C14th Collection (page 6)

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209623 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209613 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209606 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209599 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209598 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209596 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209591 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209577 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209574 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209572 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209571 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

Batalha Monastery, Portugal (photo)
6436157 Batalha Monastery, Portugal (photo); Batalha, Portugal; (add.info.: Batalha, Leiria District, Portugal. Mosteiro da Batalha. Batalha Monastery. Claustro Real. The Royal Cloister)

Exterior detail. St Stephen's Cathedral in Metz, 12th-15th Century (photo)
6435649 Exterior detail. St Stephen's Cathedral in Metz, 12th-15th Century (photo); Cathedral of St. Etienne, Metz, France; © Pascal Lemaitre. All rights reserved 2024

Levanto church. Passion of Christ. Way of cross. Jesus takes up his Cross. Stain glass window. Ridarolo. Italy
7137035 Levanto church. Passion of Christ. Way of cross. Jesus takes up his Cross. Stain glass window. Ridarolo. Italy.; Levanto, Liguria, Italy; © Pascal Deloche/Godong

Levanto church. Passion of Christ. Way of cross. Jesus meets his Mother. Stain glass window. Ridarolo. Italy
7137034 Levanto church. Passion of Christ. Way of cross. Jesus meets his Mother. Stain glass window. Ridarolo. Italy.; Levanto, Liguria, Italy; © Pascal Deloche/Godong

St. Martin's cathedral, Lucca, Italy. 12th-14th century
7264846 St. Martin's cathedral, Lucca, Italy. 12th-14th century; San Martino Cathedral, Lucca, Italy; (add.info.: Duomo San Martino. St. Martin's cathedral)

100 Years War: Archers and Knights at the Battle of Crecy, France in 1346. Colour engraving of the 19th century
NWI4835262 100 Years War: Archers and Knights at the Battle of Crecy, France in 1346. Colour engraving of the 19th century.; (add.info.: 100 Years War: Archers and Knights at the Battle of Crecy)

Richard II of England (1367-1400) - Richard II, King of England. Lithograph of a painting in Westminster Abbey
NWI4945147 Richard II of England (1367-1400) - Richard II, King of England. Lithograph of a painting in Westminster Abbey; (add.info.: Richard II of England (1367-1400) - Richard II, King of England

Shi si jing fa hui
2626557 Shi si jing fa hui; (add.info.: Illustration from the Japanese & Chinese edition (1716) of Shi si jing fa hui, (Routes of the Fourteen Meridians and their Functions)

Shi si jing fa hui
2626545 Shi si jing fa hui; (add.info.: Illustration from the Japanese & Chinese edition (1716) of Shi si jing fa hui, (Routes of the Fourteen Meridians and their Functions)

Drawing of bear baiting from the Luttrell Psalter
3329856 Drawing of bear baiting from the Luttrell Psalter; (add.info.: Drawing of bear baiting from the Luttrell Psalter, an illuminated psalter commissioned by Sir Geoffrey Luttrell)

Geographic map of England and France during the Angevins dynasty, 12th-15th century. Lithograph of the 19th century
NWI4874543 Geographic map of England and France during the Angevins dynasty, 12th-15th century. Lithograph of the 19th century.; (add.info)

ESTIMARIU, Master of (14th century). The legend of St. Lucy. 1357 - 1385. (161 x 97 cm). AGATHA, Saint (-250)
CUL4869072 ESTIMARIU, Master of (14th century). The legend of St. Lucy. 1357 - 1385. (161 x 97 cm). AGATHA, Saint (-250). Martyr.; Lucia of Syracuse, Saint (283 - 304)

Denis I, called "The Farmer" (1261 - 1325). King of Portugal and Algarve (1261-1325)
CUL4868067 Denis I, called "The Farmer" (1261 - 1325). King of Portugal and Algarve (1261-1325). Detail in portraits of the kings of Portugal. Genealogia de los Reyes de Espana. 1463

