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Caparison Collection

In the enchanting world of Canterbury Tales, a woodcut of the Knight captures our imagination and transports us to c1490

Background imageCaparison Collection: FIRST CRUSADE, 1099. European knights capture Jerusalem in this fanciful manuscript

FIRST CRUSADE, 1099. European knights capture Jerusalem in this fanciful manuscript illumination of the early 14th century; Christ watches over the scene

Background imageCaparison Collection: CANTERBURY TALES, c1490. Woodcut of the Knight from the edition of Chaucers Canterbury

CANTERBURY TALES, c1490. Woodcut of the Knight from the edition of Chaucers Canterbury
CANTERBURY TALES, c1490. Woodcut of the Knight from the edition of Chaucers " Canterbury Tales" printed by Richard Pynson in London, c1490

Background imageCaparison Collection: Knight with the Arms of Jean de Daillon, c1480 (1946). Artist: Guillaume Desremaulx

Knight with the Arms of Jean de Daillon, c1480 (1946). Artist: Guillaume Desremaulx
Knight with the Arms of Jean de Daillon, c1480 (1946). This tapestry is held by the Montacute House, Somerset. From The Connoisseur Vol. 117, edited by H. Granville Fell. [The National Magazine Co

Background imageCaparison Collection: MIDDLE AGES: KNIGHTHOOD. A knight arrayed for a tournament. Line engraving, 19th century

MIDDLE AGES: KNIGHTHOOD. A knight arrayed for a tournament. Line engraving, 19th century

Background imageCaparison Collection: A Caparisoned Elephant - Scene near Delhi (A Scene in the East Indies)

A Caparisoned Elephant - Scene near Delhi (A Scene in the East Indies)
1065274 A Caparisoned Elephant - Scene near Delhi (A Scene in the East Indies), 1832 (oil on canvas) by Daniell, William (1769-1837); Courtesy of the Trustees of Sir John Soanes Museum

Background imageCaparison Collection: PROLOGUE: THE KNIGHT. Woodcut from the Prologue to Geoffrey Chaucers Canterbury Tales

PROLOGUE: THE KNIGHT. Woodcut from the Prologue to Geoffrey Chaucers Canterbury Tales, from William Caxtons second edition, c1484

Background imageCaparison Collection: ELEPHANT & HOWDAH, 1851. Embroidered housings and trappings of the elephant

ELEPHANT & HOWDAH, 1851. Embroidered housings and trappings of the elephant and howdah exhibited by Queen Victoria of Great Britain at the Crystal Palace Exhibition of 1851

Background imageCaparison Collection: King Henry VIII of England, 1595. The king in blue steel armour edged with gold, pass-guards

King Henry VIII of England, 1595. The king in blue steel armour edged with gold, pass-guards, gauntlets
FLO4678562 King Henry VIII of England, 1595. The king in blue steel armour edged with gold, pass-guards, gauntlets, breastplate and pauldrons with red cross, lamboys, visored helmet with plumes

Background imageCaparison Collection: Knight armed for the bond, a joust where the horse's eyes were covered, 1512

Knight armed for the bond, a joust where the horse's eyes were covered, 1512
FLO4678549 Knight armed for the bond, a joust where the horse's eyes were covered, 1512. Knight in visored salad helmet with ring hooked to the grand guard a la montoniere

Background imageCaparison Collection: Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet

Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes
FLO4678509 Knight in armour for a joust a la haute bard, 1512. Knight in tilting helmet, breastplate with shoulder palettes, thighs, tilting lance with coronel and vamplate

Background imageCaparison Collection: Entry of the Prince of Wales into a City of India, 1876. Creator: C.R

Entry of the Prince of Wales into a City of India, 1876. Creator: C.R
Entry of the Prince of Wales into a City of India, 1876. The future King Edward VII rides in a canopied howdah during a royal visit. A triumphal arch is inscribed: God Bless the Prince of Wales'

Background imageCaparison Collection: Single Leaf of Two Young Men Riding a White Elephant, early 11th century AH/AD 17th century

Single Leaf of Two Young Men Riding a White Elephant, early 11th century AH/AD 17th century. Creator: Unknown
Single Leaf of Two Young Men Riding a White Elephant, early 11th century AH/AD 17th century. The seated man is being served wine

Background imageCaparison Collection: The Royal Visit to India: the Prince of Wales mounting his elephant...1876. Creator: C.R

