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Buhot Collection

"Capturing the Essence of Paris

Background imageBuhot Collection: A Busy Paris Square, 1878 (oil on canvas)

A Busy Paris Square, 1878 (oil on canvas)
827207 A Busy Paris Square, 1878 (oil on canvas) by Buhot, Felix Hilaire (1847-98); 27.4x35.5 cm; Private Collection; (add.info.: A Busy Paris Square. Felix Hilaire Buhot (1847-1898). Oil on canvas

Background imageBuhot Collection: Winter Morning on the Quay, Paris, 1883. Creator: Felix Hilaire Buhot

Winter Morning on the Quay, Paris, 1883. Creator: Felix Hilaire Buhot
Winter Morning on the Quay, Paris, 1883

Background imageBuhot Collection: Westminster Bridge, or Westminster Clock Tower, 1860-98. Creator: Felix Hilaire Buhot

Westminster Bridge, or Westminster Clock Tower, 1860-98. Creator: Felix Hilaire Buhot
Westminster Bridge, or Westminster Clock Tower, 1860-98

Background imageBuhot Collection: Winter in Paris, or Snow in Paris, 1879. Creator: Felix Hilaire Buhot

Winter in Paris, or Snow in Paris, 1879. Creator: Felix Hilaire Buhot
Winter in Paris, or Snow in Paris, 1879

Background imageBuhot Collection: Westminster Palace, 1884. Creator: Felix Hilaire Buhot

Westminster Palace, 1884. Creator: Felix Hilaire Buhot
Westminster Palace, 1884

Background imageBuhot Collection: Landing in England, 1879, (1946). Artist: Felix Hilaire Buhot

Landing in England, 1879, (1946). Artist: Felix Hilaire Buhot
Landing in England, 1879, (1946). Passengers disembarking in the wind and rain. Print based on sketches Buhot made during his second trip to England when he landed at Ramsgate, north of Dover

Background imageBuhot Collection: Pope Pius IX, 1946. Artist: Felix Hilaire Buhot

Pope Pius IX, 1946. Artist: Felix Hilaire Buhot
Pope Pius IX, 1946. Pius IX (born Giovanni Maria Mastai-Ferretti, 1792-1878) was Pope from 16 June 1846 until his death in 1878

Background imageBuhot Collection: Westminster Palace, c1870-1900 (1924). Artist: Felix Hilaire Buhot

Westminster Palace, c1870-1900 (1924). Artist: Felix Hilaire Buhot
Westminster Palace, c1870-1900 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageBuhot Collection: Retour des Champs-Elysees, c1870-1900 (1924). Artist: Felix Hilaire Buhot

Retour des Champs-Elysees, c1870-1900 (1924). Artist: Felix Hilaire Buhot
Retour des Champs-Elysees, c1870-1900 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageBuhot Collection: Drawings Prints, Print, Woman Seated Rock, Artist, Louise Abbema, Felix-Hilaire Buhot

Drawings Prints, Print, Woman Seated Rock, Artist, Louise Abbema, Felix-Hilaire Buhot
Drawings and Prints, Print, Woman Seated on a Rock, Artist, After, Louise Abbema, Felix-Hilaire Buhot, French, Etampes 1858-1927 Paris, French, Valognes 1847-1898 Paris, Abbema, Louise, Buhot

Background imageBuhot Collection: Felix-Hilaire Buhot, The Victoria Clock Tower London, French, 1847 - 1898, 1892

Felix-Hilaire Buhot, The Victoria Clock Tower London, French, 1847 - 1898, 1892, lithograph

Background imageBuhot Collection: Fa lix-Hilaire Buhot, Montmartre le 14 Juillet (Bastille Day in Montmartre), French

Fa lix-Hilaire Buhot, Montmartre le 14 Juillet (Bastille Day in Montmartre), French
Fa© lix-Hilaire Buhot, Montmartre le 14 Juillet (Bastille Day in Montmartre), French, 1847-1898, 1892, transfer lithograph with added crayon, ink, scraping

Background imageBuhot Collection: Fa lix-Hilaire Buhot, ChaumiAíre de pcheur (Fishermans Cottage), French, 1847-1898

Fa lix-Hilaire Buhot, ChaumiAíre de pcheur (Fishermans Cottage), French, 1847-1898
Fa© lix-Hilaire Buhot, ChaumiAíre de pcheur (Fishermans Cottage), French, 1847-1898, 1892, lithograph in black on wove paper with central image on chine colla©

Background imageBuhot Collection: Loys Delteil, Fa lix-Hilaire Buhot, French, 1869-1927, 1898, etching and drypoint

