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Brute Collection

"Unleashing the Brute: A Captivating Collection of Images" Step into a world where power and strength reign supreme

Background imageBrute Collection: Buell XB-12S Lightning (Cafe Racer)

Buell XB-12S Lightning (Cafe Racer)

Background imageBrute Collection: The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving)

The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving)
2966814 The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageBrute Collection: World War I: US Army enlistment poster Destroy this Mad Brute

World War I: US Army enlistment poster Destroy this Mad Brute
530743 World War I: US Army enlistment poster Destroy this Mad Brute.; Universal History Archive/UIG.

Background imageBrute Collection: Destroy This Mad Brute Date: 1917

Destroy This Mad Brute Date: 1917

Background imageBrute Collection: The brute (chromolitho)

The brute (chromolitho)
1094251 The brute (chromolitho) by French School, (19th century); Private Collection; (add.info.: The brute. French educational card, late 19th or early 20th century.); © Look and Learn

Background imageBrute Collection: Page of Advertisements (engraving)

Page of Advertisements (engraving)
1038639 Page of Advertisements (engraving) by English School, (19th century); Private Collection; (add.info.: Page of Advertisements)

Background imageBrute Collection: St Bernard to the Rescue (colour litho)

St Bernard to the Rescue (colour litho)
1046388 St Bernard to the Rescue (colour litho) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: St Bernard to the Rescue)

Background imageBrute Collection: From Suburban Home to City Office, or dodged by a Dog (engraving)

From Suburban Home to City Office, or dodged by a Dog (engraving)
1047754 From Suburban Home to City Office, or dodged by a Dog (engraving) by English School, (19th century); Private Collection; (add.info.: From Suburban Home to City Office, or dodged by a Dog)

Background imageBrute Collection: David Garrick as John Brute in the Provok d Wife by Vanbrugh, Drury Lane, c

David Garrick as John Brute in the Provok d Wife by Vanbrugh, Drury Lane, c
450076 David Garrick as John Brute in the Provok d Wife by Vanbrugh, Drury Lane, c.1763 (oil on canvas) by Zoffany, Johann (1733-1810); 75x62 cm; The Holburne Museum, Bath

Background imageBrute Collection: Fighting for the Dunghill or Jack Tar settling Buonaparte, pub

Fighting for the Dunghill or Jack Tar settling Buonaparte, pub
2966822 Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageBrute Collection: A Duet, pub. 1792 (hand coloured engraving)

A Duet, pub. 1792 (hand coloured engraving)
3025380 A Duet, pub. 1792 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Thomas Vanhagen; Turn Fair Clora, turn, ah cruel)

Background imageBrute Collection: A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of

A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of
NCO190145 A French Gentleman of the Court of Louis XVI and a French Gentleman of the Court of Egalite, published in 1799 (hand-coloured etching) by Gillray

Background imageBrute Collection: Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving)

Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving)
2966823 Citizens Visiting the Bastille, pub. 1799 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageBrute Collection: Comparisons of man and ape

Comparisons of man and ape
Representation of the analogy betwixt man and brute. Child and monkey with fruit, portrait of man and ape, skulls of man and ape. Handcoloured copperplate engraving by J

Background imageBrute Collection: Bill Sikes from Oliver Twist (engraving)

Bill Sikes from Oliver Twist (engraving)
725652 Bill Sikes from Oliver Twist (engraving) by English School, (19th century); Private Collection; (add.info.: Bill Sikes from Oliver Twist. Dickens character)

Background imageBrute Collection: The Cole-Heavers, pub. 1783 (hand coloured engraving)

The Cole-Heavers, pub. 1783 (hand coloured engraving)
2962474 The Cole-Heavers, pub. 1783 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageBrute Collection: The Automobile Club Show at Richmond (engraving)

The Automobile Club Show at Richmond (engraving)
1599040 The Automobile Club Show at Richmond (engraving) by Cleaver, Ralph (fl.1902); Private Collection; (add.info.: The Automobile Club Show at Richmond)

Background imageBrute Collection: The Orderly Officers Mule, a Tale of Indian Life (litho)

The Orderly Officers Mule, a Tale of Indian Life (litho)
1036726 The Orderly Officers Mule, a Tale of Indian Life (litho) by English School, (19th century); Private Collection; (add.info.: The Orderly Officers Mule, a Tale of Indian Life)

Background imageBrute Collection: US Military WW1 Recruitment Campaign 'Destroy this Mad Brute - Enlist'pub

