Bestiality Collection

Carving depicting the Judensau, c. 1440 (stone)
3609716 Carving depicting the Judensau, c.1440 (stone) by German School, (15th century); Stadtkirche St. Marien, Wittenberg, Germany; Bildarchiv Foto Marburg

Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus
ALG154704 Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche

Postcard from Bern depicting a woman and a bear, c. 1900 (colour litho)
CHT239212 Postcard from Bern depicting a woman and a bear, c.1900 (colour litho) by Swiss School, (19th Century); Bibliotheque des Arts Decoratifs, Paris, France; © Archives Charmet

The Passions of Pasiphae, wife of King Minos of Crete, from the Story of Theseus (oil on panel)
PWI84011 The Passions of Pasiphae, wife of King Minos of Crete, from the Story of Theseus (oil on panel) by Master of the Campana Cassoni, (fl.c.1510); 69x182 cm; Musee du Petit Palais, Avignon

Handle Spout Vessel Depicting Bestiality, 100 B. C. / A. D. 500. Creator: Unknown
Handle Spout Vessel Depicting Bestiality, 100 B.C./A.D. 500

Leda and the Swan (black chalk and w / c)
PWI83798 Leda and the Swan (black chalk and w/c) by Gericault, Theodore (1791-1824); Louvre (Cabinet de dessins), Paris, France; ePeter Willi; French, out of copyright

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"Exploring the Dark Depths of Human Desire: A Controversial Glimpse into Bestiality" Intriguing and unsettling, these hints offer a glimpse into the taboo subject throughout history. From ancient carvings to modern art forms, this caption delves into various depictions that challenge societal norms and provoke contemplation. The Judensau carving from the 15th century presents an early example where animals are used as metaphors for derogatory representations. Moving forward in time, we encounter an erotic scene illustrated in Fleurettes Purple Snails, a collection of provocative songs and poems from the 18th century. Mythology intertwines with bestiality as we witness Jupiter seducing Olympia or Polyphemus guarding Acis and Galatea. Pasiphae's infamous entrance into Daedalus' cow construction adds another layer to this complex theme. The fresco from Sala di Amore e Psiche showcases these tales post restoration, allowing us to appreciate their historical significance. Even postcards become part of this narrative as a woman is depicted alongside a bear in Bern during the early 1900s. Such visual representations blur boundaries between humans and animals while challenging conventional morality. "The Power of Beauty" etching by Hannah Humphrey explores St. Cecilia's ability to captivate even brutes through her charm. Meanwhile, "The Mermaid" engraving captures mythical creatures engaging with human desires. Ancient Greek culture also leaves its mark on this controversial topic through F. K Forberg's hand-colored lithograph showcasing sodomy involving a goat. This plate XVII from De Figuris Veneris raises questions about cultural acceptance within different periods. Moving away from mythology but still exploring forbidden passions, "The Passions of Pasiphae" depicts King Minos' wife indulging in her illicit desires within the story of Theseus.