Brandywine School Collection (page 5)

King Mark of Cornwall, illustration from The Story of the Champions of the Round
STC335734 King Mark of Cornwall, illustration from The Story of the Champions of the Round Table (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American

Sir Launcelot greets Queen Guinevere, illustration from
STC335724 Sir Launcelot greets Queen Guinevere, illustration from The Story of the Champions of the Round Table (litho) by Pyle

Sir Gawaine the Son of Lot, King of Orkney, illustration from
STC335719 Sir Gawaine the Son of Lot, King of Orkney, illustration from The Story of King Arthur and his Knights, 1903 (litho) by Pyle

Queen Morgana le Fay, illustration from The Story of King Arthur and his Knights
STC335711 Queen Morgana le Fay, illustration from The Story of King Arthur and his Knights, 1903 (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American

Deer and Stream, 1945 (oil on canvas)
2653593 Deer and Stream, 1945 (oil on canvas) by Wyeth, Newell Convers (1882-1945); 274.3x396.2 cm; Private Collection; (add.info)

The Coming of the Mayflower in 1620, 1941 (oil on canvas)
2653613 The Coming of the Mayflower in 1620, 1941 (oil on canvas) by Wyeth, Newell Convers (1882-1945); 265.4x403.2 cm; Private Collection; (add.info)

Cursing and whipping, the Jockey drew up to the winning post (colour litho)
STC311051 Cursing and whipping, the Jockey drew up to the winning post (colour litho) by Wyeth, Newell Convers (1882-1945) (after); Private Collection; The Stapleton Collection; American

The Fishing of Thor and Hymir, from Folk Legends of the Sea, Harpers Magazine
STC311038 The Fishing of Thor and Hymir, from Folk Legends of the Sea, Harpers Magazine, 1902 (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Portrait of Abraham Lincoln (colour litho)
STC306833 Portrait of Abraham Lincoln (colour litho) by Pyle, Howard (1853-1911); Private Collection; (add.info.: Abraham Lincoln (1809-65); 16th President of the United States;

Non-combatants taking shelter during the Siege of Vicksburg (litho)
STC306827 Non-combatants taking shelter during the Siege of Vicksburg (litho) by Pyle, Howard (1853-1911) (after); Private Collection; The Stapleton Collection; American, out of copyright

In the Reading Room of a New York Coffee House (litho)
STC306796 In the Reading Room of a New York Coffee House (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American, out of copyright

Pirate William Kidd burying treasure on Oak Island (colour litho)
PNP270184 Pirate William Kidd burying treasure on Oak Island (colour litho) by Pyle, Howard (1853-1911); Private Collection; (add.info.: Kidd (1645-1701); ); Peter Newark Pictures; American

Walking the Plank, engraved by Anderson (engraving)
XND75263 Walking the Plank, engraved by Anderson (engraving) by Pyle, Howard (1853-1911) (after); Private Collection; American, out of copyright

Portrait of Abraham Lincoln (colour litho)
XJL215048 Portrait of Abraham Lincoln (colour litho) by Pyle, Howard (1853-1911); National Portrait Gallery, Washington DC

Old-Time School in Pennsylvania, from Harpers Magazine, 1881 (litho)
BAL108979 Old-Time School in Pennsylvania, from Harpers Magazine, 1881 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; American, out of copyright

The Nation is at War and Must Have Men, illustration from Young
BAL108981 The Nation is at War and Must Have Men, illustration from Young by William Gilmore Beymer, pub. in Harpers Magazine, 1909 (litho) by Pyle

General Lee on his Famous Charger, Traveller, illustration from General
BAL108982 General Lee on his Famous Charger, Traveller, illustration from General Lee as I Knew Him by A.R.H. Ranson, pub

Jacksons Brigade Standing Like a Stone Wall before the Federal Onslaught at Bull Run
BAL108980 Jacksons Brigade Standing Like a Stone Wall before the Federal Onslaught at Bull Run, illustration from Non-Combatants by Robert W. Chambers, pub

Captain Tongrelow Took the Biggest, illustration from New York Colonial Privateers
BAL108976 Captain Tongrelow Took the Biggest, illustration from New York Colonial Privateers by Thomas A. Janvier, pub. in Harpers Magazine, 1895 (litho) by Pyle