US Military WW1 Recruitment Campaign "Destroy this Mad Brute - Enlist"pub
5902910 US Military WW1 Recruitment Campaign " Destroy this Mad Brute - Enlist" pub. 1917 (colour lithograph) by Hopps, Harry R

Background imageBrute Collection: Fighting for the Dunghill, or Jack Tar Settl ing Buonaparte

Fighting for the Dunghill, or Jack Tar Settl ing Buonaparte
NCO190184 Fighting for the Dunghill, or Jack Tar Settl ing Buonaparte, published by Hannah Humphrey in 1798 (etching with aquatint) by Gillray

Background imageBrute Collection: The Cole-Heavers, published by William Humphrey in 1783 (hand-coloured etching)

The Cole-Heavers, published by William Humphrey in 1783 (hand-coloured etching)
NCO190477 The Cole-Heavers, published by William Humphrey in 1783 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageBrute Collection: A Duet: Turn Fair Clora, turn, ah cruel, turn again

A Duet: Turn Fair Clora, turn, ah cruel, turn again
NCO191752 A Duet: Turn Fair Clora, turn, ah cruel, turn again published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Background imageBrute Collection: A Tale of a Famous Panther Hunt (engraving)

A Tale of a Famous Panther Hunt (engraving)
1039062 A Tale of a Famous Panther Hunt (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: A Tale of a Famous Panther Hunt)

Background imageBrute Collection: Troopers Troubles, with the Camel Corps in the Soudan (engraving)

Troopers Troubles, with the Camel Corps in the Soudan (engraving)
1044852 Troopers Troubles, with the Camel Corps in the Soudan (engraving) by English School, (19th century); Private Collection; (add.info.: Troopers Troubles, with the Camel Corps in the Soudan)

Background imageBrute Collection: Mr. Squeers, from Nicholas Nickleby, 1923 (colour litho)

Mr. Squeers, from Nicholas Nickleby, 1923 (colour litho)
KDC465773 Mr. Squeers, from Nicholas Nickleby, 1923 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info.: Wackford Squeers; cruel, one-eyed)

Background imageBrute Collection: A Full Back (colour litho)

A Full Back (colour litho)
NFM315224 A Full Back (colour litho) by English School; National Football Museum, Manchester, UK; (add.info.: from the I.X.L)

Background imageBrute Collection: The Republican-Hercules Defending his Country, published by Hannah Humphrey in 1797

The Republican-Hercules Defending his Country, published by Hannah Humphrey in 1797
NCO190149 The Republican-Hercules Defending his Country, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Background imageBrute Collection: Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching)

Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching)
NCO191294 Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageBrute Collection: 'He fired;and the brute, the moment that it was making its spring, fell over

"He fired;and the brute, the moment that it was making its spring, fell over
6002108 " He fired; and the brute, the moment that it was making its spring, fell over, snarling and hissing" (colour litho) by Groome

Background imageBrute Collection: Pony and Galloway Races at the Ranelagh Club on Boat-Race Day (engraving)

Pony and Galloway Races at the Ranelagh Club on Boat-Race Day (engraving)
1626911 Pony and Galloway Races at the Ranelagh Club on Boat-Race Day (engraving) by Wollen, William Barnes (1857-1936) (after); Private Collection; (add.info)

Background imageBrute Collection: Regines Ape (engraving)

Regines Ape (engraving)
1042282 Regines Ape (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: Regines Ape. Illustration for The Graphic)

Background imageBrute Collection: THE WOLF AS SHEPHERD

THE WOLF AS SHEPHERD One of Dores finest illust- -rations, simply taken at face value, and at the same time a powerful allegory of brute force hiding its brutality

Background imageBrute Collection: HUNGRY SEA MONSTER

HUNGRY SEA MONSTER
A sea-monster grabs a victim from the shore, while his cowardly companion runs away instead of tackling the brute Date: 1550

Background imageBrute Collection: The Charming Brute, (A satire on Handel), 1754

The Charming Brute, (A satire on Handel), 1754. The German composer Handel, here depicted as a pig, had a huge appetite. Here he is at his organ, sitting on a barrel of ale, surrounded by poultry

Background imageBrute Collection: The Saber-Tooth Cat with dagger like front canine teeth

The Saber-Tooth Cat with dagger like front canine teeth
The Saber-Tooth Cat, also called Smilodon, with dagger like front canine teeth