The Royal Visit to India: the Prince of Wales mounting his elephant...1876. Creator: C.R
The Royal Visit to India: the Prince of Wales mounting his elephant at the Old Palace of Lushkur, Gwalior, from a sketch by one of our special artists, 1876

Background imageCaparison Collection: Meeting of Two Generals, Folio from a Shahnama (Book of Kings), between 1475 and 1500

Meeting of Two Generals, Folio from a Shahnama (Book of Kings), between 1475 and 1500. Creator: Unknown
Meeting of Two Generals, Folio from a Shahnama (Book of Kings), between 1475 and 1500

Background imageCaparison Collection: Bishop in ecclesiastical dress, c1588. Creator: Niclauss Kippell

Bishop in ecclesiastical dress, c1588. Creator: Niclauss Kippell
Bishop in ecclesiastical dress, c1588. Italian text: Un Vescovo nell suo Habito ordinario acompagnando il papa come va[?] di porto'

Background imageCaparison Collection: Arch at Colombo, Ceylon, on the occasion of the Royal Visit, from a sketch by one... 1876

Arch at Colombo, Ceylon, on the occasion of the Royal Visit, from a sketch by one... 1876. Creator: Unknown
Arch at Colombo, Ceylon, on the occasion of the Royal Visit [of the Prince of Wales], from a sketch by one of our special artists, 1876

Background imageCaparison Collection: The Prince giving sugar-cane to the elephants at the rehearsal of the Perahara, Kandy... 1876

The Prince giving sugar-cane to the elephants at the rehearsal of the Perahara, Kandy... 1876. Creator: Unknown
The Prince giving sugar-cane to the elephants at the rehearsal of the Perahara, Kandy, Ceylon, from a sketch by one of our special artists, 1876. The future King Edward VII on a royal visit to India

Background imageCaparison Collection: Rathor Shri Kinjan Singhji, c1850. Creator: Unknown

Rathor Shri Kinjan Singhji, c1850. Creator: Unknown
Rathor Kinjan Singh, c1850

Background imageCaparison Collection: Sketch of a knight on horseback, c.1755-c.1760. Creator: Jan Brandes

Sketch of a knight on horseback, c.1755-c.1760. Creator: Jan Brandes
Sketch of a knight on horseback, c.1755-c.1760

Background imageCaparison Collection: Knights with the family arms of Brandes and Hirschman, 1770-1808. Creator: Jan Brandes

Knights with the family arms of Brandes and Hirschman, 1770-1808. Creator: Jan Brandes
Knights with the coats of arms of Brandes and Hirschman, 1770-1808. Two knights in full armour on horseback. The left knight represents the ancestor of Brandes from Bohemen

Background imageCaparison Collection: Harbee Nawab and Attendants - Elephant Prince; Bullock Cart for Removing Luggage, 1857

Harbee Nawab and Attendants - Elephant Prince; Bullock Cart for Removing Luggage, 1857. Creator: Unknown
Harbee Nawab and Attendants - Elephant Prince; Bullock Cart for Removing Luggage, 1857. The state of a native Prince, on his elephant, has been often described

Background imageCaparison Collection: Native Trooper and his Groom, 1857. Creator: Unknown

Native Trooper and his Groom, 1857. Creator: Unknown
Native Trooper and his Groom, 1857. The native troopers of Bengal, being mostly gentlemen of high caste, are, or were, a very proud and dashing sort of persons

Background imageCaparison Collection: Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934)

Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Artist: Paolo Veronese
Carlos V En La Batalla De Muhlberg, (Carlos V at the Battle of Muhlberg), 1548, (c1934). Commemorating the victory of Charles V (1500-1558) over the Schmalkaldic League at Muhlberg on April 24, 1547

Background imageCaparison Collection: A Tournament, Florentine School, 1430-50 (oil on panel)

A Tournament, Florentine School, 1430-50 (oil on panel)
AMO96920 A Tournament, Florentine School, 1430-50 (oil on panel) by Italian School, (15th century); 44x164 cm; Ashmolean Museum, University of Oxford, UK

Background imageCaparison Collection: Charlemagne with his paladins (knights of his retinue) (vellum)

Charlemagne with his paladins (knights of his retinue) (vellum)
IND112747 Charlemagne with his paladins (knights of his retinue) (vellum) by French School, (15th century); Biblioteca Nazionale, Turin, Italy; Index Fototeca

