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Bodmer Collection (page 2)

"Bodmer: Capturing the Spirit of Native American Culture" Karl Bodmer, a renowned Swiss artist and explorer

Background imageBodmer Collection: Karl Bodmer, Les Faisans, Swiss, 1809-1893, lithograph

Karl Bodmer, Les Faisans, Swiss, 1809-1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Foret de Fontainebleau, Swiss, 1809-1893, etching

Karl Bodmer, Foret de Fontainebleau, Swiss, 1809-1893, etching

Background imageBodmer Collection: Karl Bodmer, Etudes, Swiss, 1809-1893, lithograph

Karl Bodmer, Etudes, Swiss, 1809-1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Oies bernacles, Swiss, 1809-1893, etching

Karl Bodmer, Oies bernacles, Swiss, 1809-1893, etching

Background imageBodmer Collection: Eugene Cuvelier (French, 1837-1900), Pres du Bodmer, 1860s, albumen print

Eugene Cuvelier (French, 1837-1900), Pres du Bodmer, 1860s, albumen print

Background imageBodmer Collection: TRADING POST, 1840. Bellvue, Mr. Doughertys agency on the Missouri. Aquatint by Karl Bodmer

TRADING POST, 1840. Bellvue, Mr. Doughertys agency on the Missouri. Aquatint by Karl Bodmer, 1840

Background imageBodmer Collection: DAKOTA AND ASSINIBOIN. A Dakota woman with an Assiniboin girl

DAKOTA AND ASSINIBOIN. A Dakota woman with an Assiniboin girl. Print after a painting by Karl Bodmer, 19th century

Background imageBodmer Collection: BODMER: MANDAN ARTIFACTS. Painting by Karl Bodmer, 19th century

BODMER: MANDAN ARTIFACTS. Painting by Karl Bodmer, 19th century

Background imageBodmer Collection: GERMAN PRINCE & MINATERRE. The Swiss artist, Karl Bodmer (at far right), and Prince

GERMAN PRINCE & MINATERRE. The Swiss artist, Karl Bodmer (at far right), and Prince Maximilian of Wied (in green coat), being introduced to Minatarre (Hidatsa)

Background imageBodmer Collection: HIDATSA NATIVE AMERICAN: BIROHKA. Watercolor, 1832-34, by Karl Bodmer

HIDATSA NATIVE AMERICAN: BIROHKA. Watercolor, 1832-34, by Karl Bodmer

Background imageBodmer Collection: PIEGAN BLACKFOOT NATIVE AMERICAN. Makui-Poka (Child of the Wolf) Piegan Blackfoot Native American

PIEGAN BLACKFOOT NATIVE AMERICAN. Makui-Poka (Child of the Wolf) Piegan Blackfoot Native American. Watercolor on paper, 1832-34, by Karl Bodmer

Background imageBodmer Collection: BLACKFOOT NATIVE AMERICAN, 1832-34. Kiasax (Bear on the Left). Piegan Blackfoot Native American

BLACKFOOT NATIVE AMERICAN, 1832-34. Kiasax (Bear on the Left). Piegan Blackfoot Native American. Watercolor on paper, 1832-34, by Karl Bodmer

Background imageBodmer Collection: MANDAN BUFFALO SOCIETY. Leader of the Mandan Buffalo Bull Society

MANDAN BUFFALO SOCIETY. Leader of the Mandan Buffalo Bull Society. Watercolor and pencil by Karl Bodmer

Background imageBodmer Collection: TETON SIOUX NATIVE AMERICAN. Chan-Cha-Uia-Te-Uinn (Woman of the Nation), a Teton

TETON SIOUX NATIVE AMERICAN. Chan-Cha-Uia-Te-Uinn (Woman of the Nation), a Teton Sioux Native American. Watercolor, 1832-34, by Karl Bodmer

Background imageBodmer Collection: MANDAN CHIEFs HUT, 1844. Interior of the hut of a Mandan Chief. Aquatint, 1844

