Bound Volume Containing 48 Plates Collection

Liber Studiorum Plate 32 Caernarvon Castle N
Liber Studiorum: Plate 32, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 21 View North Wales 1838
Liber Studiorum: Plate 21, View in North Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 22 Whitby 1838 John Sell Cotman
Liber Studiorum: Plate 22, Whitby, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 48 Study 1838 John Sell Cotman
Liber Studiorum: Plate 48, A Study, 1838. John Sell Cotman (British, 1782-1842). Etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 25 Harlech Castle N Wales
Liber Studiorum: Plate 25, Harlech Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 47 Study 1838 John Sell Cotman
Liber Studiorum: Plate 47, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 19 Postwick Grove Norfolk
Liber Studiorum: Plate 19, Postwick Grove, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 20 Felbrigg Heath Norfolk
Liber Studiorum: Plate 20, Felbrigg Heath, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 45 French Beggars 1838
Liber Studiorum: Plate 45, French Beggars, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 14 Tan-y-Bwlch Merionethshire
Liber Studiorum: Plate 14, Tan-y-Bwlch, Merionethshire, North Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 16 Study 1838 John Sell Cotman
Liber Studiorum: Plate 16, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 40.7 x 32 cm (16 x 12 5/8 in.); platemark

Liber Studiorum Plate 5 Walsingham Norfolk 1838
Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 4 View Yare Norfolk 1838
Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 11 Parsons Bridge Cardingshire
Liber Studiorum: Plate 11: Parsons Bridge, Cardingshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 38 View Deptford 1838 John Sell Cotman
Liber Studiorum: Plate 38, View at Deptford, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 37 Study 1838 John Sell Cotman
Liber Studiorum: Plate 37, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 36 Church Durham 1838 John Sell Cotman
Liber Studiorum: Plate 36, Church near Durham, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 35 Wenlock Priory Salop
Liber Studiorum: Plate 35, Wenlock Priory, Salop, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 34 Llanathony Abbey Monmouthshire
Liber Studiorum: Plate 34, Llanathony Abbey, Monmouthshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 30 Bambros Castle Northumberland
Liber Studiorum: Plate 30, Bambro Castle, Northumberland, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Frontispiece View Garden House
Liber Studiorum; Frontispiece, View of a Garden House on the Banks of the River Yare, 1838. John Sell Cotman (British, 1782-1842)

Liber Studiorum Plate 26 Monnow Bridge Monmouthshire
Liber Studiorum: Plate 26, Monnow Bridge, Monmouthshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

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This bound volume containing 48 plates is a treasure trove of artistic beauty and historical significance. Each plate offers a glimpse into the world of renowned artist John Sell Cotman, showcasing his incredible talent and attention to detail. Plate 21, titled "View North Wales, " transports us to the breathtaking landscapes of Wales in 1838. The intricate lines and delicate shading capture the essence of this picturesque region, inviting us to explore its natural wonders. Moving on to Plate 22, we encounter "Whitby, " another masterpiece by Cotman. This coastal town comes alive through his skilled brushstrokes, revealing the charm and character that have made it an enduring inspiration for artists throughout history. Plate 48 presents us with a captivating study by Cotman himself. Through this artwork, we catch a glimpse into the creative process behind his masterpieces – an intimate look at how he honed his craft and brought his visions to life. As we turn our attention towards Plate 25, "Harlech Castle N Wales, " we are transported back in time to witness the grandeur of this medieval fortress. Cotman's meticulous rendering captures every architectural detail while evoking a sense of awe and wonder. Plate 47 showcases yet another study by Cotman from 1838. Here, he explores different techniques and styles as he continues to push boundaries within his artistry – an insight into an artist constantly seeking growth and innovation. The bound volume also includes Plates 19 and 20 which take us on a journey through Norfolk's natural beauty - Postwick Grove Norfolk's serene tranquility contrasting with Felbrigg Heath Norfolk's wild expanse. In Plate 45 titled "French Beggars" from 1838, Cotman ventures beyond British shores to depict scenes from France. With sensitivity and empathy, he brings these marginalized individuals to life on paper - reminding us of art's power as both documentation and social commentary.