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Blacksmith Collection (page 10)

"The Artistry and Craftsmanship of the Blacksmith: A Glimpse into History" Step back in time to 1844, as we explore the captivating world of blacksmiths

Background imageBlacksmith Collection: The Smiths Yard, 1895 (lithograph)

The Smiths Yard, 1895 (lithograph)
1066718 The Smiths Yard, 1895 (lithograph) by Whistler, James Abbott McNeill (1834-1903); 29.7x21.1 cm; Dallas Museum of Art, Texas, USA; gift of Carnegie Inc.; American, out of copyright

Background imageBlacksmith Collection: Blacksmiths Guild of Amsterdam attendance token, c. 1700 (brass)

Blacksmiths Guild of Amsterdam attendance token, c. 1700 (brass)
3058094 Blacksmiths Guild of Amsterdam attendance token, c.1700 (brass) by Dutch School; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Guild medal of Jacob Pietersz ); Dutch, out of copyright

Background imageBlacksmith Collection: The Farrier, from Etudes de Cheveaux, 1822 (litho)

The Farrier, from Etudes de Cheveaux, 1822 (litho)
619541 The Farrier, from Etudes de Cheveaux, 1822 (litho) by Gericault, Theodore (1791-1824); Private Collection; The Stapleton Collection; French, out of copyright

Background imageBlacksmith Collection: Spanish Smiths, 1881 (oil on canvas)

Spanish Smiths, 1881 (oil on canvas)
SNM128585 Spanish Smiths, 1881 (oil on canvas) by Josephson, Ernst (1851-1906); 124x103.5 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

Background imageBlacksmith Collection: Relief depicting a blacksmiths shop and tools (stone)

Relief depicting a blacksmiths shop and tools (stone)
XIR125456 Relief depicting a blacksmiths shop and tools (stone) by Roman, (3rd century BC); Museo Nazionale d Abruzzo, Aquila, Abruzzo, Italy; out of copyright

Background imageBlacksmith Collection: The Blacksmiths Forge (oil on canvas)

The Blacksmiths Forge (oil on canvas)
RAF69376 The Blacksmiths Forge (oil on canvas) by Oudenrogge, Johannes Dircksz van (1622-53); 40.7x40.7 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageBlacksmith Collection: Symptoms Of The Finish Of 'Some Sorts Of Life'In London - Tom, Jerry and Logic

Symptoms Of The Finish Of "Some Sorts Of Life"In London - Tom, Jerry and Logic
2562173 Symptoms Of The Finish Of " Some Sorts Of Life" In London - Tom, Jerry and Logic, in the Press Yard, at Newgate, from Tom and Jerrys Life in London

Background imageBlacksmith Collection: Mungo Park, The blacksmiths quarrel (colour litho)

Mungo Park, The blacksmiths quarrel (colour litho)
5211210 Mungo Park, The blacksmiths quarrel (colour litho) by Williamson, J. (fl.1850-1919); Private Collection; (add.info.: The blacksmiths quarrel)

Background imageBlacksmith Collection: Engraving depicting the village blacksmith

Engraving depicting the village blacksmith
5308602 Engraving depicting the village blacksmith by Small, William (1843-1931); (add.info.: Engraving depicting the village blacksmith)

Background imageBlacksmith Collection: The blacksmith (engraving)

The blacksmith (engraving)
6022247 The blacksmith (engraving) by American School, (19th century); Private Collection; (add.info.: The blacksmith. Illustration for In The Childs World by Emilie Poulsson (Milton Bradley Co)

Background imageBlacksmith Collection: Picture Alphabet, B (engraving)

Picture Alphabet, B (engraving)
6010704 Picture Alphabet, B (engraving) by English School, (19th century); Private Collection; (add.info.: Picture Alphabet, B. Illustration for The Infants Magazine (1886).); © Look and Learn

Background imageBlacksmith Collection: The Broken Hoop (chromolitho)

The Broken Hoop (chromolitho)
5988737 The Broken Hoop (chromolitho) by English School, (20th century); Private Collection; (add.info.: The Broken Hoop. Illustration for Chatterbox (1903).); © Look and Learn

Background imageBlacksmith Collection: The village smithy (colour litho)

The village smithy (colour litho)
5304356 The village smithy (colour litho) by Creswick, Thomas (1811-69); Private Collection; English, out of copyright

