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Burns Collection (page 5)

"Burns: A Legacy of Artistic Creations and Cultural Influence" In the heartland of Scotland, amidst the enchanting landscapes of Ayr

Background imageBurns Collection: Queen Marys Lament, poem in the handwriting of Robert Burns, late 18th century, (1840)

Queen Marys Lament, poem in the handwriting of Robert Burns, late 18th century, (1840). Artist: Robert Burns
Queen Marys Lament, poem in the handwriting of Robert Burns, late 18th century, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageBurns Collection: Robert Burns, Having set his hand to the plough, looks back at Highland Mary, 1904

Robert Burns, Having set his hand to the plough, looks back at Highland Mary, 1904. Artist: Max Beerbohm
Robert Burns, Having set his hand to the plough, looks back at Highland Mary, 1904. Illustration from The Poets Corner, by Max Beerbohm, (London, 1904)

Background imageBurns Collection: The Bridge of Doon, Ayrshire, 1838. Artist: GK Richards

The Bridge of Doon, Ayrshire, 1838. Artist: GK Richards
The Bridge of Doon, Ayrshire, 1838

Background imageBurns Collection: Robert Burns (1759-1796), Scottish poet, 1805

Robert Burns (1759-1796), Scottish poet, 1805. Burns is seen here being served by hostess Nancy Tinnock

Background imageBurns Collection: Mrs Dunlop of Dunlop, Patron of Robbie Burns. Artist: H Robinson

Mrs Dunlop of Dunlop, Patron of Robbie Burns. Artist: H Robinson
Mrs Dunlop of Dunlop, Patron of Robbie Burns

Background imageBurns Collection: The birthplace of Robert Burns, Alloway, South Ayrshire, Scotland

The birthplace of Robert Burns, Alloway, South Ayrshire, Scotland. Robert Burns (1759-1796) is generally regarded as Scotlands national poet

Background imageBurns Collection: Heres a health to them thats awa, c1792. Artist: Robert Burns

Heres a health to them thats awa, c1792. Artist: Robert Burns
Heres a health to them thats awa, c1792. Robert Burns song Heres a health to them thats awa, written in support of the Whigs, Charlie being Charles James Fox and Tammie Thomas Erskine

Background imageBurns Collection: The Meeting of Burns and Scott, c1786, (late 19th century)

The Meeting of Burns and Scott, c1786, (late 19th century). Two great Scottish writers, the Romantic poet Robert Burns (1759-1796), and novelist Sir Walter Scott (1771-1832) come face-to-face

Background imageBurns Collection: Robert Burns, Scottish poet, 1877

Robert Burns, Scottish poet, 1877. Burns (1759-1796) was a pioneer of the Romantic movement

Background imageBurns Collection: Robert Burns, Scottish poet, 19th century. Artist: W Holl

Robert Burns, Scottish poet, 19th century. Artist: W Holl
Robert Burns, Scottish poet, 19th century. Portrait of Burns (1759-1796)

Background imageBurns Collection: Robert Burns, Scottish poet, late 18th century

Robert Burns, Scottish poet, late 18th century. At the centre left is the Bridge of Doon which features in his poem Tam o Shanter (1791)

Background imageBurns Collection: Grand Burns Festival. - Brown Entertains his Friend wi a Haggis!, 1859. Artist: John Leech

Grand Burns Festival. - Brown Entertains his Friend wi a Haggis!, 1859. Artist: John Leech
Grand Burns Festival. - Brown Entertains his Friend wi a Haggis!, 1859. On 25th January 1859, the centenary of the birth of Robert Burns was celebrated with a Grand Burns Festival at Crystal Palace

Background imageBurns Collection: Rights of Women

Rights of Women. A Mother and baby stand outside the offices of the local Government board. John Burns wont allow her entry to the vaccination clinic because Mothers don t count as Parents

Background imageBurns Collection: Old St. Pauls Cathedral burns - The Great Fire of London

Old St. Pauls Cathedral burns - The Great Fire of London
Old St. Pauls Cathedral burns during The Great Fire of London of 1666

Background imageBurns Collection: Mambrino Pilot, Daisy Burns, and Rosamond: trotting for a pu

Mambrino Pilot, Daisy Burns, and Rosamond: trotting for a purse, $100 mile heats, best 3 in 5 in harness. Date c1866

Background imageBurns Collection: NORMANS IN IRELAND 1169

NORMANS IN IRELAND 1169
The Norman, Fitz-Stephen, sent by Strongbow to pacify Ireland burns his boats off the coast of Wexford as a sign that he has no intention of retreating Date: 1169

