Battista Collection (page 9)

Giovanni Battista Piranesi and Francesco Piranesi (authors) (Italian, 1720 - 1778), Catalogo delle Opere Date Finora Alla Lvce Da Gio Battista Piranesi, etching and engraving on laid paper

Giovanni Battista Mercati (Italian, 1600 - active 1637), Saint Anthony of Padua, etching

Giorgio Ghisi after Giovanni Battista Scultori (Italian, 1520 - 1582), Sinon Deceiving the Trojans, c. 1545, engraving on laid paper

Giovanni Battista Fontana (Italian, c. 1524 - 1587), The Birth of the Virgin, etching on laid paper

Anton Kern after Giovanni Battista Pittoni (Bohemian, 1709 - 1747), A Kneeling Woman with an Incense Burner and a Page Holding a Crown and Scepter, c

Jean-Honora Fragonard after Giovanni Battista Tiepolo (French, 1732 - 1806), The
Jean-Honora© Fragonard after Giovanni Battista Tiepolo (French, 1732 - 1806), The Feast of Anthony and Cleopatra (Le festin d Antoine et de Cleopatre), etching

Giovanni Battista Piazzetta (1683 - 1754), Caliph Aladin and His Counselors, late 1730s, black chalk (with extraneous marks in red chalk) on laid paper

Giovanni Battista Cipriani (Italian, 1727 - 1785), Study of Two Putti and a Draped Arm, black chalk on laid paper

Follower of Giovanni Battista Tiepolo, Drawing for a Ceiling Fresco, pen and brown ink with brown wash

Giovanni Battista Lusieri, Italian (c. 1755-1821), The Bay of Naples with Mounts Vesuvius
Giovanni Battista Lusieri (Italian, c. 1755 - 1821), The Bay of Naples with Mounts Vesuvius and Somma, 1782-1794, watercolor with pen and black ink over graphite on laid paper mounted to paperboard

Giovanni Battista Piranesi, Veduta della Cascata di Tivoli, Italian, 1720-1778, 1766
Giovanni Battista Piranesi, Veduta della Cascata di Tivoli, Italian, 1720 - 1778, 1766, etching

Giovanni Battista Piranesi, Veduta del Ponte Salario, Italian, 1720 - 1778, 1756-1757, etching

Giovanni Battista Palumba, Faun Family, Italian, active first quarter 16th century, c. 1507, engraving

Giovanni Battista Piranesi, Lettere di Giustificazione scritte a Milord Charlemont e a di lui Agenti di Roma, Italian, 1720 - 1778, 1757, bound volume with 8 etched illustrations and presentation leaf

Giovanni Battista Moroni (Italian, c. 1525 - 1578), Titians Schoolmaster"
Giovanni Battista Moroni (Italian, c. 1525 - 1578), " Titians Schoolmaster", c. 1575, oil on canvas

Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting a Chalice, black chalk and pen and brown ink, partially squared in black chalk, on laid paper

A Boy with a Lute, c. 1740 (black and white chalk and charcoal on blue paper)
XOS1766038 A Boy with a Lute, c.1740 (black and white chalk and charcoal on blue paper) by Piazzetta, Giambattista (1682-1754); 36.3x29.5 cm; National Gallery of Art, Washington DC, USA; Italian

Study of a Male Figure (Empedocles and / or Saint Roch)
Study of a Male Figure (Empedocles and/or Saint Roch); Rosso Fiorentino (Giovanni Battista di Jacopo di Gasparre), Italian

Study of a Franciscan Monk (Possibly Saint Francis); Cerano (Giovanni Battista Crespi), Italian, 1575 - 1632; about 1600; Red chalk; 20.8 x 17.5 cm (8 3/16 x 6 7/8 in.)

A Standing Male Nude (recto), A Standing Male Nude (verso); Giovanni Battista Naldini, Italian, about 1537 - 1591; Italy, Europe; 1590; Black, red and white chalk

Flight into Egypt (recto), Various Studies (verso); Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; 1725 - 1735; Pen and brown ink with brown wash over black chalk (recto)

View of a Villa; Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; 1757 - 1759; Pen and brown ink and brown wash; 15.2 x 26 cm (6 x 10 1/4 in.)

