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C1st Collection

"C1st: A Captivating Journey through Time and Art" Step into the world of C1st, a captivating collection that weaves together diverse artworks from different eras

Background imageC1st Collection: Study of Moss, Fern and Wood -Sorrel, upon a Rocky River Bank, 1875-79 (pen, ink)

Study of Moss, Fern and Wood -Sorrel, upon a Rocky River Bank, 1875-79 (pen, ink, w/c and bodycolour on paper)
7387225 Study of Moss, Fern and Wood -Sorrel, upon a Rocky River Bank, 1875-79 (pen, ink, w/c and bodycolour on paper) by Ruskin, John (1819-1900); Sheffield Galleries and Museums Trust

Background imageC1st Collection: The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by

The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC
JLJ4647938 The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC. Painting by Annibale Carracci or Annibal Carrache (1560-1609)

Background imageC1st Collection: Large head sculpture of Emperor Caesar Augustus

Large head sculpture of Emperor Caesar Augustus
7287178 Large head sculpture of Emperor Caesar Augustus; Vatican Museums and Galleries, Vatican City; (add.info.: Large head sculpture of Emperor Caesar Augustus. 1st century AD. Chiaramonti Museum)

Background imageC1st Collection: Portrait of Marcus Aurelius, 161-180 AD, from villa Adriana (marble)

Portrait of Marcus Aurelius, 161-180 AD, from villa Adriana (marble)
6384314 Portrait of Marcus Aurelius, 161-180 AD, from villa Adriana (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Marcus Aurelius, 161-180 AD)

Background imageC1st Collection: Bust of Marcus Aurelius, 161 AD, marble, National Roman Museum at the Baths of Diocletian, Rome

Bust of Marcus Aurelius, 161 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384399 Bust of Marcus Aurelius, 161 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageC1st Collection: Marcus Aurelius as a young man, 147-151 AD (marble)

Marcus Aurelius as a young man, 147-151 AD (marble)
6384178 Marcus Aurelius as a young man, 147-151 AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Marcus Aurelius as a young man)

Background imageC1st Collection: Herm of a bearded Dionysus in ancient yellow

Herm of a bearded Dionysus in ancient yellow
7287206 Herm of a bearded Dionysus in ancient yellow.; Vatican Museums and Galleries, Vatican City; (add.info.: Herm of a bearded Dionysus in ancient yellow)

Background imageC1st Collection: Statue of Silenus, 31 AD

Statue of Silenus, 31 AD
7287205 Statue of Silenus, 31 AD.; Vatican Museums and Galleries, Vatican City; (add.info.: Statue of Silenus, 31 AD. Copy of a roman sculptor after Hellenic works)

Background imageC1st Collection: Statue of Hygieia, dauther of the god of medicine Asklepios

Statue of Hygieia, dauther of the god of medicine Asklepios
7287192 Statue of Hygieia, dauther of the god of medicine Asklepios; Vatican Museums and Galleries, Vatican City; (add.info.: Statue of Hygieia, dauther of the god of medicine Asklepios)

Background imageC1st Collection: Statue of the emperor Tiberius

Statue of the emperor Tiberius
7287188 Statue of the emperor Tiberius; Vatican Museums and Galleries, Vatican City; (add.info.: Statue of the emperor Tiberius. 1st century AD (after 37 AD)

Background imageC1st Collection: Colossal head of the emperor Tiberius

Colossal head of the emperor Tiberius
7287179 Colossal head of the emperor Tiberius; Vatican Museums and Galleries, Vatican City; (add.info.: Colossal head of the emperor Tiberius. 1st century AD)

Background imageC1st Collection: Statue of Apollo with the Lyre

Statue of Apollo with the Lyre
7287254 Statue of Apollo with the Lyre; Vatican Museums and Galleries, Vatican City; (add.info.: Statue of Apollo with the Lyre. 1st century, inspired by Greek masterpieces)

Background imageC1st Collection: Satyr playing the flute

Satyr playing the flute
7287222 Satyr playing the flute; Vatican Museums and Galleries, Vatican City; (add.info.: Satyr playing the flute. Roman copy, second half of the 1st century AD of an Hellenistic bronze)

Background imageC1st Collection: A woman playing the Kithara, with her servant

A woman playing the Kithara, with her servant
5305127 A woman playing the Kithara, with her servant.; (add.info.: Fresco depicting a woman playing the Kithara, with her servant. Dated 1st Century.); Universal History Archive/UIG

Background imageC1st Collection: Veleda, priestess of the Bructeri, 1st Century (engraving)