Background imageBlacksmith Collection: All-Russian League for Womens Equality. Vote for List No. 7, 1917 (chromolitho)

All-Russian League for Womens Equality. Vote for List No. 7, 1917 (chromolitho)
FIA5403491 All-Russian League for Womens Equality. Vote for List No. 7, 1917 (chromolitho) by Kustodiev, Boris Mikhailovich (1878-1927); 75x52 cm; Private Collection; Photo eFine Art Images; Russian

Background imageBlacksmith Collection: The Smithy, c. 1910 (oil on canvas)

The Smithy, c. 1910 (oil on canvas)
1767488 The Smithy, c.1910 (oil on canvas) by Melchers, Julius Gari (1860-1932); 146.1x130.8 cm; Private Collection; (add.info.: The Smithy. Julius Gari Melchers (1860-1932). Oil on canvas

Background imageBlacksmith Collection: Fenian Weapons seized in a Blacksmiths Shop at Cork (engraving)

Fenian Weapons seized in a Blacksmiths Shop at Cork (engraving)
1610630 Fenian Weapons seized in a Blacksmiths Shop at Cork (engraving) by English School, (19th century); Private Collection; (add.info.: Fenian Weapons seized in a Blacksmiths Shop at Cork)

Background imageBlacksmith Collection: Plate 491. A, Hammering at Anvil; B, Hammering at Anvil, 1872-85 (collotype on paper)

Plate 491. A, Hammering at Anvil; B, Hammering at Anvil, 1872-85 (collotype on paper)
3950102 Plate 491. A, Hammering at Anvil; B, Hammering at Anvil, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.7x30.5 cm; Addison Gallery of American Art, Phillips Academy

Background imageBlacksmith Collection: Weeping Woman in a Blacksmiths Shop, c. 1650 (oil on canvas)

Weeping Woman in a Blacksmiths Shop, c. 1650 (oil on canvas)
3937456 Weeping Woman in a Blacksmiths Shop, c.1650 (oil on canvas) by Metsu, Gabriel (1629-67); 105x120 cm; National Museum, Stockholm

Background imageBlacksmith Collection: The blacksmith at his forge - oil on canvas, 1642-1643

The blacksmith at his forge - oil on canvas, 1642-1643
LRI4578914 The blacksmith at his forge - oil on canvas, 1642-1643 by Le Nain, Louis (1593-1648); Louvre, Paris, France; (add.info)

Background imageBlacksmith Collection: A Village Entertainment (engraving)

A Village Entertainment (engraving)
1622969 A Village Entertainment (engraving) by English School, (19th century); Private Collection; (add.info.: A Village Entertainment. Illustration for The Illustrated London News, 20 December 1884)

Background imageBlacksmith Collection: An Iron Forge, after Joseph Wright of Derby (1734-97), 1773 (mezzotint on laid paper)

An Iron Forge, after Joseph Wright of Derby (1734-97), 1773 (mezzotint on laid paper)
996324 An Iron Forge, after Joseph Wright of Derby (1734-97), 1773 (mezzotint on laid paper) by Earlom, Richard (1743-1822); Image: 47.9x59.5 cm; Art Gallery of Ontario, Toronto

Background imageBlacksmith Collection: A young boy and young girl giving a broken hoop to a blacksmith for repair (colour litho)

A young boy and young girl giving a broken hoop to a blacksmith for repair (colour litho)
960231 A young boy and young girl giving a broken hoop to a blacksmith for repair (colour litho) by English School, (19th century); Private Collection; (add.info.: The Broken Hoop)

Background imageBlacksmith Collection: Pincers (chromolitho)

Pincers (chromolitho)
977717 Pincers (chromolitho) by French School, (19th century); Private Collection; (add.info.: Pincers. French educational card, late 19th/early 20th century.); © Look and Learn

Background imageBlacksmith Collection: The apprehensive blacksmiths apprentice (colour litho)

The apprehensive blacksmiths apprentice (colour litho)
3097089 The apprehensive blacksmiths apprentice (colour litho) by German School, (19th century); Private Collection; (add.info.: The apprehensive blacksmiths apprentice)

Background imageBlacksmith Collection: The blacksmith or the marechal in his forge The marechal-iron and his family

