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Bartlett Collection (page 3)

"Bartlett: Capturing the Beauty of Ireland and Beyond" Step into the world of William Henry Bartlett

Background imageBartlett Collection: Ruined Walls of Antioch, the Ancient Anathoth, 1841. Artist:s Lacey

Ruined Walls of Antioch, the Ancient Anathoth, 1841. Artist:s Lacey
Ruined Walls of Antioch, the Ancient Anathoth, 1841. View of ancient remains in what is now Turkey. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne

Background imageBartlett Collection: Rhodes, from the Heights near Sir Sidney Smiths Villa, 1841. Artist: W Wallis

Rhodes, from the Heights near Sir Sidney Smiths Villa, 1841. Artist: W Wallis
Rhodes, from the Heights near Sir Sidney Smiths Villa, 1841. View from a house belonging to the British admiral, William Sidney Smith (1764-1840)

Background imageBartlett Collection: Ancient Cedars in the Forest of Lebanon, 1841. Artist: J Redaway

Ancient Cedars in the Forest of Lebanon, 1841. Artist: J Redaway
Ancient Cedars in the Forest of Lebanon, 1841. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne, series of views drawn from nature by W H Bartlett, William Purser

Background imageBartlett Collection: Mount Lebanon, above the valley of the Kedesha, or Holy Valley, Lebanon, 1841. Artist: MJ Starling

Mount Lebanon, above the valley of the Kedesha, or Holy Valley, Lebanon, 1841. Artist: MJ Starling
Mount Lebanon, above the valley of the Kedesha, or Holy Valley, Lebanon, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The Nahr-El-Kelb (Dog River), Lebanon, 1841. Artist: Joseph Wilson Lowry

The Nahr-El-Kelb (Dog River), Lebanon, 1841. Artist: Joseph Wilson Lowry
The Nahr-El-Kelb (Dog River), Lebanon, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Pillars of the Great Temple at Balbec, 1841. Artist: J Sands

Pillars of the Great Temple at Balbec, 1841. Artist: J Sands
Pillars of the Great Temple at Balbec, 1841. Roman ruins at the ancient site of Baalbek in the Lebanon. Illustration from Syria, the Holy land and Asia Minor, Volume I, by John Carne

Background imageBartlett Collection: The Barrada River, (the ancient Pharpar), Damascus, Syria, 1841. Artist: Robert Sands

The Barrada River, (the ancient Pharpar), Damascus, Syria, 1841. Artist: Robert Sands
The Barrada River, (the ancient Pharpar), Damascus, Syria, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Artist: Henry Adlard

Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Artist: Henry Adlard
Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Riblah was an ancient town on the northern frontier of Israel, 35 miles north-east of Baalbec, and 10 or 12 south of Lake Homs

Background imageBartlett Collection: Beteddein, Palace of the Druses (Druze), Lebanon, 1841. Artist: W Floyd

Beteddein, Palace of the Druses (Druze), Lebanon, 1841. Artist: W Floyd
Beteddein, Palace of the Druses (Druze), Lebanon, 1841. Der-el-Kamar can be seen in the distance. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co

Background imageBartlett Collection: Antioch, on the approach from Suadeah, Turkey, 1841. Artist: J Redaway

Antioch, on the approach from Suadeah, Turkey, 1841. Artist: J Redaway
Antioch, on the approach from Suadeah, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Antioch, Turkey, 1841. Artist: J Jeavons

Antioch, Turkey, 1841. Artist: J Jeavons
Antioch, Turkey, 1841. As seen from the west. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Tarsus, Turkey, 1841. Artist: James Carter

Tarsus, Turkey, 1841. Artist: James Carter
Tarsus, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Village of Eden, 1841. Artist: WH Capone

Village of Eden, 1841. Artist: WH Capone
Village of Eden, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: A Turkish divan, Damascus, Syria, 1841. Artist: George Presbury

A Turkish divan, Damascus, Syria, 1841. Artist: George Presbury
A Turkish divan, Damascus, Syria, 1841. A divan (or diwan) was a high governmental body in a number of Islamic states, or its chief official

Background imageBartlett Collection: The Great Temple at Baalbec (Heliopolis), Egypt, 1841. Artist: Robert Sands

The Great Temple at Baalbec (Heliopolis), Egypt, 1841. Artist: Robert Sands
The Great Temple at Baalbec (Heliopolis), Egypt, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Damascus, Syria, 1841. Artist: H Jorden

Damascus, Syria, 1841. Artist: H Jorden
Damascus, Syria, 1841. As seen from above Salahyeh. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Looking out to sea from Mount Carmel, Israel, 1841. Artist: W Floyd

Looking out to sea from Mount Carmel, Israel, 1841. Artist: W Floyd
Looking out to sea from Mount Carmel, Israel, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The cave of the school of the Prophets, 1841. Artist: J Sands

The cave of the school of the Prophets, 1841. Artist: J Sands
The cave of the school of the Prophets, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The battlefield of Issus, Turkey, 1841. Artist: WH Capone

