Bradley Smith Collection (page 4)

MEXICO: CITY VIEW. View of a Mexican city with a cathedral. Painting by an unknown artist, 18th century

MEXICO: FOUNTAIN. The spouting fountain. Lithograph from Mexico y sus Alrededores (Mexico and its outskirts), mid 19th century

VELASCO: OAXACA CATHEDRAL. Oil on canvas, 1887, by Jose Maria Velasco

MARIANA OF AUSTRIA (1634-1696). Queen consort of Spain and wife of Philip IV. Mariana depicted as a widow. Oil on canvas, c1665, by Juan Correno de Miranda

SPAIN: GALLEY, c1600. Galley (possibly of the royal family) entering Seville, Spain. Oil on canvas, Spanish, c1600

NAVAL STEAMSHIP, c1850. Paddlewheel steamships of the Spanish navy. Lithograph, c1850

RIBERA: PORTRAIT, c1880. Portrait of a woman and her daughter. Oil on canvas, c1880, by Carlos Luis Ribera

MARIA CHRISTINA (1806-1878). Queen Maria Christina of the Two Sicilies. Queen consort of Spain and wife of Ferdinand VII. Queen Maria Christina inspecting the troops

Maria Antonio of Naples and Sicily (1784-1806)
MARIA ANTONIO OF NAPLES AND SICILY (1784-1806). Italian princess and wife of Ferdinand VII of Spain. Oil on canvas, c1802, by Vicente Leoneze

SPAIN: BILBAO, c1800. View of Bilbao. Drawing, Spanish, c1800

INFANTA MARIA ISABEL (1797-1818). Portuguese infanta and wife of King Ferdinand VII of Spain. Oil on canvas, c1816, by Nicolas Garcia

BATTLE OF BAILEN, 1808. Surrender of French Imperial forces at Bailen, Spain, 19 July 1808. Oil on canvas, 19th century, by Jose Casado del Alisal

CHARLES IV OF SPAIN (1748-1819). King of Spain, 1788-1808. Charles as a child. Oil on canvas, c1750, by Giuseppe Bonito

FERDINAND VII OF SPAIN (1784-1833). King of Spain, March-May 1808; 1814-1833. The return of Ferdinand to Spain in 1814. Oil on canvas, 19th century, by Jose Aparicio

TIEPOLO: PORTRAITS, c1770. Portraits of Spaniards. Oil on canvas, c1770, by Lorenzo Baldissera Tiepolo

GOYA: STILT-WALKERS, c1791. The Stilt-Walkers. Oil on canvas, 1791-92, by Francisco Goya

ZURBURAN: SAINT CASILDA. Santa Casilda of Toledo. Oil on canvas, 1638-42, by Francisco de Zurburan

ZURBURAN: SLEEPING VIRGIN. Virgencita Dorminda. Oil on canvas, 17th century, by Francisco de Zurburan

GOYA: PICNIC, 1776. La Merienda a Orilla del Manzanares (Picnic on the Banks of the Manzanares). Oil on canvas, 1776, by Francisco Goya

GOYA: INQUISITION, 1816. Inquisition Scene. Oil on canvas, 1816, by Francisco Goya

GOYA: SECOND OF MAY 1808. The Second of May 1808 (The Charge of the Mamelukes). Mamluks of the French Imperial Guard attack a crowd of civilians on Calle de Alcala, Madrid, Spain

GOYA: MARQUESA DE LAZAN. The Marquesa de Lazan. Oil on canvas, c1800-1804, by Francisco Goya

FRANCISCO GOYA (1746-1828). Spanish painter, etcher, and lithographer. Self-portrait. Oil on canvas, late 18th century

JIMENEZ de CISNEROS (1436-1517). Franciso Jimenez de Cisneros. Spanish prelate and statesman. Cardinal de Cisneros in Oran. Detail from a fresco, c1510, by Juan de Borgona

Infanta Isabel Clara Eugenia (1566-1633)
INFANTA ISABEL CLARA EUGENIA (1566-1633). Daughter of Philip II of Spain and Archduchess of the Netherlands. Oil on canvas, 16th century, by Alonso Sanchez Coello

DUKE OF ALBA (1507-1582). Fernando Alvarez de Toledo, 3rd Duke of Alba. Oil on canvas, Spanish, 16th century

SPAIN: ESCORIAL PALACE. Royal Escorial Palace, constructed during the reign of Philip II (1527-1598)

SPAIN: PRADO, 19th CENTURY. Early view of the Prado Museum, Madrid, Spain. Oil on canvas, Spanish, early 19th century

