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Bleak Collection (page 4)

"Bleak: A Glimpse into the Shadows of Life's Canvas" In Gin Lane, 1751, William Hogarth masterfully portrays a society drowning in despair

Background imageBleak Collection: Vestrahorn mountain at dawn, south-east Iceland, Atlantic Ocean. November

Vestrahorn mountain at dawn, south-east Iceland, Atlantic Ocean. November

Background imageBleak Collection: Winter, The Plain of Chailly, c. 1862-66 (pastel on paper)

Winter, The Plain of Chailly, c. 1862-66 (pastel on paper)
4054126 Winter, The Plain of Chailly, c.1862-66 (pastel on paper) by Millet, Jean-Francois (1814-75); 72.4x95.9 cm; Burrell Collection, Glasgow

Background imageBleak Collection: Melampus and the Centaur, 1919 (oil on canvas)

Melampus and the Centaur, 1919 (oil on canvas)
1199786 Melampus and the Centaur, 1919 (oil on canvas) by Philpot, Glyn Warren (1884-1937); 121.9x204.3 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageBleak Collection: March of Civlisation, 1940 (oil on canvas)

March of Civlisation, 1940 (oil on canvas)
1065027 March of Civlisation, 1940 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 71.1x101.6 cm; Glasgow Museums

Background imageBleak Collection: Wounded, Passchendaele, 1918 (oil on canvas)

Wounded, Passchendaele, 1918 (oil on canvas)
2975532 Wounded, Passchendaele, 1918 (oil on canvas) by Nash, Paul (1889-1946); 46x51 cm; Manchester Art Gallery, UK; (add.info.: The Battle of Passchendaele, also known as the Third Battle of Ypres)

Background imageBleak Collection: View from London Road Station, Hoyle's Print Works (w/c on paper)

View from London Road Station, Hoyle's Print Works (w/c on paper)
2647447 View from London Road Station, Hoyle's Print Works (w/c on paper) by Tidmarsh, Henry Edward (1855-1939); 36x48 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBleak Collection: Reliefs at dawn, 1918 (litho)

Reliefs at dawn, 1918 (litho)
3027389 Reliefs at dawn, 1918 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); 36x52 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBleak Collection: Nocturnal Landscape, 1938 (oil on canvas)

Nocturnal Landscape, 1938 (oil on canvas)
MAN258655 Nocturnal Landscape, 1938 (oil on canvas) by Nash, Paul (1889-1946); 76.5x101.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBleak Collection: Jack the Ripper's Bedroom, 1906-07 (oil on canvas)

Jack the Ripper's Bedroom, 1906-07 (oil on canvas)
1218285 Jack the Ripper's Bedroom, 1906-07 (oil on canvas) by Sickert, Walter Richard (1860-1942); 50.8x40.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBleak Collection: The cursed wood, 1918 (litho)

The cursed wood, 1918 (litho)
3027390 The cursed wood, 1918 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBleak Collection: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint)

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageBleak Collection: The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)

The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)
3482874 The Field of Passchendaele, c.1917 (pen & ink with w/c on paper) by Nash, Paul (1889-1946); 26x35 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBleak Collection: Bleak House. Illustration by Harry Furniss for the Charles Dickens novel Bleak House

Bleak House. Illustration by Harry Furniss for the Charles Dickens novel Bleak House, from The Testimonial Edition
1000806 Bleak House. Illustration by Harry Furniss for the Charles Dickens novel Bleak House, from The Testimonial Edition, published 1910. by Furniss, Harry (1854-1925); Private Collection

Background imageBleak Collection: Lady Dedlock and Jo. 'He was put there, ' says Jo, holding to the bars and looking in

Lady Dedlock and Jo. "He was put there, " says Jo, holding to the bars and looking in
1000808 Lady Dedlock and Jo. "He was put there, " says Jo, holding to the bars and looking in, while Lady Dedlock shrinks into a corner

Background imageBleak Collection: The Turveydrops, Senior and Junior. Illustration by Harry Furniss for the Charles Dickens novel

The Turveydrops, Senior and Junior. Illustration by Harry Furniss for the Charles Dickens novel Bleak House
1000807 The Turveydrops, Senior and Junior. Illustration by Harry Furniss for the Charles Dickens novel Bleak House, from The Testimonial Edition, published 1910

