Book I Collection

Illustration by Gustave Dore for Miltons Paradise Lost, Book I, lines 44, 45 (engraving)
5222963 Illustration by Gustave Dore for Miltons Paradise Lost, Book I, lines 44, 45 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Book I, lines 44, 45)

"Satan Rising from the Burning Lake"from Paradise Lost
5615851 " Satan Rising from the Burning Lake" from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid
STC415814 Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Lycaon into a Wolf or Licaone Cangiato in Lupo, illustration from Ovid
STC415807 Lycaon into a Wolf or Licaone Cangiato in Lupo, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

The Iron Age or Eta del Ferro, illustration from Ovids Metamorphoses, Florence
STC415804 The Iron Age or Eta del Ferro, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Sin and Death at the Gates of Hell from Paradise Lost
5615850 Sin and Death at the Gates of Hell from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

The Golden Age or Eta dell Oro, illustration from Ovids Metamorphoses, Florence
STC415801 The Golden Age or Eta dell Oro, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Mercury puts Argus to Sleep or Mercurio Addormenta Argo
STC415818 Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovids Metamorphoses
STC415809 Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Illustration by Gustave Dore for Miltons Paradise Lost, Book I, lines 344, 345 (engraving)
5222965 Illustration by Gustave Dore for Miltons Paradise Lost, Book I, lines 344, 345 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Book I, lines 344, 345)

Phoebus and Daphne or Apollo e Dafne, illustration from Ovids Metamorphoses
STC415813 Phoebus and Daphne or Apollo e Dafne, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Illustration by Gustave Dore for Miltons Paradise Lost, Book I, lines 221, 222 (engraving)
5222962 Illustration by Gustave Dore for Miltons Paradise Lost, Book I, lines 221, 222 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Book I, lines 221, 222)

photo-reproduction Hogarth print illustrating
Artokoloro

Euclids Elements of Geometry, 1482
Euclids Elements of Geometry. Book page with Latin text and diagrams from the first printed edition (Venice, 1482) of Euclids Elements of Geometry

Libyan peoples, 17th century
Libyan peoples. 17th-century artwork showing Libyans (men and a child) crossing the desert on camels (top) and Libyan women (with a child) gathering fish and ostrich eggs (bottom)

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"Book I: A Journey through Mythological Transformations" In this captivating collection of illustrations, we embark on a journey through the mythical world as depicted in various literary masterpieces. From Ovid's Metamorphoses to Milton's Paradise Lost, these hand-coloured engravings bring to life the extraordinary tales that have fascinated generations. We begin with "Serpent defeated by Phoebus, " an awe-inspiring scene from Ovid's Metamorphoses. Witness the triumphant Apollo as he slays the fearsome serpent Python, symbolizing the victory of light over darkness and good over evil. Next, we delve into Milton's Paradise Lost with "Satan Rising from the Burning Lake. " Gustave Dore's engraving vividly portrays Satan emerging from his fiery prison, ready to wreak havoc upon humanity. It serves as a powerful reminder of the eternal struggle between temptation and righteousness. The transformation continues with "Daphne into a Laurel, " where Apollo is crowned with laurel leaves after pursuing Daphne relentlessly. This illustration captures both beauty and tragedy, showcasing Ovid's exploration of unrequited love and metamorphosis. Another striking image comes in the form of "Lycaon into a Wolf. " As punishment for his wickedness, Lycaon is transformed into a ferocious beast—a chilling representation of divine retribution found within Ovid's Metamorphoses. "The Iron Age" transports us back to ancient times when humanity was corrupted by greed and violence. Through this illustration inspired by Ovid’s work, we witness mankind descending into chaos during this dark era. Sinister yet mesmerizing, "Sin and Death at the Gates of Hell" offers us a glimpse into Milton’s epic poem Paradise Lost. The haunting depiction reveals Sin personified alongside her ghastly companion Death guarding hell’s entrance—an eerie portrayal that sends shivers down our spines. Contrasting this darkness, "The Golden Age" presents a vision of paradise.