The blacksmith or the marechal in his forge The marechal-iron and his family
JLJ4689573 The blacksmith or the marechal in his forge The marechal-iron and his family, beside him an anvil. Painting by Louis the Nain (1593-1648) 17th century Sun

Background imageBlacksmith Collection: The village blacksmith (colour litho)

The village blacksmith (colour litho)
833229 The village blacksmith (colour litho) by Dobson, Henry John (1858-1928); Private Collection; (add.info.: illustration from Childrens Stories from Longfellow)

Background imageBlacksmith Collection: Parish of Gretna (litho)

Parish of Gretna (litho)
3643108 Parish of Gretna (litho) by English School, (20th century); Private Collection; (add.info.: Parish of Gretna. Postcard, early 20th century.); © Look and Learn

Background imageBlacksmith Collection: Trotting Cracks at the Forge, pub. 1869, Currier & Ives (colour litho)

Trotting Cracks at the Forge, pub. 1869, Currier & Ives (colour litho)
3470978 Trotting Cracks at the Forge, pub. 1869, Currier & Ives (colour litho) by American School, (19th century); Private Collection; The Stapleton Collection; American, out of copyright

Background imageBlacksmith Collection: Blacksmith (engraving)

Blacksmith (engraving)
2801945 Blacksmith (engraving) by English School, (19th century); Private Collection; (add.info.: Blacksmith. Illustration for An Illustrated Vocabulary For The Use Of The Deaf And Dumb (SPCK)

Background imageBlacksmith Collection: Filipino smithy in a village (chromolitho)

Filipino smithy in a village (chromolitho)
2782674 Filipino smithy in a village (chromolitho) by European School, (19th century); Private Collection; (add.info.: Filipino smithy in a village)

Background imageBlacksmith Collection: The Smithy (engraving)

The Smithy (engraving)
670740 The Smithy (engraving) by English School, (19th century); Private Collection; (add.info.: The Smithy. Illustration for Lessons from Noble Lives (Wesleyan, c 1870)

Background imageBlacksmith Collection: Smithy, Hexham Bridge End, 1885 (oil on canvas)

Smithy, Hexham Bridge End, 1885 (oil on canvas)
TW429329 Smithy, Hexham Bridge End, 1885 (oil on canvas) by Hedley, Ralph (1848-1913); 66x91.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

Background imageBlacksmith Collection: Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c

Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c
698898 Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c.480 BC (pottery) (b/w photo) by Douris, (c.500-460 BC); 12x31 cm; Bibliotheque Nationale, Paris

Background imageBlacksmith Collection: The Wheelright, c. 1860 (colour litho)

The Wheelright, c. 1860 (colour litho)
CHT275999 The Wheelright, c.1860 (colour litho) by French School, (19th century); Archives Hachette, Paris; (add.info.: Le Charron; ); eArchives Charmet; French, out of copyright

Background imageBlacksmith Collection: The Veterinarian, engraved by J. R. Mackrell (colour litho)

The Veterinarian, engraved by J. R. Mackrell (colour litho)
BSA266824 The Veterinarian, engraved by J.R. Mackrell (colour litho) by Turner, F. C. (1795-1865) (after); Private Collection; eThe British Sporting Art Trust; English, out of copyright

Background imageBlacksmith Collection: The Forge (litho)

The Forge (litho)
PCT164453 The Forge (litho) by Lalaisse, Francois-Hippolyte (1812-84); Private Collection; French, out of copyright

Background imageBlacksmith Collection: Vulcan forging the armour of Achilles (fresco)

Vulcan forging the armour of Achilles (fresco)
AII78741 Vulcan forging the armour of Achilles (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

Background imageBlacksmith Collection: A Smithy at Seville (w / c, pen & ink on paper)

A Smithy at Seville (w / c, pen & ink on paper)
RWS137236 A Smithy at Seville (w/c, pen & ink on paper) by Goodall, Edward Angelo (1819-1908); Trustees of the Royal Watercolour Society, London, UK; eRoyal Watercolour Society; English

Background imageBlacksmith Collection: Interior of a foundry (painting)

Interior of a foundry (painting)
5672076 Interior of a foundry (painting) by Defrance, Leonard (1735-1805); Universal History Archive/UIG; Belgian, out of copyright

Background imageBlacksmith Collection: Samuel Clarke, the Blacksmith, and his Little Daughter Jenny (engraving)

