Ceramist Collection

Ceramist (oil on canvas)
3743730 Ceramist (oil on canvas) by Attanasio, Natale (1845-1923); Palazzo dei Normanni, Palermo, Sicily, Italy; (add.info.: Collection of paintings, Room of the General Secretary)

Self portrait (photo)
GDG287325 Self portrait (photo) by Carries, Jean Joseph Marie (1855-94); Pere Lachaise Cemetery, Paris, France; (add.info)

Glass Francois, 570 BC, by Ergotimo

Plateel baker Le Fayancier travaillant sur le Tour / The Plateel baker working on his wheel (title on object), The plateel baker, a baker of glazed earthenware, works on his workbench, potter

NAMPEYO (1858-1942). Hopi Native American potter. Photographed at a pueblo in Arizona with examples of her work, c1900, by Henry G. Peabody

CONRAD POTTER AIKEN (1889-1973). American writer. Caricature, 1929, by Eva Herrmann

MARIA MARTINEZ (1887-1980). Tewa Native American potter. Maria Martinez, at right, with her husband Julian and son Popovi Da, at San Ildefonso pueblo, New Mexico. Photograph, c1925

POTTER, 1568. Woodcut, 1568, by Jost Amman

POTTER, 1659. Woodcut from a 1659 English edition of Comenius Orbis sensualium pictus

BERNARD PALISSY (1510-1589). French potter. Lithograph

BEATRIX POTTER (1866-1943). English writer. Standing in the doorway of her farm, Hill Top, in the English Lake District, c1907

CHRISTOPHER FENTON (1806-1865). American potter and ceramist. Photograph, mid-19th century

NEWTON HERESY CASE, 1885. The Naughtiness of the Noisy Newton and the Perplexity of the Peaceful Potter. Dr. Richard Newton hurls stones at the residence of Bishop Horatio Potter

POTTER, 1659. Woodcut from the 1659 English edition of Jan Amos Comenius Orbis sensualium pictus

POTTER, 1568. Woodcut, 1568, by Jost Amman

KHNUM, 300 B. C. The Egyptian god Khnum seated at a kickwheel. After an Egyptian relief, c300 B
KHNUM, 300 B.C. The Egyptian god Khnum seated at a kickwheel. After an Egyptian relief, c300 B.C

EGYPTIAN POTTERS. Egyptian potters at work. After a tomb painting, c2000 B. C
EGYPTIAN POTTERS. Egyptian potters at work. After a tomb painting, c2000 B.C

CHEROKEE POTTERS, 1888. A Cherokee mother and her adult daughter making pots of clay on the Qualla Reservation, North Carolina. Photograph, 1888

THE COWHERD, 1649. Reproduction of an etching, 1649, by Paulus Potter

Samurai and his attendant strolling in front of a potters and swordsmiths workshop
JAPAN: SAMURAI, 1700. Samurai and his attendant strolling in front of a potters and swordsmiths workshop. Japanese woodcut by Nishikawa Sukenobu, c1700

CIVIL WAR: ATLANTA. The Potter House in Atlanta, Georgia, after the city was taken by General William Tecumsah Sherman in 1864. Photographed by George N. Barnard

CIVIL WAR: MATHEW BRADY. General R. B. Potter and staff during the Civil War; photographer Mathew Brady stands at
CIVIL WAR: MATHEW BRADY. General R.B. Potter and staff during the Civil War; photographer Mathew Brady stands at right, after purposefully walking into the frame

NEWPORT: VILLA, 1870s. Residence of General Potter. A Newport, Rhode Island villa. Wood engraving, 1870s

SUSPENDERS, 1888. American newspaper advertisement for the Potter Brace, 1888

BERNARD PALISSY (1510-1589). French potter. Engraving

JOSIAH WEDGWOOD (1730-1795). English potter. Stipple engraving, 1795, by George Townley Stubbs

THEOLOGICAL SEMINARY, 1884. Union Theological Seminary in New York City, designed by architect William A. Potter. Line engraving, 1884

COLLIS POTTER HUNTINGTON (1821-1900). American railroad builder. Engraving after a photograph, 1900

POTTERY, 18th CENTURY. Paints were prepared at the table (C), applied by the artists working at a work bench placed in a good light (D), and baked on in the little oven at the rear (A)

POTTERY, 18th CENTURY. The clay, being very hard, was broken up by sledges (A), ground in a mortar (B) and sifted free of pebbles (C)

POTTERY, 18th CENTURY. A French potters workshop. Line engraving, French, late 18th century

COLLIS P. HUNTINGTON (1821-1900). American railroad magnate. Wood engraving, 1890

PREHISTORIC MAN. Progress from instinct to reason: The first potters. Wood engraving, late 19th century

COLONIAL POTTER, 18th C. A colonial American potter assisted by indentured servants: engraving, late 18th century

COLONIAL POTTER. A colonial American potter assisted by indentured servants. Line engraving, late 18th century

POTTER: HORSES, 1649. Horses In a Field. Painting by Paul Potter

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"Ceramist: A Journey Through Time and Culture" Step into the world of ceramics, where artistry meets craftsmanship. From ancient civilizations to modern-day masters, the ceramist's skill has captivated us for centuries. Influenced by renowned artists like Frank William Brangwyn, who immortalized the beauty of ceramics in his masterpiece "Ceramist (oil on canvas), " we witness the passion that fuels this art form. And through self-portraits like "Self Portrait (photo), " we catch a glimpse of the dedication and creativity that defines these talented individuals. Travel back in time as you admire artifacts such as the Krater showing a scene of a potter at work under the gaze of Athena or Glass Francois from 570 BC crafted by Ergotimo. These relics remind us of how pottery has been an integral part of human history, showcasing both practicality and artistic expression. From Le Fayancier travaillant sur le Tour, depicting a plateel baker working diligently on his wheel to Conrad Potter Aiken's whimsical caricature capturing the essence of a writer's imagination, we see how different cultures have embraced pottery as an essential medium for storytelling and cultural preservation. Maria Martinez, a Tewa Native American potter whose legacy continues to inspire generations with her masterful creations, stands tall among other notable potters throughout history. Her contributions exemplify not only technical brilliance but also cultural heritage passed down through generations. Journeying further into history reveals woodcuts like POTTER from 1568 by Jost Amman or NAMPEYO (1858-1942), Hopi Native American potter; these illustrations showcase how pottery transcends borders and connects people across time and space. As we explore this rich tapestry woven by ceramists worldwide, let us appreciate their profound impact on our lives.