Background imageBleak Collection: Street Scene in Winter, 1912 (oil on canvas)

Street Scene in Winter, 1912 (oil on canvas)
SPV212623 Street Scene in Winter, 1912 (oil on canvas) by Brodsky, Isaak Israilevich (1883-1939); 69.8x99 cm; Springville Museum of Art, Utah, USA

Background imageBleak Collection: The Smallweed Family. 'What work are you about now?' says Judy Smallweed

The Smallweed Family. "What work are you about now?" says Judy Smallweed, like a very sharp old beldame
1000809 The Smallweed Family. "What work are you about now?" says Judy Smallweed, like a very sharp old beldame

Background imageBleak Collection: Crater Lake, Dyer Trail, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan

Crater Lake, Dyer Trail, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan, 1898 (b/w photo)
JHL358816 Crater Lake, Dyer Trail, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan, 1898 (b/w photo) by Hegg, Eric A. (1867-1947); Private Collection

Background imageBleak Collection: Rocking on Nome Beach, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan

Rocking on Nome Beach, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan (b/w photo)
JHL358819 Rocking on Nome Beach, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan (b/w photo) by Hegg, Eric A

Background imageBleak Collection: Before Spring (w/c on paper)

Before Spring (w/c on paper)
471151 Before Spring (w/c on paper) by Saedeleer, Valerius de (1876-1946); 80.5x90.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageBleak Collection: The Victims Of Duty, Russian Sentinels At The Borders Of Manchuria Killed By The Intense Cold

The Victims Of Duty, Russian Sentinels At The Borders Of Manchuria Killed By The Intense Cold (Colour Litho)
2798756 The Victims Of Duty, Russian Sentinels At The Borders Of Manchuria Killed By The Intense Cold (Colour Litho) by Beltrame

Background imageBleak Collection: DDE-90028969

DDE-90028969
Eng Valley, Karwendel mountain range, Austria. The vertical rock faces of the Laliderer Waende during cloudy weather. The Eng valley is the most famous of all valleys in Karwendel mountain range

Background imageBleak Collection: DDE-90028968

DDE-90028968
Eng Valley, Karwendel mountain range, Austria. The vertical rock faces of the Laliderer Waende during cloudy weather. The Eng valley is the most famous of all valleys in Karwendel mountain range

Background imageBleak Collection: DDE-90028964

DDE-90028964
Mountain forest with larch trees in rain and fog. Next to the sheer rock faces of the Karwendel Mountains, the sycamore maple forest Grosser Ahornboden

Background imageBleak Collection: DDE-90028963

DDE-90028963
Mountain forest with larch trees in rain and fog. Next to the sheer rock faces of the Karwendel Mountains, the sycamore maple forest Grosser Ahornboden

Background imageBleak Collection: DDE-90026182

DDE-90026182
Australia, New South Wales, Ivanhoe, Outback dust storm turns sky orange with wind blown red sand with lone windswept tree on summer evening Date: 17/07/2007

Background imageBleak Collection: DDE-90026180

DDE-90026180
Australia, New South Wales, Broken Hill, Outback dust storm turns sky orange with wind blown red sand on summer afternoon Date: 17/07/2007

Background imageBleak Collection: DDE-90021552

DDE-90021552
Namibia, Etosha National Park. Cracked mud in dried water hole at edge of Etosha Pan Date: 17/07/2007

Background imageBleak Collection: Landscape, 1864 (black & white chalks on paper)

Landscape, 1864 (black & white chalks on paper)
XIR384516 Landscape, 1864 (black & white chalks on paper) by Corot, Jean Baptiste Camille (1796-1875); Private Collection

Background imageBleak Collection: The Shore, 1923 (oil on canvas)

The Shore, 1923 (oil on canvas)
LMG108803 The Shore, 1923 (oil on canvas) by Nash, Paul (1889-1946); 62.2x94 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; English, out of copyright

Background imageBleak Collection: Evening Landscape (w / c on paper)

Evening Landscape (w / c on paper)
WAG423044 Evening Landscape (w/c on paper) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; © Wolverhampton Art Gallery; British, out of copyright

Background imageBleak Collection: Furnace and Snow, Landscape (oil on canvas)

Furnace and Snow, Landscape (oil on canvas)
WAG423030 Furnace and Snow, Landscape (oil on canvas) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; © Wolverhampton Art Gallery; British, out of copyright