Barons Humphrey (VI) of Bohun (circa 1249-1298) and Roger Bigot opposing the policy of King Edward I of England
ELD4872759 Barons Humphrey (VI) of Bohun (circa 1249-1298) and Roger Bigot opposing the policy of King Edward I of England concerning the financing of military campaigns by taxes

Alfonso IV, known as the Brave - AFONSO (Alfonso) IV of Portugal, called " the Brave" (1291 - 1357)
CUL4868092 Alfonso IV, known as the Brave - AFONSO (Alfonso) IV of Portugal, called " the Brave" (1291 - 1357). King of Portugal and Algarve (1325-1357)

Facade of the Basilica of San Petronio (late 14th century) on Piazza Grande in Bologna. 2005
VEN5028454 Facade of the Basilica of San Petronio (late 14th century) on Piazza Grande in Bologna. 2005; (add.info.: Facade of the Basilica of San Petronio (late 14th century)

Altarpiece of the Crucifixion, detail of the tomb (Nicomede, Joseph of Arimatie and the tomb)
JEB4961696 Altarpiece of the Crucifixion, detail of the tomb (Nicomede, Joseph of Arimatie and the tomb). Sculptor: Jacques de Baerze. 1393-1399

Portrait of Marco Polo, 19th century (engraving)
NWI4903303 Portrait of Marco Polo, 19th century (engraving); (add.info.: Portrait of Marco Polo (1254 - 1324) Venetian explorer

Representation of the martyrdom of Saint Catherine of Siena (Catherine of Siena) in 1380. 19th century, (engraving)
ELD4910095 Representation of the martyrdom of Saint Catherine of Siena (Catherine of Siena) in 1380. 19th century, (engraving).; Private Collection; Photo © The Holbarn Archive

Representation of Saint John Nepomucene (1340-1393) Condemned by King Wenceslas IV of Boheme. 19th century (engraving)
ELD4909511 Representation of Saint John Nepomucene (1340-1393) Condemned by King Wenceslas IV of Boheme. 19th century (engraving); Private Collection; (add.info)

Representation of Saint Bernardino of Siena (1380-1444) (Bernardino of Siena). 19th century (engraving)
ELD4909407 Representation of Saint Bernardino of Siena (1380-1444) (Bernardino of Siena). 19th century (engraving); Private Collection; Photo © The Holbarn Archive

Middle Ages: Shields of English knights and barons during the regne of Edward III of England (14th century)
NWI4891898 Middle Ages: Shields of English knights and barons during the regne of Edward III of England (14th century). Lithography; (add.info.: Middle Ages)

Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti
FLO4678203 Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385

Photographic print of the Gargoyles on the west front of the Cathedral of Notre-Dame
3077788 Photographic print of the Gargoyles on the west front of the Cathedral of Notre-Dame; (add.info.: Photographic print of the Gargoyles on the west front of the Cathedral of Notre-Dame)

The Gargoyles on the west front of the Cathedral of Notre-Dame
3078112 The Gargoyles on the west front of the Cathedral of Notre-Dame; (add.info.: Photographic print of the Gargoyles on the west front of the Cathedral of Notre-Dame)

Etienne Marcel
3078109 Etienne Marcel; (add.info.: Print of Etienne Marcel by Lucien Stephen Melingue (1841-1889) history painter French belonging to the movement academic

Photographic print of The Cathedral of Notre-Dame
3077774 Photographic print of The Cathedral of Notre-Dame; (add.info.: Photographic print of The Cathedral of Notre-Dame, a historic Catholic cathedral on the eastern half of the Ile de la Cite in)

Pierre I of Castille called the the cruel or vigilante, King of Castile and Leon (1350-1366) (marble)
CUL4932365 Pierre I of Castille called the the cruel or vigilante, King of Castile and Leon (1350-1366) (marble); (add.info.: Sculpture on marble. Madrid)

