still Life with Ostrich Egg Cup and the Whitfield Heirlooms, c. 1670 (oil on canvas)

Still Life with Ostrich Egg Cup and the Whitfield Heirlooms, c. 1670 (oil on canvas)
5862125 Still Life with Ostrich Egg Cup and the Whitfield Heirlooms, c.1670 (oil on canvas) by Roestraten, Pieter Gerritsz

Background imageBaroque Era Collection: The Pieta, (oil on canvas)

The Pieta, (oil on canvas)
990355 The Pieta, (oil on canvas) by Carracci, Ludovico (1555-1619); 95.2x172.8 cm; Private Collection; (add.info.: The Pieta. Lodovico Carracci (1555-1619). Oil on canvas

Background imageBaroque Era Collection: Italian Landscape with Travelers, 1645-1650 (oil on canvas)

Italian Landscape with Travelers, 1645-1650 (oil on canvas)
5861511 Italian Landscape with Travelers, 1645-1650 (oil on canvas) by Both, Jan (c.1618-52); 49.5--61 cm; The Art Institute of Chicago, IL, USA; (add.info.: Jan Both (c.1618-52))

Background imageBaroque Era Collection: Old Peasant Lighting a Pipe, c. 1660 (oil on canvas)

Old Peasant Lighting a Pipe, c. 1660 (oil on canvas)
5861502 Old Peasant Lighting a Pipe, c.1660 (oil on canvas) by Loth, Johann Karl (1632-98); 95--85 cm; The Art Institute of Chicago, IL, USA; (add.info.: Johann Carl Loth (1632-98))

Background imageBaroque Era Collection: The Terrace, c. 1655-65 (oil on canvas)

The Terrace, c. 1655-65 (oil on canvas)
5860149 The Terrace, c.1655-65 (oil on canvas) by Dutch School, (17th century); 106.9--87.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Dutch school, Delft, 17th century)

Background imageBaroque Era Collection: Portrait of a Young Woman, c. 1690 (oil on canvas)

Portrait of a Young Woman, c. 1690 (oil on canvas)
5859583 Portrait of a Young Woman, c.1690 (oil on canvas) by Gelder, Aert de (1645-1727); 66.9--53.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Aert de Gelder (1645-1727))

Background imageBaroque Era Collection: Landscape with Hunters, 1619 (oil on canvas)

Landscape with Hunters, 1619 (oil on canvas)
5862161 Landscape with Hunters, 1619 (oil on canvas) by Brill or Bril, Paul (1554-1626); 60--88 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Bril (1554-1626))

Background imageBaroque Era Collection: Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)

Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)
827727 Saint Sebastian prepared for Martydom, c.1622 (oil on canvas) by Dyck, Anthony van (1599-1641); 142x194 cm; Private Collection; (add.info.: Saint Sebastian prepared for Martydom)

Background imageBaroque Era Collection: A Village Brawl (oil on panel)

A Village Brawl (oil on panel)
990044 A Village Brawl (oil on panel) by Vrancx, Sebastian (1573-1647); 50.8x66 cm; Private Collection; (add.info.: A Village Brawl. Circle of Sebastian Vrancx (1573-1647). Oil on panel

Background imageBaroque Era Collection: Tullie in his Chariot; Tullie sur son Char, (pen and brown ink)

Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape)
827614 Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape) by Cades

Background imageBaroque Era Collection: Achilles confronting Hector outside Troy, (oil on canvas)

Achilles confronting Hector outside Troy, (oil on canvas)
827698 Achilles confronting Hector outside Troy, (oil on canvas) by Corte, Juan de la (c.1585-1660); 195.9x309.2 cm; Private Collection; (add.info.: Achilles confronting Hector outside Troy)

Background imageBaroque Era Collection: Balaam and the Ass, 1622 (oil on panel)

Balaam and the Ass, 1622 (oil on panel)
990083 Balaam and the Ass, 1622 (oil on panel) by Lastman, Pieter (1583-1633); 40.3x59.4 cm; Private Collection; (add.info.: Balaam and the Ass. Pieter Lastman (1583-1633). Oil on panel

