Caravaggio Collection (page 2)

Prayer of Habakkuk, from a painting ascribed to Caravaggio (engraving)
5202099 Prayer of Habakkuk, from a painting ascribed to Caravaggio (engraving) by English School, (19th century); Private Collection; (add.info.: Prayer of Habakkuk)

Bacchus, 1593-1594 (oil on canvas)
LRI4571200 Bacchus, 1593-1594 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 93x85 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Luisa Ricciarini; Italian, out of copyright

Madonna at the Rosary (oil on canvas, 1607-1610)
LRI4571197 Madonna at the Rosary (oil on canvas, 1607-1610) by Caravaggio, Michelangelo Merisi da (1571-1610); 364x249 cm; Kunsthistorisches Museum, Vienna

Polidoro da Caravaggio, portrait (engraving)
5238552 Polidoro da Caravaggio, portrait (engraving) by French School, (19th century); Private Collection; (add.info.: Polidoro Caldara, usually known as Polidoro da Caravaggio)

Michelangelo Merisi da Caravaggio, portrait (engraving)
5238531 Michelangelo Merisi da Caravaggio, portrait (engraving) by French School, (19th century); Private Collection; (add.info.: Michelangelo Merisi da Caravaggio)

A boy peeling a fruit, 1591 (oil on canvas)
LRI4577379 A boy peeling a fruit, 1591 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 162x52 cm; Private Collection; Luisa Ricciarini; Italian, out of copyright

Polidoro da Caravaggio (engraving)
815400 Polidoro da Caravaggio (engraving) by Italian School, (18th century); Private Collection; (add.info.: Polidoro da Caravaggio. 1499 - 1543)

Portrait of Michelangelo Merisi da Caravaggio, Italian painter, 1571-1610
6338640 Portrait of Michelangelo Merisi da Caravaggio, Italian painter, 1571-1610 by Baudet, Etienne (1636-1711); (add.info.: Portrait of Michelangelo Merisi da Caravaggio, Italian painter)

Polidoro da Caravaggio (engraving)
815606 Polidoro da Caravaggio (engraving) by English School, (19th century); Private Collection; (add.info.: Polidoro da Caravaggio. 1499 - 1543)

The Dentist - homage to Caravaggio
Derek Galon MA FRPS FOPS

Saint Francis of Assisi in Ecstasy
Werner Friedl

Chess players, 17th century. Creator: Caravaggio, Michelangelo, (after)
Chess players, 17th century. Private Collection

Burial of Saint Lucy (Seppellimento di Santa Lucia), ca 1608. Found in the collection of Santa Lucia alla Badia, Syrakus

Vase with Two Winged Figures Draping a Term, 17th century. Creator: Rene Boyvin
Vase with Two Winged Figures Draping a Term, 17th century

Vase with a River God in an Oval Medallion, 17th century. Creator: Rene Boyvin
Vase with a River God in an Oval Medallion, 17th century

Vase with Two Winged Satyrs, 17th century. Creator: Rene Boyvin
Vase with Two Winged Satyrs, 17th century

Divers Trophees (Weapon Trophies after the Facade of Palazzo Milesi in Rome), 1651

Title page of Divers Trophees (Weapon Trophies after the Faç
Title page of Divers Trophees (Weapon Trophies after the Facade of Palazzo Milesi in Rome), 1651

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Caravaggio, the renowned Italian artist Michelangelo Merisi da Caravaggio, left an indelible mark on the art world with his masterful works. One of his most notable paintings is "Head of Medusa, " created in 1596 and depicted using oil on canvas. The intensity and realism captured in this piece showcase Caravaggio's exceptional talent. Born in 1573, Caravaggio's artistic prowess blossomed during the late Renaissance period. His unique style was characterized by a dramatic use of light and shadow, known as chiaroscuro, which added depth and emotion to his compositions. This technique is evident not only in "Head of Medusa" but also throughout many of his other iconic pieces. Another remarkable work by Caravaggio is "The Conversion of St. Paul, " completed around 1603. In this painting, he skillfully portrays the moment when Saul becomes Paul after experiencing a divine revelation on the road to Damascus. The play between light and darkness emphasizes the transformative power that faith can have on an individual's life. Caravaggio's exploration of mythology is seen in works such as "Medusa" from 1596-1598 and "Narcissus" from 1598-1599. Both pieces exhibit his ability to capture raw emotions through intricate details and realistic depictions. "The Crucifixion of St. Peter, " painted in Rome, showcases Caravaggio's mastery over religious themes while incorporating elements like intense facial expressions and dynamic poses that set him apart from other artists at the time. In addition to religious subjects, it also delved into secular scenes like "The Musicians" from 1597. This composition depicts four young men engaged in music-making activities with incredible attention paid to their expressions and gestures. One cannot discuss Caravaggio without mentioning one of his most famous works: "The Laying in the Tomb.