The battlefield of Issus, Turkey, 1841. Artist: WH Capone
The battlefield of Issus, Turkey, 1841. The Battle of Issus occurred in southern Anatolia in November 333 BC. The invading troops led by the young Alexander of Macedonia

Background imageBartlett Collection: A market scene and a fountain in Antioch, Turkey, 1841. Artist:s Lacey

A market scene and a fountain in Antioch, Turkey, 1841. Artist:s Lacey
A market scene and a fountain in Antioch, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Ruins in Rhodes, Greece, 1841. Artist: EG Treacher

Ruins in Rhodes, Greece, 1841. Artist: EG Treacher
Ruins in Rhodes, Greece, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The tomb of St George, Bay of Kesrouan, Syria, 1841. Artist: MJ Starling

The tomb of St George, Bay of Kesrouan, Syria, 1841. Artist: MJ Starling
The tomb of St George, Bay of Kesrouan, Syria, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Ancient buildings in St Jean D Acre (Acre), Israel, 1841. Artist: J Tingle

Ancient buildings in St Jean D Acre (Acre), Israel, 1841. Artist: J Tingle
Ancient buildings in St Jean D Acre (Acre), Israel, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: A sepulchre at Seleucia, Mesopotamia (Iraq / Iran), 1841. Artist: T Dixon

A sepulchre at Seleucia, Mesopotamia (Iraq / Iran), 1841. Artist: T Dixon
A sepulchre at Seleucia, Mesopotamia (Iraq/Iran), 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The approach to Antioch, the ancient Anathoth, from Aleppo, Turkey, 1841. Artist: CJ Bentley

The approach to Antioch, the ancient Anathoth, from Aleppo, Turkey, 1841. Artist: CJ Bentley
The approach to Antioch, the ancient Anathoth, from Aleppo, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: A castle near Tripoli, on the river Kadesha, Libya, 1841. Artist: WF Starling

A castle near Tripoli, on the river Kadesha, Libya, 1841. Artist: WF Starling
A castle near Tripoli, on the river Kadesha, Libya, 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Alexandria, Egypt, 1841. Artist: Roger Young

Alexandria, Egypt, 1841. Artist: Roger Young
Alexandria, Egypt, 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: A Turkish burial ground at Sidon, Lebanon, 1841. Artist: J Redaway

A Turkish burial ground at Sidon, Lebanon, 1841. Artist: J Redaway
A Turkish burial ground at Sidon, Lebanon, 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Jaffa, the ancient Joppa, Palestine (Israel), 1841. Artist: W Wallis

Jaffa, the ancient Joppa, Palestine (Israel), 1841. Artist: W Wallis
Jaffa, the ancient Joppa, Palestine (Israel), 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The ruins of Soli, or Pompeiopolis, Turkey, 1841. Artist: J H Kernot

The ruins of Soli, or Pompeiopolis, Turkey, 1841. Artist: J H Kernot
The ruins of Soli, or Pompeiopolis, Turkey, 1841. Soli was an ancient city and port in Cilicia, in present day Turkey, 11 km west of present day Mersina (near the village Viransehir)

Background imageBartlett Collection: A landing place in a small harbour at Rhodes, Greece, 1841. Artist: John Le Keux

A landing place in a small harbour at Rhodes, Greece, 1841. Artist: John Le Keux
A landing place in a small harbour at Rhodes, Greece, 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: Beirout, the ancient Berothah, Syria, 1841. Artist: James B Allen

Beirout, the ancient Berothah, Syria, 1841. Artist: James B Allen
Beirout, the ancient Berothah, Syria, 1841. Bairuth et le Mont Liban. Berothah or Berothai was a city in ancient Syria belonging to Hadadezer bar Rehob, king of Zobah in the early tenth century BCE

Background imageBartlett Collection: The bazaar at Jaffa, the ancient Joppa, Palestine (Israel), 1841. Artist: E Smith

The bazaar at Jaffa, the ancient Joppa, Palestine (Israel), 1841. Artist: E Smith
The bazaar at Jaffa, the ancient Joppa, Palestine (Israel), 1841. From Syria, the Holy land and Asia Minor, volume II, by John Carne, published by Fisher, Son & Co. (London, 1841)

Background imageBartlett Collection: The Abbey of Einsiedeln, Schwyz, Switzerland, 1836. Artist: R Wallis

The Abbey of Einsiedeln, Schwyz, Switzerland, 1836. Artist: R Wallis
The Abbey of Einsiedeln, Schwyz, Switzerland, 1836

Background imageBartlett Collection: Tells Chapel, Lake Uri, Switzerland, 1836. Artist: R Wallis

Tells Chapel, Lake Uri, Switzerland, 1836. Artist: R Wallis
Tells Chapel, Lake Uri, Switzerland, 1836

Background imageBartlett Collection: The junction of the Ottawa and St Lawrence rivers, Canada, 1842. Artist: John Cousen