Samuel Clarke, the Blacksmith, and his Little Daughter Jenny (engraving)
6008147 Samuel Clarke, the Blacksmith, and his Little Daughter Jenny (engraving) by English School, (19th century); Private Collection; (add.info.: Samuel Clarke, the Blacksmith)

Background imageBlacksmith Collection: Our village blacksmith (engraving)

Our village blacksmith (engraving)
6004416 Our village blacksmith (engraving) by English School, (19th century); Private Collection; (add.info.: Our village blacksmith)

Background imageBlacksmith Collection: The Village Blacksmith (colour litho)

The Village Blacksmith (colour litho)
6003443 The Village Blacksmith (colour litho) by English School, (19th century); Private Collection; (add.info.: The Village Blacksmith. Illustration for Chatterbox (1901)

Background imageBlacksmith Collection: Getting in the Thin End of the Wedge, or, 'Strike while the iron is hot'(engraving)

Getting in the Thin End of the Wedge, or, "Strike while the iron is hot"(engraving)
6008171 Getting in the Thin End of the Wedge, or, " Strike while the iron is hot" (engraving) by Steel, Gourlay (1819-94); Private Collection; (add.info)

Background imageBlacksmith Collection: The legend of St Eloi (coloured engraving)

The legend of St Eloi (coloured engraving)
5998837 The legend of St Eloi (coloured engraving) by French School, (19th century); Private Collection; (add.info.: The legend of St Eloi)

Background imageBlacksmith Collection: Hes Cast a Shoe (oil on canvas)

Hes Cast a Shoe (oil on canvas)
991388 Hes Cast a Shoe (oil on canvas) by Weber, Otto (1832-88); 99.2x160.3 cm; Private Collection; (add.info.: Hes Cast a Shoe. Otto Weber (1832-1888). Oil on canvas

Background imageBlacksmith Collection: At the blacksmiths (colour litho)

At the blacksmiths (colour litho)
5304411 At the blacksmiths (colour litho) by Noble, John Sargent (1848-96); Private Collection; English, out of copyright

Background imageBlacksmith Collection: Couple of Moyobamma metisses working iron in a forge, from the book '

Couple of Moyobamma metisses working iron in a forge, from the book "
AIS5348824 Couple of Moyobamma metisses working iron in a forge, from the book " Trujillo del Peru" or " CAodice MartAinez CompaAnAon", by Baltazar Martinez CompaAnAon y Bujanda

Background imageBlacksmith Collection: The Kitschelt iron foundry at the Skodagasse in Vienna, 1898 (watercolour)

The Kitschelt iron foundry at the Skodagasse in Vienna, 1898 (watercolour)
FIA5409606 The Kitschelt iron foundry at the Skodagasse in Vienna, 1898 (watercolour) by Alt, Rudolph von (1812-1905); Private Collection; Photo eFine Art Images; Austrian, out of copyright



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"The Artistry and Craftsmanship of the Blacksmith: A Glimpse into History" Step back in time to 1844, as we explore the captivating world of blacksmiths. Renowned artist Edwin Henry Landseer brings their trade to life with his masterpiece "Shoeing. " This painting beautifully captures the skill and dedication required to forge horseshoes, a vital task for horses' well-being. Fast forward to 1875, where we discover an array tools that were essential for their craft. These instruments served as extensions of their hands, allowing them to shape metal with precision and finesse. Intriguingly, even political figures found inspiration in the blacksmith's trade. Bismarck himself was depicted as a blacksmith in 1938, symbolizing his strength and ability to shape nations just like iron at the anvil. Venturing outside the confines of the forge, we witness blacksmiths engaging with their surroundings. Whether it be conversing with fellow craftsmen or taking a momentary break from work, these images reveal glimpses into their daily lives beyond forging metal. The bond between a blacksmith and his equine companions is undeniable. In countless artworks from the 19th century onwards, we see skilled artisans carefully shoeing horses – ensuring both comfort and protection for our four-legged friends. Delving deeper into history reveals colored engravings showcasing Horseshoers hard at work during this era. The vibrant depictions highlight not only their expertise but also serve as testaments to how integral they were within society. Traveling further back in time through oil paintings takes us to c. 1770s when "The Iron Forge Viewed from Without" mesmerized viewers with its depiction of flames dancing amidst billowing smoke—an atmospheric glimpse into this age-old profession.