Veleda, priestess of the Bructeri, 1st Century (engraving)
8626228 Veleda, priestess of the Bructeri, 1st Century (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Veleda, priestess of the Germanic tribe the Bructeri)

Background imageC1st Collection: Emperor Marc Aurele at the forum of Trajan, 169 (engraving)

Emperor Marc Aurele at the forum of Trajan, 169 (engraving)
ELD4962393 Emperor Marc Aurele at the forum of Trajan, 169 (engraving); (add.info.: Emperor Marc Aurele sells the property of the kingdom to the encheries at the forum of Trajan avoiding increasing)

Background imageC1st Collection: Gothic architecture: statue of Our Lady of Good Hope, Miraculous Virgin (Black Virgin)

Gothic architecture: statue of Our Lady of Good Hope, Miraculous Virgin (Black Virgin)
JEB4962320 Gothic architecture: statue of Our Lady of Good Hope, Miraculous Virgin (Black Virgin). 11th century Church of Our Lady of Dijon (Gold Coast); (add.info.: Gothic architecture)

Background imageC1st Collection: Fragment of voluted roman oil lamp with erotic scene. 1st c. A.D. Roman art Early Empire

Fragment of voluted roman oil lamp with erotic scene. 1st c. A.D. Roman art Early Empire. Terra-cotta. SPAIN
CUL4849935 Fragment of voluted roman oil lamp with erotic scene. 1st c. A.D. Roman art Early Empire. Terra-cotta. SPAIN. CATALONIA. BARCELONA. Barcelona. Archaeology Museum of Catalonia. SPAIN

Background imageC1st Collection: Viking explorers aboard their drakkars exploring the North American coast, 10th-11th century

Viking explorers aboard their drakkars exploring the North American coast, 10th-11th century
NWI4847519 Viking explorers aboard their drakkars exploring the North American coast, 10th-11th century. Color lithography

Background imageC1st Collection: The Knight Tancrede cuts into pieces a band of Saracens, when taking Antioch in 1098

The Knight Tancrede cuts into pieces a band of Saracens, when taking Antioch in 1098
PCT4262489 The Knight Tancrede cuts into pieces a band of Saracens, when taking Antioch in 1098. Engraving of a book on the Crusades

Background imageC1st Collection: Monastery of Sant Pere de Rodes, 10th and 11th century, Spain, Catalonia

Monastery of Sant Pere de Rodes, 10th and 11th century, Spain, Catalonia
JEB4950246 Monastery of Sant Pere de Rodes, 10th and 11th century, Spain, Catalonia; (add.info.: Monastery of Sant Pere de Rodes, 10th and 11th century, Spain, Catalonia); © Jean Bernard

Background imageC1st Collection: A rider on his horse, supported by a character - Sculpted detail of the vault of the portal of

A rider on his horse, supported by a character - Sculpted detail of the vault of the portal of the church of Sainte
JEB4940206 A rider on his horse, supported by a character - Sculpted detail of the vault of the portal of the church of Sainte Marie (11th century) in Oloron Sainte Marie (Pyrenees Atlantiques)

Background imageC1st Collection: The carved portal - Church Sainte Marie (11th century) at Oloron Sainte Marie

The carved portal - Church Sainte Marie (11th century) at Oloron Sainte Marie (Pyrenees Atlantiques, Aquitaine)
JEB4940149 The carved portal - Church Sainte Marie (11th century) at Oloron Sainte Marie (Pyrenees Atlantiques, Aquitaine); (add.info)

Background imageC1st Collection: Prieure of Serrabone, founded in 1082. Exterior capital of the cloister, novel bestiary

Prieure of Serrabone, founded in 1082. Exterior capital of the cloister, novel bestiary
JEB4920004 Prieure of Serrabone, founded in 1082. Exterior capital of the cloister, novel bestiary. Boule d'Amont (Boule-d'Amont), Pyrenees Orientales (Pyrenees-Orientales)

Background imageC1st Collection: Prieure of Serrabone, founded in 1082. Exterior capital of the cloister, novel bestiary

Prieure of Serrabone, founded in 1082. Exterior capital of the cloister, novel bestiary
JEB4919989 Prieure of Serrabone, founded in 1082. Exterior capital of the cloister, novel bestiary. Boule d'Amont (Boule-d'Amont), Pyrenees Orientales (Pyrenees-Orientales)

Background imageC1st Collection: Abbey of Fontfroide. Benedictine abbey then Cistercian built in the 11th and 12th centuries

Abbey of Fontfroide. Benedictine abbey then Cistercian built in the 11th and 12th centuries. The cloister
JEB4920582 Abbey of Fontfroide. Benedictine abbey then Cistercian built in the 11th and 12th centuries. The cloister. Narbonne, Aude, Languedoc Roussillon (Languedoc-Roussillon), France