Loys Delteil, Fa lix-Hilaire Buhot, French, 1869-1927, 1898, etching and drypoint
Loys Delteil, Fa© lix-Hilaire Buhot, French, 1869-1927, 1898, etching and drypoint in black on laid paper

Background imageBuhot Collection: Fa lix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay)

Fa lix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay)
Fa© lix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay), French, 1847-1898, 1886-1890, heliogravure, etching, drypoint, roulette

Background imageBuhot Collection: Fa lix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead)

Fa lix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead)
Fa© lix-Hilaire Buhot, Les Esprits des Villes Mortes (Spirits from the Cities of the Dead), French, 1847-1898, 1885, etching, roulette, drypoint, lift ground, aquatint

Background imageBuhot Collection: Fa lix-Hilaire Buhot (French, 1847 - 1898), Les Noctambules (The Night Prowlers)

Fa lix-Hilaire Buhot (French, 1847 - 1898), Les Noctambules (The Night Prowlers)
Fa© lix-Hilaire Buhot (French, 1847 - 1898), Les Noctambules (The Night Prowlers), 1876-1877, etching and aquatint in black on beige laid paper

Background imageBuhot Collection: Fa lix-Hilaire Buhot, La Traversa e (The Passage), French, 1847 - 1898, 1879-1885

Fa lix-Hilaire Buhot, La Traversa e (The Passage), French, 1847 - 1898, 1879-1885
Fa© lix-Hilaire Buhot, La Traversa© e (The Passage), French, 1847 - 1898, 1879-1885, etching, drypoint, roulette, aquatint and stop-out in brown-black on laid paper

Background imageBuhot Collection: Fa lix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), French, 1847

Fa lix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), French, 1847
Fa© lix-Hilaire Buhot, La Place Pigalle en 1878 (Place Pigalle in 1878), French, 1847 - 1898, 1878, etching, aquatint, drypoint, and roulette with burnishing on turpentine soaked japan paper

Background imageBuhot Collection: Fa lix-Hilaire Buhot, Le Retour des Artistes, French, 1847 - 1898, 1877, etching

Fa lix-Hilaire Buhot, Le Retour des Artistes, French, 1847 - 1898, 1877, etching
Fa© lix-Hilaire Buhot, Le Retour des Artistes, French, 1847 - 1898, 1877, etching on laid paper

Background imageBuhot Collection: Fa lix-Hilaire Buhot, La Place des Martyrs et la Taverne du Bagne, French, 1847 - 1898

Fa lix-Hilaire Buhot, La Place des Martyrs et la Taverne du Bagne, French, 1847 - 1898
Fa© lix-Hilaire Buhot, La Place des Martyrs et la Taverne du Bagne, French, 1847 - 1898, 1885, etching, aquatint, lift-ground aquatint, drypoint, roulette

Background imageBuhot Collection: Felix-Hilaire Buhot (French, 1847-1898), La Chapelle Saint-Michel a l Estre, etching

Felix-Hilaire Buhot (French, 1847-1898), La Chapelle Saint-Michel a l Estre, etching and drypoint on laid paper

Background imageBuhot Collection: Felix-hilaire Buhot

Felix-hilaire Buhot, The Victoria Clock Tower London, French, 1847 - 1898, 1892, Lithograph



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"Capturing the Essence of Paris: The Artistic World of Felix Hilaire Buhot" Step into the bustling streets of 19th-century Paris through the masterpieces of Felix Hilaire Buhot. With his keen eye for detail and impeccable brushstrokes, Buhot brings to life iconic scenes that have stood the test of time. In "A Busy Paris Square, " painted in 1878, we are transported to a vibrant city square teeming with activity. The artist's skillful use of oil on canvas allows us to feel the energy emanating from every corner, as people go about their daily lives against a backdrop of elegant architecture. "Winter Morning on the Quay, Paris" takes us further into Buhot's world in 1883. As snow blankets the cityscape, he captures a serene moment along the quay. The delicate interplay between light and shadow evokes a sense of tranquility amidst the winter chill. Buhot's fascination with Westminster Bridge is evident in his work spanning several decades. In "Westminster Bridge, " created between 1860 and 1898, he immortalizes this London landmark with meticulous attention to detail. Whether it be capturing its majestic clock tower or portraying Westminster Palace itself in his piece from 1884, Buhot showcases his ability to transport viewers across borders effortlessly. The artist also explores themes beyond landscapes and architecture. In "Landing in England" from 1879 (1946), we witness an intriguing departure from his usual subjects as he depicts individuals disembarking onto English soil—a testament to Buhot's versatility as an artist. Not limited by traditional mediums alone, Buhot delves into printmaking alongside fellow artist Louise Abbema in their collaborative effort titled "Woman Seated Rock. " This captivating print exemplifies their shared artistic vision while showcasing each individual's unique style.