History of Religions: John Wyclif (or Wycliff or Wycliffe, 1320-1384) translating the Bible into English, 14th century
NWI4940054 History of Religions: John Wyclif (or Wycliff or Wycliffe, 1320-1384) translating the Bible into English, 14th century

The madness of Charles VI (1368 - 1422) August 5, 1392, in the forest of Le Mans
ELD4926966 The madness of Charles VI (1368 - 1422) August 5, 1392, in the forest of Le Mans. Epinal picture 19th century (engraving); Private Collection; Photo © The Holbarn Archive

Battle of Crecy or Cressy important English victory during the Edwardian phase of the Hundred Years War
ELD4927071 Battle of Crecy or Cressy important English victory during the Edwardian phase of the Hundred Years War, 23th August 1346

SPAIN. CASTILE AND LEON. Valladolid. Monastery of San Bernardo de Valbuena. Group of Christian soldiers riding horses
CUL4847080 SPAIN. CASTILE AND LEON. Valladolid. Monastery of San Bernardo de Valbuena. Group of Christian soldiers riding horses. Castilian school. 14th century

Parish church Wroxton, England
3524153 Parish church Wroxton, England.; (add.info.: All Saints church of England, Parish church, Wroxton Oxfordshire, England)

Parish church Wroxton, England
3524134 Parish church Wroxton, England.; (add.info.: All Saints church of England, Parish church, Wroxton Oxfordshire, England)

The Czech king and Roman Emperor Charles IV met with the French king Charles V in Paris
3480279 The Czech king and Roman Emperor Charles IV met with the French king Charles V in Paris; (add.info.: The Czech king and Roman Emperor Charles IV met with the French king Charles V in Paris)

The Devil and the Damned. Strasbourg cathedral (stained glass)
8711578 The Devil and the Damned. Strasbourg cathedral (stained glass); (add.info.: Strasbourg Cathedral. Stained glass. The Devil and the Damned. Strasbourg. France.); © Pascal Deloche/Godong

Pentecost, Colmar (stained glass)
8711457 Pentecost, Colmar (stained glass) by Unknown Artist, (14th century); (add.info.: Saint Martin church. Stained glass. Virgin Mary. The Descent of the Holy Spirit at Pentecost Colmar)

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The 14th century, also known as the c14th, was a period of great artistic and historical significance. It witnessed the creation of remarkable works that continue to captivate us today. One such masterpiece is "The Creation, " a reproduction from the Sarajevo Haggadah. This vibrant color lithograph showcases the divine act of bringing life into existence, reminding us of our origins and the power of creation. In another encounter depicted in art, we witness Robert Bruce facing Sir Henry de Bohun. This momentous event captures the courage and determination displayed by these medieval warriors during their clash on the battlefield. Moving away from battles, we find ourselves immersed in beauty at The Court of Lions in Alhambra, Granada. Through a colored lithograph from 1853, we are transported to this architectural marvel where elegance meets grandeur. Art takes various forms in this era; one example is "Madonna with a Rose Bush. " Painted on canvas with oil pigments, it portrays motherly love intertwined with religious symbolism—a timeless representation that continues to inspire devotion. Delving into history through reconstructed wall paintings brings forth figures like Thomas Woodstock and John of Gaunt. These noble personalities alongside St. George remind us of their influence during an age marked by chivalry and honor. A glimpse into royalty reveals Isabelle of France—Queen consort to King Edward I—in an engraving dating back to the 19th century. Her regal presence emanates grace and poise while offering insight into royal alliances forged across Europe's dynasties. Religious tapestries also hold significant meaning within this period; one such example is the Apocalypse Tapestry or Apocalypse of Angers (1375-80). Its intricate details depict biblical scenes that serve as reminders for reflection on faith and humanity's destiny. Shifting focus towards academia, New College Oxford emerges as an emblematic institution through an engraving from 1675.