Background imageBaroque Era Collection: Episode of the Battle of Anghiari in 1440 (oil on canvas, 16th-17th century)

Episode of the Battle of Anghiari in 1440 (oil on canvas, 16th-17th century)
LRI4574451 Episode of the Battle of Anghiari in 1440 (oil on canvas, 16th-17th century) by Rubens, Peter Paul (1577-1640); Akademie der Bildenden Kunste, Vienna

Background imageBaroque Era Collection: The Battle of the Amazons Painting by Peter Paul Rubens (1577-1640) (ec. flam. ) 1615 Sun

The Battle of the Amazons Painting by Peter Paul Rubens (1577-1640) (ec. flam. ) 1615 Sun. 1, 21x1, 65 m Munich
JLJ4601560 The Battle of the Amazons Painting by Peter Paul Rubens (1577-1640) (ec.flam.) 1615 Sun. 1, 21x1, 65 m Munich. Alte Pinakothek by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich

Background imageBaroque Era Collection: Study for the lion hunt (Painting, 1614-1615)

Study for the lion hunt (Painting, 1614-1615)
LRI4622305 Study for the lion hunt (Painting, 1614-1615) by Rubens, Peter Paul (1577-1640); National Gallery, London, UK; (add.info)

Background imageBaroque Era Collection: Boar hunting. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus)

Boar hunting. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640), 1615
JLJ4599010 Boar hunting. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640), 1615. Oil on canvas. Dim: 2, 50 x 3, 20m

Background imageBaroque Era Collection: Reconciliation of Queen Mary of Medicis (1573-1642) and her son Louis XIII after the death of

Reconciliation of Queen Mary of Medicis (1573-1642) and her son Louis XIII after the death of Concini, December 15
JLJ4589103 Reconciliation of Queen Mary of Medicis (1573-1642) and her son Louis XIII after the death of Concini, December 15

Background imageBaroque Era Collection: Cimon and Pero (Roman Charity), 1630-40 (oil on canvas, h 155cm -- w 190)

Cimon and Pero (Roman Charity), 1630-40 (oil on canvas, h 155cm -- w 190)
3709935 Cimon and Pero (Roman Charity), 1630-40 (oil on canvas, h 155cm -- w 190 by Rubens, Peter Paul (1577-1640); 155x190 cm; Rijksmuseum, Amsterdam

Background imageBaroque Era Collection: Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202)

Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202)
XIR336937 Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202) by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich, Germany

Background imageBaroque Era Collection: Lament of Christ by the Virgin and St. John, 1614 / 15 (panel)

Lament of Christ by the Virgin and St. John, 1614 / 15 (panel)
XAM68667 Lament of Christ by the Virgin and St. John, 1614/15 (panel) by Rubens, Peter Paul (1577-1640); 107.5x115. cm; Kunsthistorisches Museum, Vienna, Austria

Background imageBaroque Era Collection: A Sermon in a Village Church, c. 1630 (black chalk and w / c)

A Sermon in a Village Church, c. 1630 (black chalk and w / c)
3928811 A Sermon in a Village Church, c.1630 (black chalk and w/c) by Rubens, Peter Paul (1577-1640); 42.2 x 57.3 cm; Metropolitan Museum of Art, New York, USA

Background imageBaroque Era Collection: Diana and her Nymphs Hunting - a modello, (oil on panel)

Diana and her Nymphs Hunting - a modello, (oil on panel)
987173 Diana and her Nymphs Hunting - a modello, (oil on panel) by Rubens, Peter Paul (1577-1640); 26.6x57.2 cm; Private Collection; (add.info.: Diana and her Nymphs Hunting - a modello)

Background imageBaroque Era Collection: 'Saturne (ou Cronos) devorant son fils'Peinture de Pierre Paul (Pierre-Paul)