A Boy Holding a Pear (Giacomo Piazzetta?); Giovanni Battista Piazzetta, Italian, 1682 - 1754; about 1737; Black and white chalk on blue-gray paper (two joined sheets)

Raising of the Son of the Widow of Naim (recto), Madonna and Child with Saints (verso); Giovanni Battista Naldini, Italian, about 1537 - 1591; Italy, Europe; about 1570 - 1580; Pen and iron gall ink

An Ancient Port; Giovanni Battista Piranesi, Italian, 1720 - 1778; Italy, Europe; 1749 - 1750; Red and black chalk and brown and reddish wash

A Saint on Horseback; Circle of Giovanni Battista Cima da Conegliano, Italian (Venetian), about 1459/1460 ? - 1517/1518; Italy, Europe; about 1510; Red chalk over stylus underdrawing

The Sacrifice of Polyxena; Giovanni Battista Pittoni, Italian (Venetian), 1687 - 1767; about 1733 - 1734; Oil on canvas; Unframed: 128.3 x 95.3 cm (50 1/2 x 37 1/2 in.)

A View of the Bay of Naples, Looking Southwest from the Pizzofalcone towards Capo di Posilippo; Giovanni Battista Lusieri, Italian, about 1755 - 1821; Naples, Italy, Europe; 1791; Watercolor

The Miracle of the Holy House of Loreto; Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; 1743; Oil on canvas; Unframed: 122.9 x 77.2 cm (48 3/8 x 30 3/8 in.)

Laocoon; Giovanni Battista Foggini, Italian, 1652 - 1725; Florence, Italy, Tuscany, Europe; about 1720; Bronze; Object: H: 56 x W: 44 x D: 21.9 cm (H: 22 1/16 x W: 17 5/16 x D: 8 5/8 in.)

Portrait of Camillo Rospigliosi; Attributed to Giovanni Battista Calandra, Italian, 1586 - 1644; Italy, Europe; about 1630 - 1640; Glass mosaic in gilt wood frame; Object [excluding frame]

Mercury and Argus; Produced in the Ginori Porcelain Factory, Italian, active 1735 - present, After models by Giovanni Battista Foggini, Italian, 1652 - 1725, Probably made by Gaspero Bruschi

Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725, Woodwork by Leonard van der Vinne, Flemish, active second half of 17th century - 1713

Four Studies of a Male Figure; Giovanni Battista Piranesi, Italian, 1720 - 1778; 1760 - 1765; Pen and brown ink and brown wash, traces of black chalk; 25 x 17.3 cm (9 13/16 x 6 13/16 in.)

Alexander the Great and Campaspe in the Studio of Apelles; Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; about 1740; Oil on canvas; Unframed: 42.5 x 54 cm (16 3/4 x 21 1/4 in.)

An extensive view of Rome from the Orti della Pineta Sacchetti; Giovanni Battista Lusieri, Italian, about 1755 - 1821; Italy

Caricature of a Man Wearing an Overcoat; Giovanni Battista Tiepolo, Italian, 1696 - 1770; about 1753 - 1762; Pen and black ink and brush with gray wash; 21 x 14 cm (8 1/4 x 5 1/2 in.)

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"Battista: A Journey through Art, Culture, and Nature" Step into the Tempio Malatestiano in Rimini, Romagna, Italy and be transported to a world of architectural marvels designed by the brilliant Leon Battista Alberti. Marvel at the intricate details that adorn this sacred space. Traveling further east, we encounter the Mani or Maina peninsula in Greece. Here, witness the resilience and beauty of its people as they proudly showcase their traditions and customs. Venturing into nature's realm, meet Limon barbadorus - a stunning butterfly species known for its vibrant colors and graceful flight. Its presence reminds us of nature's delicate balance. In artistry lies another facet of Battista's influence. TIEPOLO's masterpiece "Eurybates" captivates with its portrayal of emotion and storytelling ability. The brushstrokes bring ancient tales to life before our eyes. Journeying towards Khakas or Khakass shamans from Saygachi near Siberia reveals a spiritual connection between humans and nature that has endured for centuries. Witness their rituals as they commune with unseen forces. The animal kingdom beckons us next – behold the silky anteater and black tamandua gracefully navigating their natural habitat. These creatures remind us of Earth's incredible biodiversity. History comes alive when encountering Fredrigo Di Montefeltro, Duke of Urbino in Piero della Francesca’s artwork from 1465. This portrait captures his regal essence while offering a glimpse into Renaissance society. Giovanni Battista Pergolesi enchants listeners with his timeless compositions that evoke deep emotions within our souls. His music transcends time barriers to touch hearts across generations. Rome's iconic Pantheon invites us inside where Giovanni Battista Piranesi’s etching showcases its grandeur dating back to ancient times. Let your imagination wander amidst these hallowed halls filled with history.