Background imageBrute Collection: Jules Le brute Angelo Luswergh Italian 1793 1858

Jules Le brute Angelo Luswergh Italian 1793 1858
Jules Le brute; Angelo Luswergh (Italian, 1793 - 1858); mid-19th century; Albumen silver print

Background imageBrute Collection: German Kultur by Edmund Sullivan

German Kultur by Edmund Sullivan
The Beast Breaks Loose - Kultur as it appears to Edmund J. Sullivan. The brutish, monstrous German soldier envisaged by Edmund Sullivan as a huge, hulking gorilla like monster

Background imageBrute Collection: Cow anatomy, artwork

Cow anatomy, artwork
Cow anatomy. Computer artwork showing the internal anatomy of a domesticated cow (Bos primigenius). Anatomical features shown here include the skeleton, lungs, intestines, bladder

Background imageBrute Collection: Buell Lightning XB9-SX

Buell Lightning XB9-SX

Background imageBrute Collection: Beauty and the Barge, by Jacobs and Parker

Beauty and the Barge, by Jacobs and Parker
Beauty and the Barge, by W W Jacobs and Louis N Parker. First produced at the New Theatre, London, August 1904 (preceded by That Brute Simmons). Date: 1904

Background imageBrute Collection: That Brute, Simmons by H C Sargeant and Arthur Morrison

That Brute, Simmons by H C Sargeant and Arthur Morrison
Promotional postcard for That Brute, Simmons by H. C. Sargeant and Arthur Morrison from Morrisons short story of that name, first published in Tales of Mean Streets (1894)

Background imageBrute Collection: A Saber-Tooth cat pounces onto a frightened Buffalo

A Saber-Tooth cat pounces onto a frightened Buffalo in prehistoric times

Background imageBrute Collection: Woolly Rhinoceros, an extinct mammal from the Pleistocene Period

Woolly Rhinoceros, an extinct mammal from the Pleistocene Period
Woolly Rhinoceros is an extinct mammal that lived during the Pleistocene Period in Europe and Asia

Background imageBrute Collection: Two Smilodon cats find protection in a vast cave system

Two Smilodon cats find protection in a vast cave system in the Eocene epoch

Background imageBrute Collection: Illustration of a Saber Tooth Cat

Illustration of a Saber Tooth Cat
The Saber Tooth cat is a feline that is now extinct which was a top worldwide predator in the Eocene and Pleistocene Epoch

Background imageBrute Collection: A prehistoric Smilodon Cat is on the prowl for his next prey

A prehistoric Smilodon Cat is on the prowl for his next prey
A Smilodon Cat from prehistoric times is on the prowl for his next prey

Background imageBrute Collection: A Smilodon cat roars to warn other males to leave his territory

A Smilodon cat roars to warn other males to leave his territory
A Smilodon cat roars to warn any other males to leave his territory



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"Unleashing the Brute: A Captivating Collection of Images" Step into a world where power and strength reign supreme, as we explore the diverse representations of "brute" across various mediums. From the sleek and powerful Buell XB-12S Lightning (Cafe Racer) to the historical depiction of The Republican Hercules defending his Country in 1797, each image tells a unique story. In Edmund Sullivan's German Kultur, witness the clash between civilization and savagery, encapsulated by "the brute. " Meanwhile, The brute (chromolitho) captures an essence that is both captivating and unsettling. It serves as a stark reminder of our capacity for barbarity. Travel back in time with Barbarities in the West Indies (1791), presented through hand-coloured engravings published by Hannah Humphrey. These haunting images reveal the harsh realities endured during that era. Shifting gears to lighter tones, "A Real Hard Case" illustration from Punch magazine takes us on a whimsical journey while Page of Advertisements showcases how even commerce can embody elements force. Experience heroism personified in St Bernard to the Rescue - a colour lithograph depicting bravery amidst danger. Conversely, From Suburban Home to City Office offers comic relief as we witness hilarious encounters with man's best friend. The theatrical world comes alive with David Garrick's portrayal of John Brute in Vanbrugh's Provok'd Wife at Drury Lane Theatre. His performance embodies both physicality and emotional depth. Lastly, Fighting for the Dunghill or Jack Tar settling Buonaparte transports us to an era where battles were fought not only on land but also within ourselves - showcasing humanity's relentless determination against all odds. Through this captivating collection of images spanning different genres and eras, we are reminded that within every individual lies dormant potential for greatness or brutality – it is up to us which path we choose to tread.