Background imageCaparison Collection: King Louis IX (1214-70) and the Crusaders arriving at Carthage in 1270 (vellum)

King Louis IX (1214-70) and the Crusaders arriving at Carthage in 1270 (vellum)
IND244308 King Louis IX (1214-70) and the Crusaders arriving at Carthage in 1270 (vellum) by Spanish School, (13th century); Private Collection; Index Fototeca

Background imageCaparison Collection: A Horseman with a Falcon, from the Codex Capodilista (vellum)

A Horseman with a Falcon, from the Codex Capodilista (vellum)
ALI183185 A Horseman with a Falcon, from the Codex Capodilista (vellum) by Italian School, (15th century); Biblioteca Civica, Padua, Italy; Alinari

Background imageCaparison Collection: Combat between an Angevin King and Manfred, King of Sicily (c. 1232-66), after 1265 (fresco)

Combat between an Angevin King and Manfred, King of Sicily (c. 1232-66), after 1265 (fresco)
XIR183196 Combat between an Angevin King and Manfred, King of Sicily (c.1232-66), after 1265 (fresco) by French School, (13th century); Tour Ferrande, Pernes-les-Fontaines

Background imageCaparison Collection: Knight in costume for a tournament, 12th century

Knight in costume for a tournament, 12th century
6340045 Knight in costume for a tournament, 12th century by Villain (19th century); (add.info.: Knight in costume for a tournament, 12th century)

Background imageCaparison Collection: Amaury de Montfort, 1192-1241, Grand Constable of France, and crusader knights in hauberk

Amaury de Montfort, 1192-1241, Grand Constable of France, and crusader knights in hauberk, armorial tunic
6340117 Amaury de Montfort, 1192-1241, Grand Constable of France, and crusader knights in hauberk, armorial tunic, caparisoned horses

Background imageCaparison Collection: Portrait of King Henry V of England, Henry of Monmouth

Portrait of King Henry V of England, Henry of Monmouth
6337233 Portrait of King Henry V of England, Henry of Monmouth by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Henry V of England, Henry of Monmouth)

Background imageCaparison Collection: Portrait of King Edward I of England, surnamed Longshanks

Portrait of King Edward I of England, surnamed Longshanks
6337228 Portrait of King Edward I of England, surnamed Longshanks by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Edward I of England, surnamed Longshanks)

Background imageCaparison Collection: Portrait of King William I of England, with emblems

Portrait of King William I of England, with emblems
6337220 Portrait of King William I of England, with emblems by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King William I of England, with emblems)

Background imageCaparison Collection: Theodosius I on horseback with sceptre

Theodosius I on horseback with sceptre
6340151 Theodosius I on horseback with sceptre by Sasso, Giovanni Antonio (19th century); (add.info.: Theodosius I on horseback with sceptre)

Background imageCaparison Collection: Mounted knights in armour in a procession, 15thC tournament (handcoloured copperplate engraving)

Mounted knights in armour in a procession, 15thC tournament (handcoloured copperplate engraving)
5986478 Mounted knights in armour in a procession, 15thC tournament (handcoloured copperplate engraving) by Migliavacca, Innocente (19th century); (add.info)

Background imageCaparison Collection: Portrait of King Henry VIII of England

Portrait of King Henry VIII of England
6337240 Portrait of King Henry VIII of England by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Henry VIII of England)

Background imageCaparison Collection: A Falconer, from Codex de Capodilista (vellum)

A Falconer, from Codex de Capodilista (vellum)
XIR161746 A Falconer, from Codex de Capodilista (vellum) by Italian School, (15th century); Biblioteca Civica, Padua, Italy

Background imageCaparison Collection: The Death of Simon de Montfort at the siege of Toulouse, 25th June 1218, 1883 (engraving)

The Death of Simon de Montfort at the siege of Toulouse, 25th June 1218, 1883 (engraving)
1736585 The Death of Simon de Montfort at the siege of Toulouse, 25th June 1218, 1883 (engraving) by Neuville, Alphonse Marie de (1835-85) (after); Private Collection; (add.info)

Background imageCaparison Collection: Chatelaine, 1897, from L Estampe Moderne, published Paris 1897-99 (colour litho)