Background imageBleak Collection: The Silver Sunset (oil on canvas laid on board)

The Silver Sunset (oil on canvas laid on board)
BIR189255 The Silver Sunset (oil on canvas laid on board) by Nicholson, William (1872-1949); 32.8x40.9 cm; Birmingham Museums and Art Gallery; Birmingham Museums Trust

Background imageBleak Collection: Leading the Barge Pony (w / c with pastel on paper)

Leading the Barge Pony (w / c with pastel on paper)
WAG423050 Leading the Barge Pony (w/c with pastel on paper) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; © Wolverhampton Art Gallery; British

Background imageBleak Collection: Pit wheels (w / c on paper)

Pit wheels (w / c on paper)
WAG423045 Pit wheels (w/c on paper) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; (add.info)

Background imageBleak Collection: Oxenbridge Pond, 1927-28 (oil on canvas)

Oxenbridge Pond, 1927-28 (oil on canvas)
BIR189249 Oxenbridge Pond, 1927-28 (oil on canvas) by Nash, Paul (1889-1946); 99.7x87.6 cm; Birmingham Museums and Art Gallery

Background imageBleak Collection: Boy and girl beside a river (colour litho)

Boy and girl beside a river (colour litho)
5226912 Boy and girl beside a river (colour litho) by Sowerby, John George (1876-1914) (after); Private Collection; (add.info.: Boy and girl beside a river among the daffodils)

Background imageBleak Collection: Zero, 1937 (oil on canvas)

Zero, 1937 (oil on canvas)
823327 Zero, 1937 (oil on canvas) by Albert, Ernest (1857-1946); 81.5x101.5 cm; Private Collection; (add.info.: Zero. Ernest Albert (1857-1946). Oil on canvas. Painted in 1937

Background imageBleak Collection: Hunters, 1940 (oil on canvas)

Hunters, 1940 (oil on canvas)
FIN161442 Hunters, 1940 (oil on canvas) by Ault, George Copeland (1891-1948); 55.9x76.2 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA; American, out of copyright

Background imageBleak Collection: Winding Gear (charcoal on paper)

Winding Gear (charcoal on paper)
WAG423035 Winding Gear (charcoal on paper) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands

Background imageBleak Collection: Northern France: abandoned trenches after World War One (etching)

Northern France: abandoned trenches after World War One (etching)
STC420695 Northern France: abandoned trenches after World War One (etching) by Chahine, Edgar (1874-1947); Private Collection; The Stapleton Collection

Background imageBleak Collection: In the Gin Pit (w / c on paper)

In the Gin Pit (w / c on paper)
WAG423052 In the Gin Pit (w/c on paper) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; (add.info)



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"Bleak: A Glimpse into the Shadows of Life's Canvas" In Gin Lane, 1751, William Hogarth masterfully portrays a society drowning in despair, where destitution and addiction reign supreme. The Selection of Fish showcases an eerie emptiness, as if life has been drained from the sea itself. Victoria Tower on Castle Hill looms over Huddersfield like a silent sentinel, its imposing presence casting a somber shadow over the town. H. M. Prison in Peterhead stands as a grim reminder of lost freedom and shattered dreams. Free to Roam captures the desolation of Middlesbrough in the 1970s, with abandoned buildings echoing tales of forgotten glory days. Van Gogh's Garden of the Rectory at Nuenen transports us to a melancholic oasis; nature's beauty contrasting with an underlying sense of isolation. The Sahara Desert stretches endlessly before our eyes - an unforgiving landscape that epitomizes bleakness and solitude. Monk by the Sea depicts man alone against nature's vastness; his solitary figure mirroring our own existential struggles. Within London's East End Doss House lies untold stories etched upon weary faces; their lives entangled within layers of hardship and sorrow. Bleak House serves as Charles Dickens' literary embodiment of societal decay and moral corruption. Achill Island's Keel Strand whispers tales carried by winds across deserted shores - echoes from a forgotten past mingling with present-day solitude. The Gold Mining Ghost Town of Bodie bears witness to abandoned dreams buried beneath crumbling facades; its streets haunted by memories long gone but not entirely forgotten. In these glimpses into darkness, we confront humanity’s capacity for suffering and resilience amidst adversity – reminding us that even within bleakness there is beauty waiting to be discovered.