Background imageC1st Collection: Travaux des Champs, March up and February down. Romanesque art

Travaux des Champs, March up and February down. Romanesque art. Fresco of the choir of the church Saint Aignan
JEB4919248 Travaux des Champs, March up and February down. Romanesque art. Fresco of the choir of the church Saint Aignan (11th and 12th century) in Brinay, Cher (18120), Centre

Background imageC1st Collection: Raymond Berenger III (1082-1131), Count of Barcelona raising the flag of Barcelona on the tower of

Raymond Berenger III (1082-1131), Count of Barcelona raising the flag of Barcelona on the tower of the castle of Foix
CUL4875839 Raymond Berenger III (1082-1131), Count of Barcelona raising the flag of Barcelona on the tower of the castle of Foix by FORTUNY I MARSAL, Mariano (1838-1874)

Background imageC1st Collection: Portrait of Queen Mathilda of Flanders (1031-1083) wife of William the conqueror

Portrait of Queen Mathilda of Flanders (1031-1083) wife of William the conqueror. End of the 19th century (engraving)
ELD4859375 Portrait of Queen Mathilda of Flanders (1031-1083) wife of William the conqueror. End of the 19th century (engraving); Private Collection; Photo © The Holbarn Archive

Background imageC1st Collection: Viking warriors fighting Indians on the Vinland coast (east coast of the United States and Canada)

Viking warriors fighting Indians on the Vinland coast (east coast of the United States and Canada)
NWI4848799 Viking warriors fighting Indians on the Vinland coast (east coast of the United States and Canada). Freydis Eirikdottir took part in the fighting alongside the Scandinavian settlers

Background imageC1st Collection: Viking people aboard a drakkar in the North Sea. A very general illustration of the journeys of

Viking people aboard a drakkar in the North Sea. A very general illustration of the journeys of the Norwegian Eric le
NWI4847441 Viking people aboard a drakkar in the North Sea. A very general illustration of the journeys of the Norwegian Eric le Rouge (Erik Le Rouge)

Background imageC1st Collection: Norman Conquete of England: Norman invaders led by William I the Conquerant arriving

Norman Conquete of England: Norman invaders led by William I the Conquerant arriving on the English beaches in 1066
NWI4874371 Norman Conquete of England: Norman invaders led by William I the Conquerant arriving on the English beaches in 1066

Background imageC1st Collection: Norman conquete of England: the menestrel Ivo Taillefer recites the song of Roland

Norman conquete of England: the menestrel Ivo Taillefer recites the song of Roland
NWI4873449 Norman conquete of England: the menestrel Ivo Taillefer recites the song of Roland and juggled with his sword at the Battle of Hastings to discontent the English army in 1066

Background imageC1st Collection: William I conquering him during the assault and capture of Mantes, July 1087 - William (1027-1087)

William I conquering him during the assault and capture of Mantes, July 1087 - William (1027-1087)
ELD4873423 William I conquering him during the assault and capture of Mantes, July 1087 - William (1027-1087) Duke of Normandy and King of England from 1066 until his death

Background imageC1st Collection: Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes, Charente Maritime

Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes, Charente Maritime
JEB4932888 Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes, Charente Maritime; (add.info.: Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes)

Background imageC1st Collection: Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes, Charente Maritime

Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes, Charente Maritime
JEB4932860 Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes, Charente Maritime; (add.info.: Chapiteau, Abbaye aux Dames, founded in the 11th century, Saintes)

Background imageC1st Collection: Abbey of La Sauveur-Maggiore in Gironde: small head found in the excavations. 11th century

Abbey of La Sauveur-Maggiore in Gironde: small head found in the excavations. 11th century
JEB4932661 Abbey of La Sauveur-Maggiore in Gironde: small head found in the excavations. 11th century.; (add.info.: Abbey of La Sauveur-Maggiore in Gironde: small head found in the excavations)

Background imageC1st Collection: View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde

View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde: tent representing the life of Samson. 11th century
JEB4932609 View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde: tent representing the life of Samson. 11th century.; (add.info.: View of La Sauve Maggiore)

Background imageC1st Collection: View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde

View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde: tent representing David in the lion pit. 11th century
JEB4932580 View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde: tent representing David in the lion pit. 11th century.; (add.info.: View of La Sauve Maggiore)

Background imageC1st Collection: View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde

View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde: tent representing a battle between fabulous animals
JEB4932520 View of La Sauve Maggiore, Abbey of La Sauve-Maggiore in Gironde: tent representing a battle between fabulous animals

Background imageC1st Collection: Statuettes of Alexander the Great (356-323 BC), Silene riding a marine animal

