Bourdelle Collection

Mask of Isadora Duncan, c.1920. Creator: Bourdelle, Antoine (1861-1929)
Mask of Isadora Duncan, c.1920. Found in the collection of the Musee Bourdelle, Paris

Head of Liberty; Tete de Liberte, c. 1914 (bronze with green patina)
826520 Head of Liberty; Tete de Liberte, c.1914 (bronze with green patina) by Bourdelle, Emile-Antoine (1861-1929); 63 high cm; Private Collection; (add.info.: Head of Liberty; Tete de Liberte)

Horse without a Saddle; Cheval sans Selle, c. 1915 (bronze)
1766620 Horse without a Saddle; Cheval sans Selle, c.1915 (bronze) by Bourdelle, Emile-Antoine (1861-1929); Private Collection; (add.info.: Horse without a Saddle; Cheval sans Selle)

Sculptress at Work; Femme Sculpteur au Travail, 1906 (bronze with green patina)
656393 Sculptress at Work; Femme Sculpteur au Travail, 1906 (bronze with green patina) by Bourdelle, Emile-Antoine (1861-1929); height: 50.5 cm; Private Collection; (add.info)

Victory, c. 1921 (bronze with dark brown patina)
988930 Victory, c.1921 (bronze with dark brown patina) by Bourdelle, Emile-Antoine (1861-1929); 123.1 cm; Private Collection; (add.info.: Victory; La Victoire. Emile Antoine Bourdelle (1861-1929)

Large Crouching Bather; Grande baigneuse accroupie, 1906-1907 (bronze with green patina)
1768203 Large Crouching Bather; Grande baigneuse accroupie, 1906-1907 (bronze with green patina) by Bourdelle, Emile-Antoine (1861-1929); 101.6x121.9x78.1 cm; Private Collection; (add.info)

Beethoven, c. 1922. Creator: Bourdelle, Antoine (1861-1929)
Beethoven, c. 1922. Found in the collection of Musee Bourdelle, Paris

Beethoven. Creator: Bourdelle, Antoine (1861-1929)
Beethoven. Found in the collection of Musee Bourdelle, Paris

Portrait of Pierre Laprade (1875-1931). Found in the collection of Musee Bourdelle, Paris

Lulu, late 19th / early 20th century. Artist: Emile Antoine Bourdelle
Lulu, late 19th/early 20th century. From a private collection

Joan Bourdelle as Lorelei Lee in Gentlemen Prefer Blondes
Miss Jean Bourdelle as Lorelei Lee (that most perfect lady) in the stage adaptation of Gentlemen Prefer Blondes by Anita Loos. The role was later played by Marilyn Monroe in the film version

Pierre De Brantome (Mono
Pierre de Bourdelle, seigneur de BRANTOME French abbe, historian and biographer Date: 1540 - 1614

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"Bourdelle: A Master of Sculptural Artistry" Antoine Bourdelle, a renowned French sculptor of the late 19th and early 20th century, left an indelible mark on the world of art with his exceptional creations. From his iconic portrayal of Joan Bourdelle as Lorelei Lee in Gentlemen Prefer Blondes to his powerful depiction in Head of Liberty; Tete de Liberte, Bourdelle's talent knew no bounds. One cannot help but be captivated by Rodin Looks Back; Rodin Penche en Arriere, where Bourdelle pays homage to his mentor Auguste Rodin. The bronze sculpture exudes a sense of reverence and admiration for the great artist who influenced him greatly. In Horse without a Saddle; Cheval sans Selle, we witness Bourdelle's ability to capture movement and grace in metal form. The untamed spirit of the horse is beautifully portrayed through intricate details that bring it to life. Sculptress at Work; Femme Sculpteur au Travail showcases not only Bourdelle's skill but also celebrates women artists. This bronze sculpture symbolizes strength and determination while highlighting the often-underrepresented female presence in the art world. Victory stands tall as a testament to triumph over adversity. With its dark brown patina, this bronze masterpiece radiates power and resilience—a true embodiment of victory itself. The Large Crouching Bather; Grande baigneuse accroupie reveals Bourdelle's ability to transform cold metal into sensuous curves that evoke both beauty and vulnerability. It invites viewers into an intimate moment frozen in time. Bourdelle's admiration for Beethoven shines through his sculptures dedicated to the legendary composer. Both Beethoven pieces showcase not only technical brilliance but also convey deep emotional resonance—an ode from one artist to another across centuries. Through Portrait of Pierre Laprade, we catch a glimpse into Bourdelle's ability to capture the essence of an individual.