British Pictures 1500 1850 Collection

Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond
1765053 Portrait of Oliver Cromwell (1599-1658) in Armour, a Seascape and Battle Beyond, late 1650s (oil on canvas) by English School

Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel)
824227 Orlando, a Bay Racehorse in a Loosebox, 1845 (oil on panel) by Herring Snr, John Frederick (1795-1865); 34.9x45.1 cm; Private Collection; (add.info.: Orlando, a Bay Racehorse in a Loosebox)

A Grey Arab Stallion in a Wooded Landscape, (oil on canvas)
652178 A Grey Arab Stallion in a Wooded Landscape, (oil on canvas) by Agasse, Jacques-Laurent (1767-1849); 88.9x113 cm; Private Collection; (add.info.: A Grey Arab Stallion in a Wooded Landscape)

Portrait of William Pitt, standing three-quarter length in a Dark Jacket and Breeches
824232 Portrait of William Pitt, standing three-quarter length in a Dark Jacket and Breeches, (oil on canvas) by Hoppner, John (1758-1810); 141.7x110.2 cm; Private Collection; (add.info)

The Change, 1823 (oil on canvas)
3431772 The Change, 1823 (oil on canvas) by Landseer, Edwin (1802-73); Private Collection; Photo eChristies Images; English, out of copyright

The Kill, 19th century (oil on canvas)
1765046 The Kill, 19th century (oil on canvas) by Alken, Samuel Henry (1810-94); Private Collection; (add.info.: The Kill. Samuel Henry Alken Jnr. (1810-1894)

The Infant Hercules, (oil on canvas)
652123 The Infant Hercules, (oil on canvas) by Reynolds, Joshua (1723-92); 127x101.6 cm; Private Collection; (add.info.: The Infant Hercules. Sir Joshua Reynolds (1723-1792). Oil on canvas

A Fishmarket on the Beach, c. 1802-04 (oil on canvas)
1765066 A Fishmarket on the Beach, c.1802-04 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 44.5x59 cm; Private Collection; (add.info.: A Fishmarket on the Beach)

The Football Game (oil on canvas)
1765060 The Football Game (oil on canvas) by Webster, Thomas (1800-86) (follower of); 73.5x99.5 cm; Private Collection; (add.info.: The Football Game. Follower of Thomas Webster (1800-1886)

Portrait of Mrs White (nee Watford), full length in a White Silk Dress
1765049 Portrait of Mrs White (nee Watford), full length in a White Silk Dress, 1809 (oil on canvas) by Dawe, George (1781-1829); 223.5x138.5 cm; Private Collection; (add.info)

Portrait of a Gentleman, standing three-quarter length, Wearing a White Waistcoat
1765043 Portrait of a Gentleman, standing three-quarter length, Wearing a White Waistcoat, a Red Fur-Lined Cloak and Red Breeches, Pointing to a Map on a Table

Isambard Kingdom Brunels Office at 18 Duke Street, Westminster (pencil
1765038 Isambard Kingdom Brunels Office at 18 Duke Street, Westminster (pencil, pen and ink and watercolour) by Carthy, Lady (fl.1840-1850); 36.5x52.1 cm; Private Collection; (add.info)

A View of Chiswick Gardens, Richmond, from across the New Gardens towards the Bagnio, c
1195525 A View of Chiswick Gardens, Richmond, from across the New Gardens towards the Bagnio, c.1729-31 (oil on canvas) by Rysbrack

A Grecian Idyll, 1907 (oil on canvas)
991264 A Grecian Idyll, 1907 (oil on canvas) by Godward, John William (1861-1922); 152.4x76.2 cm; Private Collection; (add.info.: A Grecian Idyll. John William Godward (1861-1922). Oil on canvas

The Groves O Blarney, 1856 (oil on canvas)
824272 The Groves O Blarney, 1856 (oil on canvas) by Nicol, Erskine (1825-1904); 33x26.6 cm; Private Collection; (add.info.: The Groves O Blarney. Erskine Nicol (1825-1904). Oil on canvas