When All the World Seemed Young, pub. in Harpers Magazine, 1909 (colour litho)
BAL108978 When All the World Seemed Young, pub. in Harpers Magazine, 1909 (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Carrying Powder to Perry at Lake Erie, 1911 (colour litho)
BAL108977 Carrying Powder to Perry at Lake Erie, 1911 (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: original painting for Du Pont Powder Company, Wilmington)

Meeting of Captain Tollemache and Captain Pennington at The City Arms
BAL108972 Meeting of Captain Tollemache and Captain Pennington at The City Arms, illustration from Old New York Taverns by John Austin Stevens, pub

Washington Refusing a Dictatorship, from Harpers Magazine, 1883 (litho)
BAL108971 Washington Refusing a Dictatorship, from Harpers Magazine, 1883 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: George (1732-99); ); American, out of copyright

A Banquet to Genet, illustration from Washington and the French Craze of 93
BAL108974 A Banquet to Genet, illustration from Washington and the French Craze of 93 by John Bach McMaster, pub. in Harpers Magazine, 1897 (colour litho) by Pyle

The Escape of Arnold on the British Sloop-of-War Vulture, illustration
BAL108970 The Escape of Arnold on the British Sloop-of-War Vulture, illustration from General Washington by Woodrow Wilson, pub

The Inauguration, engraved by Francis Scott King, illustration from Washington s
BAL108973 The Inauguration, engraved by Francis Scott King, illustration from Washingtons Inauguration by John Bach McMaster, pub

An American Privateer Taking a British Prize, illustration from Pennsylvania s
BAL108969 An American Privateer Taking a British Prize, illustration from Pennsylvanias Defiance of the United States by Hampton L. Carson, pub

The First Public Reading of the Declaration of Independence, illustration from The
BAL108965 The First Public Reading of the Declaration of Independence, illustration from The First Public Reading of the Declaration of Independence by Eugene Lawrence, pub

The Surrender of Cornwallis at Yorktown, illustration from The Surrender of Cornwallis
BAL108968 The Surrender of Cornwallis at Yorktown, illustration from The Surrender of Cornwallis, pub. in Harpers Weekly, 1881 (litho) by Pyle

Reading the Declaration before Washingtons Army, New York, July 9th, 1776, illustration
BAL108966 Reading the Declaration before Washingtons Army, New York, July 9th, 1776, illustration from How the Declaration was Received in the Old Thirteen by Charles D. Deshler, pub

Paul Revere at Lexington, from Harpers Young People, 1889 (litho)
BAL108959 Paul Revere at Lexington, from Harpers Young People, 1889 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Paul Revere Bringing News to Sullivan, engraved by F
BAL108962 Paul Revere Bringing News to Sullivan, engraved by F.H. Wellington, illustration from The Gunpowder for Bunker Hill by Ballard Smith, pub

Lexington Green - If they want war, it may as well begin here, engraved by F
BAL108960 Lexington Green - If they want war, it may as well begin here, engraved by F.H. Wellington, from Harpers Magazine, 1883 (litho) by Pyle

Sergeant Jasper at the Battle of Fort Moultrie, June 28th 1776, illustration
BAL108964 Sergeant Jasper at the Battle of Fort Moultrie, June 28th 1776, illustration from The Dawning of Independence by Thomas Wentworth Higginson, pub

In the Old Raleigh Tavern, illustration from At Home in Virginia by Woodrow Wilson, pub
BAL108958 In the Old Raleigh Tavern, illustration from At Home in Virginia by Woodrow Wilson, pub. in Harpers Magazine, 1896 (litho) by Pyle

Surrender of Fort William and Mary, from Harpers Magazine, 1886 (litho)
BAL108963 Surrender of Fort William and Mary, from Harpers Magazine, 1886 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Watching the Fight at Bunker Hill, illustration from Colonies and Nation
BAL108961 Watching the Fight at Bunker Hill, illustration from Colonies and Nation by Woodrow Wilson, pub. in Harpers Magazine, 1901 (litho) by Pyle

