Breast Ornament Collection

The Cavalier, 1870-1900. Creator: Louis Mettling
The Cavalier, 1870-1900

Portrait of Rupert (1619-1682), Prince-Palatine of the Rhine, in Combat Dress, after c.1645. Copy after

Soldiers in a Guardsroom, 1865-1867. Creator: Herman Frederik Carel Ten Kate
Soldiers in a Guardsroom, 1865-1867. Men in 17th-century dress

Portrait of Rembrandt with Gorget, 1629-1729. Creator: Rembrandt Harmensz van Rijn
Portrait of Rembrandt with Gorget, 1629-1729

Prince Rupert, 1775. Creator: Valentine Green
Prince Rupert, 1775

Sac & Fox Indian Chiefs / Group of Indians, between 1855 and 1865. Creator: Unknown
Sac & Fox Indian Chiefs / Group of Indians, between 1855 and 1865

Gorget, Germany, 1620 / 50. Creator: Unknown
Gorget, Germany, 1620/50

Old Man with a Gold Chain, 1631. Creator: Rembrandt Harmensz van Rijn
Old Man with a Gold Chain, 1631

Tenskwatawa, c. 1830-1833. Creator: Henry Inman
Tenskwatawa, c. 1830-1833

Gorget, probably Dutch, ca. 1630. Creator: Unknown
Gorget, probably Dutch, ca. 1630

Gorget for an Officer of the South Carolina Infantry Regiment, American, late 18th century

Laughing Man in a Gorget, 1620-40. Creator: Jan Georg van Vliet
Laughing Man in a Gorget, 1620-40. After Rembrandt

Man with a Steel Gorget. Creator: Style of Rembrandt (Dutch, second or third quarter 17th century)
Man with a Steel Gorget

General John Sullivan, in cocked hat edged with braid and a gorget, c1770, (1937)
General John Sullivan, showing cocked hat edged with braid and a gorget, c1770, (1937). John Sullivan (1740-1795) Irish-American General in the Revolutionary War

All The Gorgeous Panoply of A Knight with the Various Parts of His Armour, c1934. Illustration showing the various parts of a suit of armour and weapons: hauberk, cuirass, taces, rerebrace, vambrace

Tronie of a Young Man in a Gorget and Cap, c1639. Artist: Rembrandt Harmensz van Rijn
Tronie of a Young Man in a Gorget and Cap, c1639. Painting held in the Uffizi Gallery, Florence. From The Dutch Genius by Haldane MacFall [T. C. and E. C. Jack, London, 1911]

Breast-Strap Ornament from Riding outfit, Pazyryk, Altai Mountains, 5th century BC-4th century BC. The Pazyryk burials are a number of Scythian Iron Age tombs found in the Pazyryk Valley of the Ukok

Snuffbox with a breast ornament with a portrait of Queen Mary, Henri La Pierre, Anonymous, c. 1680 - c. 1690

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"Adornments of Power: Exploring the Fascinating World of Breast Ornaments" From ancient civilizations to European nobility, breast ornaments have been a symbol of status, beauty, and cultural significance throughout history. These intricate pieces not only served as decorative accessories but also carried deep meanings within their designs. Dating back to the 5th century BC-4th century BC, the Pazyryk Breast-Strap Ornament from the Altai Mountains showcases the craftsmanship and artistry of ancient riders. Its delicate details and exquisite patterns reflect a rich heritage that has stood the test of time. Moving forward in time, we encounter German craftsmanship with a Gorget from 1620/50. This piece exemplifies elegance and sophistication with its intricate design, showcasing how breast ornaments were used to enhance one's attire during this period. The Native American culture is beautifully represented by Sac & Fox Indian Chiefs captured between 1855 and 1865. Their ornate breast ornaments depict stories passed down through generations, connecting them to their ancestors while displaying their leadership roles within their communities. Renowned artist Rembrandt Harmensz van Rijn immortalized various individuals wearing gorgets in his paintings. "Old Man with a Gold Chain" (1631) portrays an air of dignity and wealth associated with these adornments. Similarly, "Tronie of a Young Man in a Gorget and Cap" (c1639) captures youthful exuberance combined with regal flair. Intriguingly named Laughing Man in a Gorget (1620-40), painted by Jan Georg van Vliet adds an element of playfulness amidst all this grandeur. It reminds us that even amidst formalities; joy can be found when expressing oneself through fashion choices. Breast ornaments were not limited to Europe alone; they made appearances across continents too.