Chatelaine, 1897, from L Estampe Moderne, published Paris 1897-99 (colour litho)
STC193264 Chatelaine, 1897, from L Estampe Moderne, published Paris 1897-99 (colour litho) by Doudelet, Charles (1861-1938); Private Collection; The Stapleton Collection

Background imageCaparison Collection: Mechanical Elephant with Festival Barge and Korean Musicians, c. 1765

Mechanical Elephant with Festival Barge and Korean Musicians, c. 1765. Attributed to Komatsuya Hyakki

Background imageCaparison Collection: Caparisoned Horse, Northern Wei dynasty (386-535), early 6th century. Creator: Unknown

Caparisoned Horse, Northern Wei dynasty (386-535), early 6th century. Creator: Unknown
Caparisoned Horse, Northern Wei dynasty (386-535), early 6th century

Background imageCaparison Collection: Walking Elephant with Floral Caparison, 17th century. Creator: Unknown

Walking Elephant with Floral Caparison, 17th century. Creator: Unknown
Walking Elephant with Floral Caparison, 17th century

Background imageCaparison Collection: Knight in Battledress, after a miniature in a 12th century Psalter

Knight in Battledress, after a miniature in a 12th century Psalter
KW260535 Knight in Battledress, after a miniature in a 12th century Psalter, from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageCaparison Collection: The Presentation of the Knight, 1843 (hand coloured lithograph)

The Presentation of the Knight, 1843 (hand coloured lithograph)
985986 The Presentation of the Knight, 1843 (hand coloured lithograph) by Nixon, James Henry (1802-57); Private Collection; (add.info.: The Presentation of the Knight)

Background imageCaparison Collection: Litter of a chatelaine, time of the Dukes of Burgundy, 15th Century (colour litho)

Litter of a chatelaine, time of the Dukes of Burgundy, 15th Century (colour litho)
3620661 Litter of a chatelaine, time of the Dukes of Burgundy, 15th Century (colour litho) by Heins, Armand Jean (1856-1938); Private Collection; (add.info.: Litter of a chatelaine)

Background imageCaparison Collection: Dutch Page (pen & ink on paper)

Dutch Page (pen & ink on paper)
CTS407557 Dutch Page (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageCaparison Collection: Saddle cover decorated with griffin attacking a mountain goat (mixed media

Saddle cover decorated with griffin attacking a mountain goat (mixed media
XBP389391 Saddle cover decorated with griffin attacking a mountain goat (mixed media) (detail of 389390) by Altaic School, (5th Century BC); State Hermitage Museum, St

Background imageCaparison Collection: Chronicle of the History of the World from Creation to Woden

Chronicle of the History of the World from Creation to Woden
486263 Chronicle of the History of the World from Creation to Woden, with a Genealogy of Edward IV (Edward IV Roll), beginning section with a portrait of Edward IV on horseback, a roundel with God



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In the enchanting world of Canterbury Tales, a woodcut of the Knight captures our imagination and transports us to c1490. With his caparisoned steed, adorned in regal trappings, he epitomizes chivalry and honor. Traveling back further in time to 1099, we witness European knights capturing Jerusalem during the First Crusade. In a fanciful manuscript, their victorious moment is depicted with intricate detail and vibrant colors. The caparisons on their horses reflect their triumph and valor. The Middle Ages were an era where knighthood reigned supreme. A line engraving from the 19th century showcases a knight meticulously arrayed for a tournament. Every inch of his armor shines as bright as his spirit while his caparison adds an extra touch of grandeur to his noble presence. Venturing into the East Indies, we encounter a captivating scene near Delhi featuring a majestic caparisoned elephant. Its embroidered housings and trappings are fit for royalty, reminiscent of Queen Victoria's exhibition at Crystal Palace in 1851. This magnificent creature embodies power and grace. Returning to Chaucer's Prologue to Canterbury Tales, another woodcut introduces us to "The Knight. " His attire exudes elegance with its carefully crafted caparison that complements his stature as one of literature's most revered characters. Delving deeper into history reveals Jean de Daillon's coat of arms proudly displayed by a knight in c1480. Guillaume Desremaulx masterfully captures this symbol of nobility through artistry that transcends time. Aimery de Guillaume Berard emerges from the annals of French history as an esteemed knight from the 13th century. His gallant figure dons armor embellished with exquisite details including an awe-inspiring caparison that reflects both strength and sophistication. From France to Germany, cavalry knights armored themselves throughout centuries.