Portrait of the Vernon Children, the Little Girl Standing Full Length in a White Dress
824271 Portrait of the Vernon Children, the Little Girl Standing Full Length in a White Dress Tied with a Blue Sash, Holding a Doll, the Little Boy in a Red Jacket and Breeches

The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night
824266 The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night, and Departed into Egypt.-Matthew II, 14, 1842 (oil on canvas) by Martin

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog
824261 Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond, c.1817-1824 (oil on canvas) by Lawrence

A View of Richmond Bridge with Boats on the River and Figures Promenading
824260 A View of Richmond Bridge with Boats on the River and Figures Promenading, (oil on canvas) by Turner, William (Turner of Oxford) (1789-1862); 67.3x87.6 cm; Private Collection; (add.info)

A Still-Life; with a Lobster and Bread on Salvers, a Decanter of Wine
824258 A Still-Life; with a Lobster and Bread on Salvers, a Decanter of Wine and other Items on a Partly Draped Marble Ledge, (oil on canvas) by Collins

Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a
824243 Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a White Collar and Red Sash, 1647 (oil on canvas) by English School

King Charles Taking Leave of his Children, c. 1721 (oil on canvas)
824239 King Charles Taking Leave of his Children, c.1721 (oil on canvas) by Raoux, Jean (1677-1734); 63.5x76.2 cm; Private Collection; (add.info.: King Charles Taking Leave of his Children)

Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket
824220 Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas) by Watts

Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace
824207 Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace Collar, holding a Black Hat, (oil on canvas) by Peake, Robert

A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses
824203 A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses with Blue Sashes, (oil on canvas) by Gainsborough

Portrait of Louisa Booth, seated half length, in a Coral Pink Dress Trimmed with a Blue
824195 Portrait of Louisa Booth, seated half length, in a Coral Pink Dress Trimmed with a Blue Braid Holding a Basket of Grapes, (oil on canvas) by Agasse

Portrait of John, Lord Henry (1696-1743), three-quarter-length
824190 Portrait of John, Lord Henry (1696-1743), three-quarter-length, seated in a Brown Ermine Lined Coat, with the Purse of Lord Privy Seal, 1741 (oil on canvas) by Loo

Group Portrait of a Family, in the Grounds of a Country House, (oil on canvas)
824180 Group Portrait of a Family, in the Grounds of a Country House, (oil on canvas) by Ferrers, Benjamin (d.1732); 100.3x125.7 cm; Private Collection; (add.info.: Group Portrait of a Family)

Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape
824175 Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape, 1826 (oil on panel) by Sillett, James (1764-1840); 54x43.8

Music at the Parsonage, (oil on canvas)
652199 Music at the Parsonage, (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 74.9x107.3 cm; Private Collection; (add.info.: Music at the Parsonage. Frederick Daniel Hardy (1826-1911)

A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2
652189 A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2, with Edward Shuter as Justice Woodcock, John Beard as Hawthorn, and John Dunstall as Hodge, (oil on canvas) by Zoffany

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle
652183 A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle, Bantams, Mallard and Guinea Fowl, with a Country Mansion by a River in the Distance

Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress
652180 Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress, Blue Sash and Mauve Wrap, Leaning Her Left Arm on a Pedestal, (oil on canvas) by Romney

Portrait of William Perry, Aged 21, Standing, Full Length
652174 Portrait of William Perry, Aged 21, Standing, Full Length, in a Gold Embroidered Brown Coat, by a Balustrade, with the Colosseum Beyond, (oil on canvas) by David

Il Penseroso, or Melancholy: A Female Figure, Full Length, Wearing Pale Green Robes
652161 Il Penseroso, or Melancholy: A Female Figure, Full Length, Wearing Pale Green Robes, Standing in a Landscape, Resting Her Left Elbow on a Pedestal Bearing a Classical Frieze

Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket
652155 Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket and Breeches and White Stock, a Pile of Geological Specimens on the Table Beside Him, (oil on canvas) by Raeburn

Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length
652151 Portrait of a Young Gentleman, thought to be the Duke of Richmond, Bust Length, Wearing Armour, c.1650 (oil on canvas laid down on board) by Lely

Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length
652138 Portrait of a Lady, Possibly the Duchess of Ancaster, Three-Quarter Length, as a Shepherdess, in a White Satin Dress and Bonnet, in a Landscape, (oil on canvas) by Jervas

Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap
652136 Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas) by Dobson

The Mordaunt Family, (oil on canvas)
652135 The Mordaunt Family, (oil on canvas) by Vaslet, Lewis (1770-1808); 62.2x74.9 cm; Private Collection; (add.info.: The Mordaunt Family. Lewis Vaslet (1742-1808). Oil on canvas

Belshazzars Feast, 1820 (oil on canvas)
652134 Belshazzars Feast, 1820 (oil on canvas) by Martin, John (1789-1854); 160x249 cm; Private Collection; (add.info.: Belshazzars Feast. John Martin (1789-1854). Oil on canvas. Dated 1820

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid
652126 Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid, Holding a Cherry to a Parrot, a Spaniel to His Side, with Fruits on a Stand, 1741 (oil on canvas) by Heins

Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress
652121 Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress, and Lace-Trimmed Shawl, Holding a Fan, in a Landscape, (oil on canvas) by Reynolds

The Bard, 1809 (oil on canvas)
652118 The Bard, 1809 (oil on canvas) by West, Benjamin (1738-1820); 243.8x182.8 cm; Private Collection; (add.info.: The Bard. Benjamin West (1738-1820). Oil on canvas. Dated 1809. 243.8 x 182.8cm

Old Northumberland House, Charing Cross, (oil on canvas)
652116 Old Northumberland House, Charing Cross, (oil on canvas) by Paul, John Dean (1775-1852); 123.2x187 cm; Private Collection; Photo eChristies Images; English, out of copyright

Pharaohs Horses, 1848 (oil on canvas)
652114 Pharaohs Horses, 1848 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 78.8 diam cm; Private Collection; (add.info.: Pharaohs Horses. John Frederick Herring, Sr. (1795-1865)

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"British Pictures 1500-1850: A Glimpse into the Rich Tapestry of British Art" Step back in time and explore the captivating world of British art from the years 1500 to 1850. From grand portraits to breathtaking landscapes, this collection offers a diverse range of masterpieces that reflect the essence of British culture and history. One such masterpiece is "Orlando, a Bay Racehorse in a Loosebox, 1845. " Painted with meticulous detail on panel, this artwork captures the strength and elegance of Orlando as he stands proudly in his enclosure. The artist's skillful brushstrokes bring every muscle and strand of mane to life, showcasing the beauty inherent in these magnificent creatures. In contrast to this equine portrait, we encounter "Portrait of Oliver Cromwell (1599-1658) in Armour, " which depicts one of Britain's most influential figures during the tumultuous times of civil war. This powerful portrayal showcases Cromwell's stern countenance and resolute determination as he dons his armor. It serves as a reminder of an era filled with political upheaval and social transformation. Moving onto landscapes, "A Grey Arab Stallion in a Wooded Landscape" transports us into nature's embrace. Painted on canvas, this piece immerses us within lush foliage while highlighting the gracefulness and nobility embodied by horses. The interplay between light and shadow creates an atmosphere that evokes tranquility amidst untamed wilderness. Shifting gears once again, we encounter "Portrait of William Pitt, " capturing him standing confidently three-quarter length dressed in dark attire. This painting pays homage to Pitt's significant role as Prime Minister during challenging times for Britain; it exudes authority while hinting at his unwavering commitment towards progress. "The Change" takes us back two centuries earlier when horse racing was already deeply ingrained within British society. With vibrant colors dancing across canvas, this artwork captures the exhilaration and energy of a horse race.