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Bramati Collection

"Bramati: Unveiling the Timeless Artistry of Swords and Daggers" Step into a world where swords, rapiers

Background imageBramati Collection: Swords, rapiers and daggers of the 13th century

Swords, rapiers and daggers of the 13th century. Braquemard short sword 1, long sword Estocade 3, two-handed sword 4, Fourree guardless sword 5, Swiss sword 6, Spanish sword 7, dagger 8, bayonet 9

Background imageBramati Collection: Ancient figures of Orlando and Oliver, crowns

Ancient figures of Orlando and Oliver, crowns and weapons of Charlemagne. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrarios Ancient

Background imageBramati Collection: Charlemagne, King of the Franks, 742-814

Charlemagne, King of the Franks, 742-814. Figures from the Lateran mosaic showing the emperor genuflecting as he receives the standard of Rome from St. Peter, from the Lateran Palace mosaic

Background imageBramati Collection: Indigenous Mapuche of Chile playing ciueca or palin

Indigenous Mapuche of Chile playing ciueca or palin
Indigenous Mapuche of Chile playing the game of ciueca or palin, a hockey-like game with sticks and large ball. Copied from G. Bramati

Background imageBramati Collection: Temple of Rameses II, Abu Simbel, Egypt, c1820-1839. Artist: G Bramati

Temple of Rameses II, Abu Simbel, Egypt, c1820-1839. Artist: G Bramati
Temple of Rameses II, Abu Simbel, Egypt, c1820-1839. Statues inside the Temple of Rameses II at Abu Simbel. The Italian explorer Giovanni Belzoni cleared the temple of sand in 1817

Background imageBramati Collection: House of the Ancients, Island of Tinian, c1820-1839. Artist: G Bramati

House of the Ancients, Island of Tinian, c1820-1839. Artist: G Bramati
House of the Ancients, Island of Tinian, c1820-1839. Plate 31 from Le Costume Ancien et Moderne by Jules Ferrario. Examples of distinctive stone structures known as latte stones on the Mariana

Background imageBramati Collection: Deception of Captain Wallis by Queen Oberea Artist: G Bramati

Deception of Captain Wallis by Queen Oberea Artist: G Bramati
Deception of Captain Wallis by Queen Oberea, 1820-1839. Scene from Samuel Walliss voyage of circumnavigation in HMS Dolphin, undertaken from 1766-1768

Background imageBramati Collection: Papu Tribe on the Isle of Rawak, c1820-1839. Artist: G Bramati

Papu Tribe on the Isle of Rawak, c1820-1839. Artist: G Bramati
Papu Tribe on the Isle of Rawak, c1820-1839. Plate 20 from Le Costume Ancien et Moderne by Jules Ferrario

Background imageBramati Collection: W. Robertson / Bramati

W. Robertson / Bramati
WILLIAM ROBERTSON Scottish historian Full length holding a journal Date: 1721 - 1793

Background imageBramati Collection: Sterne (Bramati)

Sterne (Bramati)
LAURENCE STERNE author, depicted in pensive mood with his characteristic finger-on-forehead gesture

Background imageBramati Collection: Eb De Condillac / Bramati

Eb De Condillac / Bramati
ETIENNE BONNOT DE CONDILLAC French philosopher

Background imageBramati Collection: James Bruce / Bramati

James Bruce / Bramati
JAMES BRUCE Scottish explorer in Africa

Background imageBramati Collection: Mungo Park (Bramati)

Mungo Park (Bramati)
MUNGO PARK Scottish traveller in Africa


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"Bramati: Unveiling the Timeless Artistry of Swords and Daggers" Step into a world where swords, rapiers, and daggers from the 13th century come alive in exquisite craftsmanship. Bramati, not just a name but an embodiment of historical artistry that transcends time. Ancient figures like Orlando and Oliver grace these masterpieces with their presence, reminding us of legendary tales woven through centuries. Crowns adorned with intricate details tell stories of power and majesty fit for kings. Charlemagne, the mighty King of the Franks from 742 to 814, would have marveled at Bramati's creations. His legacy lives on as these weapons carry his spirit into our modern era. Travel across continents to witness indigenous Mapuche people in Chile playing ciueca or palin - a testament to their rich cultural heritage. Glimpses into ancient civilizations are captured by G Bramati's brushstrokes at the Temple of Rameses II in Abu Simbel, Egypt. The House of Ancients on the Island of Tinian stands tall as if frozen in time under Bramati's skilled hand. The captivating Deception of Captain Wallis by Queen Oberea reveals narratives hidden within history's shadows. Venturing further east brings us to Papu Tribe on the Isle of Rawak; their vibrant traditions immortalized by Bramati's artistic genius. Slaves preparing tobacco in Virginia during c1790 serve as a poignant reminder that even amidst beauty lies untold struggles etched into our collective memory. W Robertson and Sterne find themselves intertwined with Bramati's legacy - names forever linked through shared passion for capturing life’s essence on canvas. And who can forget Eb De Condillac? A philosopher whose ideas found resonance within Bramati’s artistry. Bramati is more than just an artist; it is an invitation to explore worlds long gone yet still present within our collective consciousness.