Carpenters Hall, Philadelphia, where the First and Second Continental Congresses
BAL108957 Carpenters Hall, Philadelphia, where the First and Second Continental Congresses held their sessions, from Harpers Magazine, 1896 (litho) by Pyle

A Kentucky Wedding, illustration from Building the Nation by Charles Carleton Coffin
BAL108942 A Kentucky Wedding, illustration from Building the Nation by Charles Carleton Coffin, 1883 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; American, out of copyright

Burning of the Gaspee, illustration from Colonies and Nation by Woodrow Wilson
BAL108956 Burning of the Gaspee, illustration from Colonies and Nation by Woodrow Wilson, pub. in Harpers Magazine, 1901 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; American

The Mob Attempting to Force a Stamp Officer to Resign, from Harpers Magazine
BAL108951 The Mob Attempting to Force a Stamp Officer to Resign, from Harpers Magazine, 1882 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; American, out of copyright

Brownejohns Wharf, New York, illustration from Old New York Taverns
BAL108952 Brownejohns Wharf, New York, illustration from Old New York Taverns by John Austin Stevens, pub. in Harpers Magazine, 1890 (litho) by Pyle

Alexander Hamilton Addressing the Mob, illustration from Kings College
BAL108953 Alexander Hamilton Addressing the Mob, illustration from Kings College by John McMullen, pub. in Harpers Magazine, 1884 (litho) by Pyle

Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas
BAL108946 Joseph Brown Leading his Company to Nicojack, the Stronghold of the Chickamaugas, engraved by Robert Hoskin, illustration from The Southern Gateway to the Alleghanies by Edmund Kirke, pub

Washington and Mary Philipse, illustration from Colonel Washington by Woodrow Wilson, pub
BAL108948 Washington and Mary Philipse, illustration from Colonel Washington by Woodrow Wilson, pub. in Harpers Magazine, 1896 (litho) by Pyle

A Committee of Patriots Delivering an Ultimatum to a Kings Councillor, illustration
BAL108950 A Committee of Patriots Delivering an Ultimatum to a Kings Councillor, illustration from A Sign from Heaven by Basil King, pub

The Burial of Braddock, illustration from Colonel Washington by Woodrow Wilson, pub
BAL108947 The Burial of Braddock, illustration from Colonel Washington by Woodrow Wilson, pub. in Harpers Magazine, 1896 (litho) by Pyle

Travelling in Frontier Days, illustration from The City of Cleveland by Edmund Kirke, pub
BAL108943 Travelling in Frontier Days, illustration from The City of Cleveland by Edmund Kirke, pub. in Harpers Magazine, 1886 (litho) by Pyle

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Brandywine School: A Glimpse into the Past "One more step, Mr. Hands, " said I, "and I'll blow your brains out. " These words from Robert Louis Stevenson's Treasure Island come to life in the captivating illustrations of Brandywine School. Known for their meticulous attention to detail and vibrant lithographs, this artistic movement emerged in the late 19th century. Along the Water Front in Old New York, an illustration from The Evolution of New York by Thomas A. Janvier (1893), transports us back to a bustling era where ships docked and traders bartered along the city's shores. Meanwhile, The News of the Execution of Louis XVI (litho) captures a pivotal moment in history when France was engulfed in revolution. The Assassination of La Salle takes us on an adventurous journey through Francis Parkman's book about exploration and discovery. With each stroke of lithography, we witness thrilling tales unfold before our eyes. Similarly, The Death of King Philip brings alive Native American history as depicted by A. Hayman in Harpers Magazine (1883). From legends to reality, Two Knights do battle before Cameliard illustrates scenes from Arthurian mythology with rich colors and intricate details that transport us into medieval times. And who can resist being captivated by A Virginia Plantation Wharf (1670s)? This lithograph published in Harpers Magazine (1896) offers a glimpse into colonial America's past. But it is not all glory and heroism; there is also tragedy within these artworks' frames. The fight in Fire-tops against an English ship depicts intense naval combat colored with bloodshed while Barbarously murdered: the first grievously wounded soldier showcases the harsh realities faced during war. Knights continue their epic battles within Brandywine School's collection as illustrated in another scene from The Story of King Arthur and his Knights (1903).