"Saturne (ou Cronos) devorant son fils"Peinture de Pierre Paul (Pierre-Paul)
FIA5397737 " Saturne (ou Cronos) devorant son fils" Peinture de Pierre Paul (Pierre-Paul) Rubens (ou Peter Paul ou Petrus Paulus) (1577-1640) 1636-1637 Madrid

Background imageBaroque Era Collection: Atalante and Meleagre. Drawing by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus)

Atalante and Meleagre. Drawing by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) Ec
JLJ4664773 Atalante and Meleagre. Drawing by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) Ec. Flam, 17th century

Background imageBaroque Era Collection: Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century)
7230067 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century, anonymous)(photography) by Unknown Artist

Background imageBaroque Era Collection: Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas)

Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas)
BAL44970 Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas) by Dauphin, Charles (c.1620-77); 299x300 cm; Prado, Madrid, Spain; (add.info.: Charles Emmanuel II (1634-1675))

Background imageBaroque Era Collection: Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Statue of Saint Jerome (17th century)
7230068 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Statue of Saint Jerome (17th century, anonymous)(photography) by Unknown Artist

Background imageBaroque Era Collection: Four Bulls, 1649 (oil on canvas)

Four Bulls, 1649 (oil on canvas)
ALG329476 Four Bulls, 1649 (oil on canvas) by Potter, Paulus (1625-54); 57.5x67.5 cm; Galleria Sabauda, Musei Reali di Torino, Turin, Piedmont, Italy; (add.info.: by Paulus Potter (1625-54))

Background imageBaroque Era Collection: Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)

Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)
XAM66732 Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas) by Teniers, David the Younger (1610-90); 104x74 cm; Kunsthistorisches Museum, Vienna, Austria

Background imageBaroque Era Collection: Triumphant Entry of Henri IV (1553-1610) into Paris, c. 1627 (oil on panel)

Triumphant Entry of Henri IV (1553-1610) into Paris, c. 1627 (oil on panel)
XIR196200 Triumphant Entry of Henri IV (1553-1610) into Paris, c.1627 (oil on panel) by Rubens, Peter Paul (1577-1640); 48x66 cm; Musee Bonnat, Bayonne, France

Background imageBaroque Era Collection: The Shepherds, c. 1635 (oil on panel)

The Shepherds, c. 1635 (oil on panel)
XIR231531 The Shepherds, c.1635 (oil on panel) by Laer, Pieter van (1599-c.1642); 32x43 cm; Louvre, Paris, France

Background imageBaroque Era Collection: Landscape (oil on canvas)

Landscape (oil on canvas)
XHC383910 Landscape (oil on canvas) by Weenix, Jan Baptist (1621-c.1664); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: by Jan Baptist Weenix (1621-c.1664))

Background imageBaroque Era Collection: Landscape (oil on canvas)

Landscape (oil on canvas)
XIR418354 Landscape (oil on canvas) by Flemish School, (17th century); Musee des Beaux-Arts, Nimes, France

Background imageBaroque Era Collection: Nicolas Poussin (engraving)

Nicolas Poussin (engraving)
1728916 Nicolas Poussin (engraving) by Poussin, Nicolas (1594-1665) (after); (add.info.: Nicolas Poussin (1594-1665) french painter, engraving by Pauquet after selfportrait by Poussin)

Background imageBaroque Era Collection: Ships in the Roads, 1658 (oil on canvas)

Ships in the Roads, 1658 (oil on canvas)
7259968 Ships in the Roads, 1658 (oil on canvas) by Velde, Willem van de, the Younger (1633-1707); 77.2 x 66.5 cm; Mauritshuis, The Hague

Background imageBaroque Era Collection: The Messenger, 1674 (oil on canvas)

The Messenger, 1674 (oil on canvas)
7259966 The Messenger, 1674 (oil on canvas) by Verkolje, Jan (1630-93); 53.4x59.7 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Jan Verkolje (1630-93))

Background imageBaroque Era Collection: Andrea Sacchi, Italian painter of High Baroque Classicism. 1817 (etching)