MARIA OF SPAIN (1528-1603). Holy Roman Empress and wife of Emperor Maximilian II. Oil on canvas, Spanish, 16th century

COELLO: FATHER SIGUENZA. Portrait of Father Siguenza. Oil on canvas, 17th century, by Claudio Coello

SPAIN: ESCORIAL PALACE. El Escorial Palace, constructed during the reign of Philip II (1527-1598)

ALFONSO VII (1105-1157). King of Galicia, Leon, and Castile. Manuscript illumination, Spanish, 12th century

TIEPOLO: HONEY SELLER, c1770. The Honey Seller. Pastel on paper, c1770, by Lorenzo Baldissera Tiepolo

SPAIN: MEDIEVAL REGENTS. Seven rulers of Visigothic Hispania and Castile: Chindasuinth (c563-653); Recceswinth (649-672); Egica (c610-c703); Queen Urraca (1082-1129); Sancho III (c985-1035)

SPAIN: KNIGHTS, c1350. Manuscript illumination, Spanish, c1350

SPAIN: SHIP, c1500. Manuscript illumination, c1500

RELIEF OF GENOA, 1635. Oil on canvas, 1635, by Antonio de Pereda

SPAIN: MUSLIM NAVY. Manuscript illumination, 13th century, from the Cantigas de Alfonso X

FERDINAND VI (1713-1759). King of Spain, 1746-1759. Oil on canvas, mid 18th century

SPAIN: DRESSMAKERS, c1880. Oil on canvas, c1880

SPAIN: SAILORS, c1890. Officer (first left) and sailors of the Spanish navy. Lithograph, Spanish, c1900

SPAIN: NAVAL COMBAT, 1665. Disembarkation and combat. Oil on canvas, 1665, by J. de Toledo

MARIA JOSEPHA OF SAXONY (1803-1829). Queen consort of Spain and wife of Ferdinand VII. Oil on canvas, c1825, by Francisco Lacoma

SPAIN: NAVAL COMBAT, 1665. Oil on canvas, 1665, by J. de Toledo

MOROCCO: TETOUAN, 1860. Battle between invading Spanish forces and Moroccan forces at Tetouan, Morocco, early 1860. Oil on canvas, 1863, by Mariano Fortuny

SEVILLE: PROCESSION, 1858. Procession of the Corpus Christi, Seville, Spain. Oil on canvas, 1858, by Manuel Cabral

SPAIN: POLITICAL SPEECH. Politician delivering a speech at an inn. Oil on canvas, late 19th century, by Bernardo Ferrandis

SPAIN: FAMILY, 1840. The Flaquer Family. Oil on canvas, 1840, by Joaquin Espalter

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Bradley Smith: A Journey Through Time and Space In the vast realm of history and art, Bradley Smith emerges as a captivating figure, seamlessly connecting diverse worlds. Like an allegorical painting on Wall Street, he embodies both the bullish determination and bearish wisdom required to navigate the ever-changing market. Just like women in Japan gazing at stars in awe, Bradley's vision transcends boundaries. His mind is open to new possibilities, drawing inspiration from Ota Chou's colorful drawings of astronomy. He understands that true success lies not only in observing but also in interpreting the celestial patterns of life. Much like Miguel Hidalgo's call to revolt during Mexico's 1810 Revolution, Bradley possesses an unwavering spirit that fuels his pursuit for change. Just as Juan O Gorman depicted this historic moment on a mural with intricate detail, Bradley leaves no stone unturned when it comes to making a difference. But there is more to him than just revolutionary fervor. Like Francisco Goya's Witches Sabbath painting, he embraces the mysterious and unconventional aspects of life. With every stroke of his brush or pen, he conjures up visions that challenge norms and ignite imagination. Yet amidst all these grand narratives lies a humble side to Bradley – one reminiscent of two women working diligently in a Mexican kitchen painted by an unknown artist from long ago. He values hard work and recognizes that even seemingly small tasks contribute significantly to shaping our world. Like the brave women ordnance workers portrayed in American World War II recruitment posters, Bradley carries forward their legacy by championing equality and empowering others around him. The girl he left behind may still be behind him physically but her spirit drives him forward towards creating a better future for all. With each illustration crafted by Arthur Rackham or Edmond Dulac depicting fantastical worlds or dreams brought into reality through Queen Marie of Romania's words; they mirror how Bradley brings ideas alive through his own creative endeavors. His artistry knows no bounds, transcending time and space.