MANDAN CHIEFs HUT, 1844. Interior of the hut of a Mandan Chief. Aquatint, 1844, after Karl Bodmer

Background imageBodmer Collection: BODMER: MINATARRI MAN. Minatarri man in costume of the Dog Dance. Aquatint, 1844

BODMER: MINATARRI MAN. Minatarri man in costume of the Dog Dance. Aquatint, 1844, after Karl Bodmer

Background imageBodmer Collection: INDIANS HUNTING BISON. Aquatint, 1844, after Karl Bodmer

INDIANS HUNTING BISON. Aquatint, 1844, after Karl Bodmer

Background imageBodmer Collection: NATIVE AMERICAN LODGES. Skin lodges of an Assiniboin chief near Fort Union on the Missouri River

NATIVE AMERICAN LODGES. Skin lodges of an Assiniboin chief near Fort Union on the Missouri River. Engraving, 1844 after Karl Bodmer

Background imageBodmer Collection: YELLOWSTONE & MISSOURI. Junction of the Yellowstone and the Missouri. Watercolor by Karl Bodmer

YELLOWSTONE & MISSOURI. Junction of the Yellowstone and the Missouri. Watercolor by Karl Bodmer, 1830s

Background imageBodmer Collection: BIJOUX HILLS ON THE MISSOURI. Landscape made along the Missouri River in South Dakota

BIJOUX HILLS ON THE MISSOURI. Landscape made along the Missouri River in South Dakota. Watercolor by Karl Bodmer, 1830s

Background imageBodmer Collection: BODMER: MANDAN IDOLS. Idols of the Mandan Native Americans

BODMER: MANDAN IDOLS. Idols of the Mandan Native Americans. Drawing, 1843, by Karl Bodmer

Background imageBodmer Collection: BODMER: MANDAN OFFERINGS. Offerings of the Mandan Native Americans. Drawing, 1843

BODMER: MANDAN OFFERINGS. Offerings of the Mandan Native Americans. Drawing, 1843, by Karl Bodmer

Background imageBodmer Collection: NATIVE AMERICANS: SACRED PILE. Magic pile erected by the Assiniboin Native Americans

NATIVE AMERICANS: SACRED PILE. Magic pile erected by the Assiniboin Native Americans. Drawing by Karl Bodmer, 1833, near Fort Union

Background imageBodmer Collection: BLACKFOOT-ASSINIBOIN GIRL. A Blackfoot girl who lived with Assiniboin tribe members

BLACKFOOT-ASSINIBOIN GIRL. A Blackfoot girl who lived with Assiniboin tribe members. Watercolor by Karl Bodmer, 1833

Background imageBodmer Collection: SNAGS ON THE MISSOURI, 1841. Lithograph after Karl Bodmer

SNAGS ON THE MISSOURI, 1841. Lithograph after Karl Bodmer

Background imageBodmer Collection: Book of the Dead on papyrus showing written hieroglyphs. Depiction of ploughing with

Book of the Dead on papyrus showing written hieroglyphs. Depiction of ploughing with oxen Bodmer Library, Geneva

Background imageBodmer Collection: American frontiersman and soldier. After making a relief expedition to the besieged Fort Henry

American frontiersman and soldier. After making a relief expedition to the besieged Fort Henry
SAMUEL McCOLLOCH (1752-1782). American frontiersman and soldier. After making a relief expedition to the besieged Fort Henry, Virginia (present-day Wheeling, West Virginia)

Background imageBodmer Collection: BODMER: YOUNG MANDAN. Mandeh-Pahchu, a young Mandan Native American man, holding a peace pipe

BODMER: YOUNG MANDAN. Mandeh-Pahchu, a young Mandan Native American man, holding a peace pipe. Aquatint engraving, c1844, after a drawing, c1833, by Karl Bodmer

Background imageBodmer Collection: NEW HARMONY, 1844. The Owenite communal society of New Harmony on the bank of the Wabash River in

NEW HARMONY, 1844. The Owenite communal society of New Harmony on the bank of the Wabash River in Indiana. Aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: PENNSYLVANIA PRISON, 1844. The State Penitentiary near Pittsburgh, Pennsylvania