Background imageBurns Collection: William Blake America A Prophecy Guardian Prince Of Albion

William Blake America A Prophecy Guardian Prince Of Albion
Illustration by William Blake from his book America, A Prophecy published in 1793. The Guardian Prince of Albion burns in his nightly tent

Background imageBurns Collection: King Alfred the Great burns the cakes and is rebuked by the peasant woman who had given him

King Alfred the Great burns the cakes and is rebuked by the peasant woman who had given him shelter without knowing who he was. Alfred the Great, 848/9 - 899, king of the Anglo-Saxons

Background imageBurns Collection: As Troy burns behind him Trojan hero Aeneas and his family flee

As Troy burns behind him Trojan hero Aeneas and his family flee. He carries his father Anchises on his back. After a print based on a painting by Federico Barocci

Background imageBurns Collection: Old abandoned schoolhouse, Burns, Oregon, USA

Old abandoned schoolhouse, Burns, Oregon, USA
Old abandoned schoolhouse in the countryside; Burns, Oregon, United States of America

Background imageBurns Collection: Karl NordstrAom Surf Burns painting 1907 oil

Karl NordstrAom Surf Burns painting 1907 oil
Karl Nordstrom, The Surf, Burns, painting, 1907, oil on canvas, Height, 70 cm (27.5 inches), Width, 96 cm (37.7 inches), Signed, KN 1907

Background imageBurns Collection: John L Burns old Hero Gettysburgh recovering

John L Burns old Hero Gettysburgh recovering
John L. Burns, the old Hero of Gettysburgh, recovering from his wounds; Studio of Mathew B. Brady (American, about 1823 - 1896); 1862 - 1864; Albumen silver print

Background imageBurns Collection: Burns Mountain Arthur Seat Edinburgh James Valentine

Burns Mountain Arthur Seat Edinburgh James Valentine
Burns Mountain and Arthurs Seat, Edinburgh; James Valentine (Scottish, 1815 - 1879); 1870s; Albumen silver print

Background imageBurns Collection: Robert Burns, 1759 To 1796. Scottish Poet And Lyricist. From Crabbs Historical Dictionary

Robert Burns, 1759 To 1796. Scottish Poet And Lyricist. From Crabbs Historical Dictionary Published 1825

Background imageBurns Collection: View Over Edinburgh, Scotland From The Burns Monument On Calton Hill

View Over Edinburgh, Scotland From The Burns Monument On Calton Hill. From The Book Scottish Pictures Drawn With Pen And Pencil By Samuel G. Green Published 1886

Background imageBurns Collection: Clotaire I 497 To 561 Burns His Rebellious Son And Family From Histoire De France By Colart

Clotaire I 497 To 561 Burns His Rebellious Son And Family From Histoire De France By Colart Published Circa 1840



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"Burns: A Legacy of Artistic Creations and Cultural Influence" In the heartland of Scotland, amidst the enchanting landscapes of Ayr, lies a tale woven by the hands of a poetic genius - Robert Burns. Known as the Bard of Scotland, his words have transcended time and continue to ignite passion in hearts across the globe. A portrait captures his essence; Robert Burns, with eyes that hold stories untold and lips that breathe life into verses. His cottage in Alloway stands as a testament to his humble beginnings, where inspiration flowed freely from every nook and cranny. One cannot mention Burns without envisioning him singing "Auld Lang Syne, " an anthem that unites souls during moments of farewell or celebration, and is through this timeless melody that he forever remains intertwined with our collective memories. Yet beyond poetry, another Burns emerges - Giordano Bruno Burns. This enigmatic figure bears witness to meetings between great minds like Sir Walter Scott. Their encounter immortalized on canvas reveals two literary giants exchanging thoughts, their intellectual sparks igniting fires within each other's imaginations. Tam O'Shanter dances through our minds too; a character birthed by Burns' pen who embarks on wild adventures amid supernatural realms. Through Tam's escapades, we glimpse into the vibrant tapestry of Scottish folklore and traditions that shaped Burns' creative spirit. Whisky flows like liquid gold in these lands - an elixir cherished by both poets and common folk alike. As we raise our glasses to toast Robert Burns' memory, we honor not only his lyrical prowess but also his love for life's simple pleasures. Nasmyth's brushstrokes capture yet another facet of this multifaceted man – Robert Burns gazes at us from centuries past with wisdom etched upon his face. In this portrait lies a reflection not just of one man but also an entire era marked by revolution and change.