Statuettes of Alexander the Great (356-323 BC), Silene riding a marine animal, Venus Nocera and a Greek rider
JEB4937836 Statuettes of Alexander the Great (356-323 BC), Silene riding a marine animal, Venus Nocera and a Greek rider, Archaeological Museum of Naples (Italy) - Photography, 1880-1900

Background imageC1st Collection: Representation of Saint Elphege Archeveque of Canterbury (954-1012)

Representation of Saint Elphege Archeveque of Canterbury (954-1012) during the invasion of the Vikings in England in
ELD4910456 Representation of Saint Elphege Archeveque of Canterbury (954-1012) during the invasion of the Vikings in England in 994

Background imageC1st Collection: Representation of Saint Clement I (1st century) (Pope Clement I)

Representation of Saint Clement I (1st century) (Pope Clement I) Engraving 19th century Private collection
ELD4915901 Representation of Saint Clement I (1st century) (Pope Clement I) Engraving 19th century Private collection; (add.info)

Background imageC1st Collection: Representation of the martyrdom of Saint Andrew the Apostle (1st century)

Representation of the martyrdom of Saint Andrew the Apostle (1st century) Engraving 19th century Private collection
ELD4915711 Representation of the martyrdom of Saint Andrew the Apostle (1st century) Engraving 19th century Private collection; (add.info)

Background imageC1st Collection: Representation of St. Edward the Confessor (1004-1066) (Edward the Confessor)

Representation of St. Edward the Confessor (1004-1066) (Edward the Confessor). 19th century (engraving)
ELD4913565 Representation of St. Edward the Confessor (1004-1066) (Edward the Confessor). 19th century (engraving); Private Collection; Photo © The Holbarn Archive

Background imageC1st Collection: Portrait of Gaius Plinius Secundus the Elder (Pliny the Elder) (Plinio il Vecchio) (23-79)

Portrait of Gaius Plinius Secundus the Elder (Pliny the Elder) (Plinio il Vecchio) (23-79)
NWI4913389 Portrait of Gaius Plinius Secundus the Elder (Pliny the Elder) (Plinio il Vecchio) (23-79), Latin naturalist and writer

Background imageC1st Collection: Representation of the Martyrdom of Saint Barthelemy (1st century)

Representation of the Martyrdom of Saint Barthelemy (1st century) (Bartholomew the Apostle martyrdom)
ELD4914651 Representation of the Martyrdom of Saint Barthelemy (1st century) (Bartholomew the Apostle martyrdom) Engraving 19th century Private collection; (add.info)

Background imageC1st Collection: Representation of Saint Bruno (1030-1101) founder of the Carthusian Order. 19th century (engraving)

Representation of Saint Bruno (1030-1101) founder of the Carthusian Order. 19th century (engraving)
ELD4913784 Representation of Saint Bruno (1030-1101) founder of the Carthusian Order. 19th century (engraving); Private Collection; Photo © The Holbarn Archive



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"C1st: A Captivating Journey through Time and Art" Step into the world of C1st, a captivating collection that weaves together diverse artworks from different eras. From the stoning of St. Stephen in 36 AD to the stunning paintings by Annibale Carracci, this compilation takes us on a mesmerizing voyage. In one corner, we find ourselves immersed in an intricate study of Moss, Fern, and Wood-Sorrel upon a Rocky River Bank from 1875-79. The delicate strokes of pen, ink, watercolor, and body color on paper bring nature's beauty to life before our eyes. Moving forward in time but still rooted in history is San Girolamo's marble masterpiece from around 1580. Its intricate details capture the essence of devotion and contemplation. As we continue our exploration, Saint John the Evangelist stands tall with his bronze presence crafted between 1583-84. This sculpture exudes strength and spirituality as it tells its own story through its form. Literature finds its place within C1st too; Wilkie Collins' "Moonstone" enchants readers with mystery and intrigue while adding another layer to this eclectic mix. The Battle of Ain engraving transports us back to ancient times when Joshua's army destroyed a city. The detailed artwork allows us to witness this historical event unfold before our very eyes. A tapestry dating back to 1450-1500 brings forth scenes from Marius Aurelius' return - possibly originating from Flanders or Tournai. Its woven threads tell tales of triumphs and tribulations throughout history. Once again entering Wilkie Collins' realm with "The Moonstone, " we embark on yet another thrilling literary adventure that intertwines seamlessly with visual artistry. Ceramic craftsmanship takes center stage as we encounter the Seated Ballplayer from the 1st century BC-3rd century CE. This ancient artifact speaks volumes about the significance of sports and leisure in past civilizations.