PENNSYLVANIA PRISON, 1844. The State Penitentiary near Pittsburgh, Pennsylvania. Aquatint engraving, 1844, by Karl Bodmer

Background imageBodmer Collection: JOHANN JAKOB BODMER (1698-1783). Swiss scholar and critic. Line engraving after a painting by

JOHANN JAKOB BODMER (1698-1783). Swiss scholar and critic. Line engraving after a painting by Anton Graff

Background imageBodmer Collection: HUNTING BUFFALO, 1844. Aquatint engraving, 1844, after Karl Bodmer

HUNTING BUFFALO, 1844. Aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: ENCAMPMENT / PIEKANN NATIVE AMERICANS. Aquatint engraving, 1844, after Karl Bodmer

ENCAMPMENT / PIEKANN NATIVE AMERICANS. Aquatint engraving, 1844, after Karl Bodmer
ENCAMPMENT/PIEKANN NATIVE AMERICANS. Aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: NATIVE AMERICAN CAMP, 1844. Encampment of the Piekann Native Americans

NATIVE AMERICAN CAMP, 1844. Encampment of the Piekann Native Americans. Aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: NATIVE AMERICAN TOMBS. Tree-top tombs built by Assiniboin Native Americans

NATIVE AMERICAN TOMBS. Tree-top tombs built by Assiniboin Native Americans. Line engraving after an illustration by Karl Bodmer, 1843

Background imageBodmer Collection: NEW HARMONY, 1844. Communal society on the bank of the Wabash River in Indiana

NEW HARMONY, 1844. Communal society on the bank of the Wabash River in Indiana: aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: BODMER: SCALP DANCE, 1844. Scalp Dance of the Minitarris. Aquatint engraving, 1844

BODMER: SCALP DANCE, 1844. Scalp Dance of the Minitarris. Aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: Johann Jacob Bodmer

Johann Jacob Bodmer
JOHANN JACOB BODMER Swiss writer in German. Date: 1698 - 1783

Background imageBodmer Collection: VIEW OF THE STONE WALLS. Rock formations along the Missouri River in Montana

VIEW OF THE STONE WALLS. Rock formations along the Missouri River in Montana. Watercolor by Karl Bodmer, 1830s



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"Bodmer: Capturing the Spirit of Native American Culture" Karl Bodmer, a renowned Swiss artist and explorer, ventured into the heartland of America in the early 19th century. His encounters with various Native American tribes left an indelible mark on his artistic journey. Through his vivid depictions, he immortalized the rich heritage and traditions of these indigenous communities. One such encounter was with Pehriska-Ruhpa, also known as Two Ravens, a Hidatsa Native American. Bodmer's portrayal beautifully captures this warrior's strength and resilience, showcasing the pride that emanates from within. In another masterpiece by Bodmer, we witness Mah-to-toh-pa or Four Bears - a Mandan Chief adorned in regal attire. The watercolor painting exudes authority and dignity as it transports us back to a time when tribal leaders commanded respect and admiration. Bodmer's talent extended beyond individual portraits; he also documented significant cultural events like the Bison dance performed by Mandan natives outside their sacred medicine lodge. This aquatint engraving allows us to witness firsthand their spiritual connection with nature and their profound reverence for these majestic creatures. The Sioux Chief Wahk-T├ñ-Ge-Li or Big Soldier is yet another subject that captivated Bodmer's artistic eye. Through intricate details in his aquatint engraving based on an earlier painting, we are transported to an era where bravery on horseback defined warriors' valor. Bodmer not only captured human subjects but also found inspiration in nature itself. In "Deer in a Landscape, " he skillfully portrays the gracefulness of these animals against a backdrop of serene beauty – reminding us of our interconnectedness with all living beings. His work was greatly influenced by Prince Maximilian of Wied's journal entries during their joint expedition across America. These ink and watercolor illustrations provided invaluable insights into native cultures while fueling Bodmer's artistic vision.