Basrelief Collection

Gallo-Roman low-relief. Ferrying wine barrels and amphorae. Roman art. Early Empire. Relief on rock. FRANCE. PROVENCE ALPES CԔ E D AZUR. VAUCLUSE. Avignon. Mus饠 Calvet (Calvet Museum)

Low relief of the facade of the church of St Gregorio ostiense of Sorlada - SPAIN. Sorlada
CUL4852886 Low relief of the facade of the church of St Gregorio ostiense of Sorlada - SPAIN. Sorlada. Church of St Gregorio Ostiense. Detail of the facade. Low Relief

Curetes Street, Ephesus, Turkey

Egypt, Luxor, Karnak Temple, Colossi in Temple of Amun

Egypt, Luxor, Karnak Temple

Plaque with the Stories of Saint Peter from the Second School of Metz (ivory)
3567304 Plaque with the Stories of Saint Peter from the Second School of Metz (ivory) by French School, (9th-10th century); Museo Nazionale del Bargello, Florence, Tuscany

Churches Santa Maria and Santa Maria Di Loreto, and Trajans Column. Rome Italy. (photo)
7262459 Churches Santa Maria and Santa Maria Di Loreto, and Trajans Column. Rome Italy. (photo) by Sangallo, Antonio da (The Younger) (1483-1546); © Frank Buffetrille. All rights reserved 2022

Le Vocabulaire Illustre: Bas-relief; Basrelief (engraving)
7194858 Le Vocabulaire Illustre: Bas-relief; Basrelief (engraving) by European School, (19th century); Private Collection; (add.info.: Bas-relief; Basrelief)

Madonna and Child with the Madonna della Scala (marble)
3557721 Madonna and Child with the Madonna della Scala (marble) by Buonarroti, Michelangelo (1475-1564); Casa Buonarroti, Florence

Cameo of the Abundance
3567278 Cameo of the Abundance by Roman, (1st-4th century AD); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: I sec.a.C.- IV sec.d.C)

Cameo of Saint Giorgio: Byzantine work
3567276 Cameo of Saint Giorgio: Byzantine work by Byzantine School, (6th-13th century); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: VI-XIII secc)

Madonna and Child
3567268 Madonna and Child by Michelozzo di Bartolommeo (1396-1472); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: ARTIST: Michelozzo di Bartolomeo Michelozzi Date of Artwork)

The Virgin with the Child. Marble lowrelief
3567264 The Virgin with the Child. Marble lowrelief by Ferrucci, Francesco di Simone da Fiesole (1437-93); Museo Nazionale del Bargello, Florence, Tuscany

Roman bireme with crocodile on the stern
Bireme with crocodile and heads carved on the stern, from a basrelief in the Temple of Fortuna Preneste. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own

Ancient musical instruments including bellows
Foot instrument used by a faun in a Florentine gallery 1, bellows from a relief in the Pallavicini Gardens 2, bagpipe from an ancient basrelief 3, tambourine, castanets and tibia from Greek vases 4

Basrelief gravestone of Susannna Albert, died 1565, wife of Adam Albert, counsel and town clerk. Chromolithograph from Hefner-Altenecks Costumes

Cameo of Livia
3567275 Cameo of Livia by Cerbara, Niccolo (1793-1869); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: 1800-1869 Location: Florence)

Young St. John the Baptist, detail
3567270 Young St. John the Baptist, detail by Desiderio da Settignano (1428-64); Museo Nazionale del Bargello, Florence, Tuscany

The God of Love besieged in his castel, ivory work from a french school
3567306 The God of Love besieged in his castel, ivory work from a french school by French School, (13th century); Museo Nazionale del Bargello, Florence, Tuscany

Relief showing the death of Francesca Tornabuoni
3567265 Relief showing the death of Francesca Tornabuoni by Verrocchio, Andrea del (1435-88); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: ARTIST: Verrocchio)

Cameo of Nero
3567277 Cameo of Nero by Unknown Artist, (15th-16th century); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: XV-XVI sec)

Cameo of the Three Graces
3567279 Cameo of the Three Graces by Unknown artist, (18th century); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: prima meta XVIII sec)

Faith, relief (marble)
3567263 Faith, relief (marble) by Civitali, Matteo (fl.c1456-1501); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: ARTIST: Civitali, Matteo Date of Artwork: 1456-1501 ca)

Tile with The Ascension. Ivory bas-relief conserved in the Bargello National Museum in Florence
3567305 Tile with The Ascension. Ivory bas-relief conserved in the Bargello National Museum in Florence by Unknown Artist, (13th century); (add.info.: Date of Artwork: XIII sec)

Laos, Luang Prabang (UNESCO Site), Temple Detail

Laos, Luang Prabang (UNESCO Site), Wat Xieng Thong

Italian knights from the early 15th century from a bronze basrelief.. Chromolithograph from Jakob Heinrich von Hefner-Altenecks Costumes

Pillow seller. Augustus reign (1st c. BF- 1st c. )
Pillow seller. Augustus reign (1st c.BF- 1st c.). Roman art. Early Empire. Relief. ITALY. TUSCANY. Florence. Galleria degli Uffizi (Uffizi Gallery)

Turkey, Istanbul, The Hippodrome of Constantinople, The base of the Obelisk of Thutmosis III
Turkey - Istanbul - The Hippodrome of Constantinople - The base of the Obelisk of Thutmosis III showing Emperor Theodosius as he offers a laurel wreath to the victor from the Kathisma at

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Bas-relief, also known as low-relief, is an exquisite art form that has captivated civilizations throughout history. From the Gallo-Roman era to the present day, this technique continues to amaze and inspire. In Ephesus, Turkey, on Curetes Street, one can witness the beauty of bas-reliefs depicting wine barrels being ferried. These intricate carvings transport us back in time and offer a glimpse into the daily life of ancient societies. Traveling further east to Luxor, Egypt, we encounter Karnak Temple's colossal bas-reliefs dedicated to Amun. These magnificent works of art showcase the grandeur and power associated with Egyptian deities. Laos boasts its own UNESCO World Heritage Site in Luang Prabang. Here, temples such as Wat Xieng Thong feature detailed bas-reliefs that narrate stories from Buddhist mythology. Each carving tells a tale of spiritual significance and cultural heritage. Moving westward to Metz in France reveals another aspect of bas-relief craftsmanship - ivory plaques portraying Saint Peter's stories from the Second School of Metz. The delicate engravings demonstrate remarkable skill and devotion. Rome showcases its rich artistic legacy through various bas-relief work found within churches like Santa Maria Di Loreto and Trajan's Column. These masterpieces adorn architectural wonders with their intricate designs carved into marble surfaces. The world-renowned Le Vocabulaire Illustre highlights different forms of engraving techniques used in creating stunning bas-reliefs that have stood the test of time. One cannot overlook Renaissance sculptures like Madonna della Scala or intricately crafted cameos such as "Abundance" or "Saint Giorgio. " These pieces exemplify how artists have utilized cameo-style relief carving to create breathtakingly detailed artworks throughout history. Bas-relief serves not only as a visual feast for our eyes but also as a testament to human creativity and ingenuity across cultures and centuries.