Andrea Sacchi, Italian painter of High Baroque Classicism. 1817 (etching)
7236181 Andrea Sacchi, Italian painter of High Baroque Classicism.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Andrea Sacchi, 1599-1661)

Background imageBaroque Era Collection: Herman Saftleven the Younger, Dutch Baroque painter. 1817 (etching)

Herman Saftleven the Younger, Dutch Baroque painter. 1817 (etching)
7236178 Herman Saftleven the Younger, Dutch Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Herman Saftleven the Younger, 1609-1685)

Background imageBaroque Era Collection: David Teniers the Younger, Flemish Baroque painter. 1817 (etching)

David Teniers the Younger, Flemish Baroque painter. 1817 (etching)
7236314 David Teniers the Younger, Flemish Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: David Teniers the Younger, 1610-1690)

Background imageBaroque Era Collection: Giovanni Lanfranco, 1817 (etching)

Giovanni Lanfranco, 1817 (etching)
7236203 Giovanni Lanfranco, 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Giovanni Lanfranco, 1582-1647, Italian history painter of the Baroque period)

Background imageBaroque Era Collection: Travellers Ambushed by Brigands, 1670 (oil on canvas)

Travellers Ambushed by Brigands, 1670 (oil on canvas)
7259970 Travellers Ambushed by Brigands, 1670 (oil on canvas) by Berchem, Nicolaes Pietersz (1620-1683); 105 x 95.3 cm; Mauritshuis, The Hague

Background imageBaroque Era Collection: The high altar of the Church of San Luca in Genoa

The high altar of the Church of San Luca in Genoa
5951177 The high altar of the Church of San Luca in Genoa by Italian School, (17th century); Chiesa di San Luca, Genoa, Liguria

Background imageBaroque Era Collection: Interior of the Church of San Luca, The main altar with the statue of the Immaculate

Interior of the Church of San Luca, The main altar with the statue of the Immaculate
5951178 Interior of the Church of San Luca, The main altar with the statue of the Immaculate by Italian School, (17th century); Chiesa di San Luca, Genoa, Liguria

Background imageBaroque Era Collection: A Young Woman Composing a Piece of Music, 1664 (oil on panel)

A Young Woman Composing a Piece of Music, 1664 (oil on panel)
7259969 A Young Woman Composing a Piece of Music, 1664 (oil on panel) by Metsu, Gabriel (1629-67); 43.3 x 57.8 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Gabriel Metsu (1629-67))



All Professionally Made to Order for Quick Shipping

The Baroque Era, a period of artistic grandeur and opulence, captivated the world with its intricate details and emotional intensity. From the picturesque Vale of Aylesbury in 1933 to Rembrandt's profound portrayal of The Return of the Prodigal Son in c1668, this era showcased an array of masterpieces that continue to inspire awe. Rex Whistler's The Letter, created in the 20th century, transports us into a world where emotions are conveyed through every brushstroke. Similarly, Nicolas Poussin's Et in Arcadia ego (Les bergers d'Arcadie or The Arcadian Shepherds) from 1637-1638 (1911) invites us to ponder life's transient nature amidst idyllic landscapes. Diego Velasquez mesmerizes us with his timeless works such as Las Meninas from 1656 (1939), which captures royal intrigue and subtle symbolism. Meanwhile, his masterpiece Las Hilanderas (The Spinners) painted in 1657 (c1934) showcases remarkable skill and storytelling ability. Guido Reni's Saint Joseph with Infant Christ from the 1620s portrays tender love and devotion while Charles-Joseph Natoire's The Rebuke of Adam and Eve in 1740 delves into themes of temptation and redemption. Giovanni Paolo Panini takes us on a journey through time with Modern Rome from 1757, showcasing architectural wonders that stood tall during this era. German Renaissance ceiling and wall paintings adorned with wood mosaic and embroidery offer a glimpse into exquisite craftsmanship by unknown creators in1898. Finally, Jan Vermeer enchants us with Girl with a Pearl Earring circa 1665 - an enigmatic portrait that has become an iconic symbol of beauty throughout history.