The junction of the Ottawa and St Lawrence rivers, Canada, 1842. Artist: John Cousen
The junction of the Ottawa and St Lawrence rivers, Canada, 1842

Background imageBartlett Collection: Scene among the Thousand Isles, Canada, 1842. Artist: R Brandard

Scene among the Thousand Isles, Canada, 1842. Artist: R Brandard
Scene among the Thousand Isles, Canada, 1842

Background imageBartlett Collection: Rapids on the approach to the village of Cedars, Canada, 1842. Artist: JC Bentley

Rapids on the approach to the village of Cedars, Canada, 1842. Artist: JC Bentley
Rapids on the approach to the village of Cedars, Canada, 1842

Background imageBartlett Collection: The coastline at Hastings, East Sussex, 1840. Artist: R Wallis

The coastline at Hastings, East Sussex, 1840. Artist: R Wallis
The coastline at Hastings, East Sussex, 1840

Background imageBartlett Collection: Entrance to a temple, Clonmacnoise, Ireland, 19th century. Artist: R Brandard

Entrance to a temple, Clonmacnoise, Ireland, 19th century. Artist: R Brandard
Entrance to a temple, Clonmacnoise, Ireland, 19th century

Background imageBartlett Collection: Lily Lake, with the town of St John on an outcrop beyond, Canada, 19th century. Artist: R Brandard

Lily Lake, with the town of St John on an outcrop beyond, Canada, 19th century. Artist: R Brandard
Lily Lake, with the town of St John on an outcrop beyond, Canada, 19th century

Background imageBartlett Collection: Albany, New York, USA, 1837. Artist: C Cousen

Albany, New York, USA, 1837. Artist: C Cousen
Albany, New York, USA, 1837

Background imageBartlett Collection: The Hudson River as seen from West Point, USA, 1837. Artist: R Wallis

The Hudson River as seen from West Point, USA, 1837. Artist: R Wallis
The Hudson River as seen from West Point, USA, 1837

Background imageBartlett Collection: New York Bay as seen from the Telegraph Station, USA, 1838. Artist: R Wallis

New York Bay as seen from the Telegraph Station, USA, 1838. Artist: R Wallis
New York Bay as seen from the Telegraph Station, USA, 1838

Background imageBartlett Collection: Yale College, New Haven, Connecticut, USA, 1838. Artist: J Sands

Yale College, New Haven, Connecticut, USA, 1838. Artist: J Sands
Yale College, New Haven, Connecticut, USA, 1838

Background imageBartlett Collection: View of the Capitol at Washington, USA, 1837. Artist: CJ Bentley

View of the Capitol at Washington, USA, 1837. Artist: CJ Bentley
View of the Capitol at Washington, USA, 1837

Background imageBartlett Collection: Boston as seen from the Dorchester Heights, USA, 1838. Artist: James Tibbitts Willmore

Boston as seen from the Dorchester Heights, USA, 1838. Artist: James Tibbitts Willmore
Boston as seen from the Dorchester Heights, USA, 1838

Background imageBartlett Collection: The Ferry at Brooklyn, New York, USA, 1838. Artist: George Richardson

The Ferry at Brooklyn, New York, USA, 1838. Artist: George Richardson
The Ferry at Brooklyn, New York, USA, 1838



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"Bartlett: Capturing the Beauty of Ireland and Beyond" Step into the world of William Henry Bartlett, a renowned artist who skillfully depicted landscapes and scenes from various parts of Ireland and beyond. From the majestic Walkers Pillar in Londonderry, Northern Ireland to the bustling quay in Waterford, each artwork tells a unique story. In "The Genius of Poetry Finding Burns at the Plough, " Bartlett captures a moment that celebrates the power of creativity. The image portrays Robert Burns, Scotland's national poet, amidst his daily work on a farm. It reminds us that inspiration can strike anywhere. Venturing further into Ireland's enchanting landscapes, we find ourselves immersed in breathtaking views such as the Gap of Dunloe near Killarney. Bartlett's steel engraving transports us to this picturesque location with its winding paths and lush greenery. Not limited to Irish scenes alone, it also documented significant events like the marriage between Baroness Burdett-Coutts and William Ashmead-Bartl. His artistry captured not only natural beauty but also moments that shaped history. Traveling eastward through Turkey, we encounter Hadgi encamped near Antioch on their pilgrimage to Mecca. Bartlett's depiction showcases both cultural diversity and religious devotion against the backdrop of Turkey's Orontes River. Returning to Ireland once more, we witness stunning coastal vistas such as Cove (Queenstown) in Cork Harbor or Ballybunion at Shannon River mouth. These images transport us to idyllic seaside villages where land meets sea in perfect harmony. Bartlett continues his exploration along Kilkee's Atlantic coastlines with its natural bridges carved by nature itself. Each engraving presents an invitation for viewers to immerse themselves in these captivating locations filled with wonder and tranquility. Finally, Lough Tay emerges before our eyes—a jewel nestled within County Wicklow’s Wicklow Mountains—offering a glimpse of Ireland's serene beauty.