Chalice Collection

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk)

Isolde, c1895, (1896). Artist: Aubrey Beardsley
Isolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

The Death of Socrates, 1787 (oil on canvas)
XOS1127648 The Death of Socrates, 1787 (oil on canvas) by David, Jacques Louis (1748-1825); 129.5x196 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Socrates (c.469-399 BC)

Portrait of Saint John the Evangelist, ca. 1605, by El
El Greco (1541-1614). Cretan painter. Saint John the Evangelist, ca. 1605. Prado Museum. Madrid. Spain

Poster for 1938 Eucharistic Congress, Budapest
Poster for 34th International Eucharistic Congress, Budapest. The poster shows an angel flying over the globe holding a chalice with the bright moon forming a glowing orb above the cup

Chalice with a paten. Vermeil. 20th century. Cabot workshop, Barcelona, 1913. Treasure of the Cathedral of Barcelona

The Temptation of Sir Percival, 1894 (oil on canvas)
LMG100033 The Temptation of Sir Percival, 1894 (oil on canvas) by Hacker, Arthur (1858-1919); 132.1x157.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

Catholic mass, Annecy, Haute Savoie, France, Europe

Parzival prays for guidance, from Myths and Legends of the Middle Ages by H. A. Guerber, 1909 (colour litho)
STC323939 Parzival prays for guidance, from Myths and Legends of the Middle Ages by H.A. Guerber, 1909 (colour litho) by Paul, Evelyn (1870-1945); Private Collection; The Stapleton Collection

The Mond Crucifixion by Raphael
Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Mond Crucifixion. 1502-1503. National Gallery. London. United Kingdom

The Unicorns - Oil on canvas, circa 1885
LRI4353939 The Unicorns - Oil on canvas, circa 1885 by Moreau, Gustave (1826-98); Musee Gustave Moreau, Paris, France; (add.info.: The Unicorns - Painting by Gustave Moreau (1826-1898)

Priest during Eucharist celebration, Paris, France, Europe

Throne and altar in St. Peters Basilica, Vatican, Rome, Lazio, Italy, Europe

Chalice, Pontigny, Yonne, France, Europe

The Industrial Arts in the 18th Century (engraving)
8644865 The Industrial Arts in the 18th Century (engraving) by European School, (19th century); Private Collection; (add.info.: The Industrial Arts in the 18th Century)

An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields
FLO4685735 An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel

Swiss burger woman from the mid 16th century, holding a chalice. From a coloured pen and ink drawing
FLO4644196 Swiss burger woman from the mid 16th century, holding a chalice. From a coloured pen and ink drawing, probably for a stainless-glass coat of arms

Elevation of the Host - Elevation of the Sacred Host. Page on " Gospels of Paris to use of Charles
CUL4868252 Elevation of the Host - Elevation of the Sacred Host. Page on " Gospels of Paris to use of Charles, Duke of Angouleme." Early 16th century. English School

Ornament: Vases, The Chalice, and the Goblet (engraving)
8647180 Ornament: Vases, The Chalice, and the Goblet (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Vases, The Chalice, and the Goblet)

Saint Guthlac de Croyland - St. Guthlac of Crowland (673-714) is ordained by Bishop Headda of Lichfield
FLO4702781 Saint Guthlac de Croyland - St. Guthlac of Crowland (673-714) is ordained by Bishop Headda of Lichfield. From the Guthlac Roll

White currants in a chalice
3569137 White currants in a chalice; (add.info.: Great Britain 1867 Photographer: Hemphill); Alinari Archives, Florence.

Chalice and Monstrance, vessels for containing the wine and bread of the Mass, church plate
542940 Chalice and Monstrance, vessels for containing the wine and bread of the Mass, church plate. 16th century (sacred vessel, Portugal); Universal History Archive/UIG.

St. Peter and the Virgin Mary., end of 11th century (tempera on wood)
AIS5332804 St. Peter and the Virgin Mary., end of 11th century (tempera on wood); 720 x 479 x 500 cm; Museu Nacional d'Art de Catalunya, Barcelona, Spain ; (add.info.: Apse from El Burgal)

Costumes of the clergy of the Roman Catholic Church, a deacon in Dalmatics (left), a choir child and a sub deacon
NWI4960522 Costumes of the clergy of the Roman Catholic Church, a deacon in Dalmatics (left), a choir child and a sub deacon, 16th and 17th centuries

The Mass of St. Gregoire I, called the Grand Book of Hours. 15th c. (18 x 13 cm). Gregory I The Great, Saint (540-604)
CUL4868362 The Mass of St. Gregoire I, called the Grand Book of Hours. 15th c. (18 x 13 cm). Gregory I The Great, Saint (540-604). Pope of the Catholic Church (590-604). Fol. 152v

Elevation of the Host - Elevation of the Sacred Host. Illustration on " Gospels of Paris to use of Charles
CUL4868216 Elevation of the Host - Elevation of the Sacred Host. Illustration on " Gospels of Paris to use of Charles, Duke of Angouleme." Early 16th century. English School

Allegory of the Eucharist Faith (woman holding a chalice and a Bible) and Joshua - Characters of the carved wood stalls
JEB4938752 Allegory of the Eucharist Faith (woman holding a chalice and a Bible) and Joshua - Characters of the carved wood stalls by Dominique Bertin of Toulouse (16th century)

Cover of Le Grelot, 31/07/04 - National Eveques - Anticlericalism, Religion Faith - Laicisation Laicite Laiques
ICA4938226 Cover of Le Grelot, 31/07/04 - National Eveques - Anticlericalism, Religion Faith - Laicisation Laicite Laiques - Combes Emile (1835-1921)

The Crucifixion Frescoes of the end of the 13th century Voute du Chorus de l'Eglise Saint Laurent, Panjas, Gers
JEB4932262 The Crucifixion Frescoes of the end of the 13th century Voute du Chorus de l'Eglise Saint Laurent, Panjas, Gers; (add.info)

The coat of arms of Galicia
2910884 The coat of arms of Galicia; (add.info.: Engraving depicting the coat of arms of Galicia which includes, an enclosed in a field of azure, a chalice of gold with a silver host)

Chalice vase with lid and nautical scene after a painting by Moren, baluster vase with lid
FLO4633468 Chalice vase with lid and nautical scene after a painting by Moren, baluster vase with lid, metalled base and panel with cupids, and chalice vase with lid and military scene

Virgin and Child, detail: the Crucifixion (top panel). At the top of the cross a nest with storks
JEB4897806 Virgin and Child, detail: the Crucifixion (top panel). At the top of the cross a nest with storks and the inscription INRI (I.N.R.I.)

VAZQUEZ, Alonso (1564-1608). Last Supper. 1588. (318x402 cm). Representation of the Last Supper framed by a Renaissance
CUL4873170 VAZQUEZ, Alonso (1564-1608). Last Supper. 1588. (318x402 cm). Representation of the Last Supper framed by a Renaissance palace architecture

France, Photograph of a religious bas relief depicting Christ, 1865
LUX4731208 France, Photograph of a religious bas relief depicting Christ, 1865; (add.info.: France, Photograph of a religious bas relief depicting Christ, 1865); Photo © Lux-in-Fine.

The Cup of the Constable, depicting the martyrdom of St. Agnes. Cup presented by King James I to Philippe III's
2915295 The Cup of the Constable, depicting the martyrdom of St. Agnes. Cup presented by King James I to Philippe III's Constable of Castille in 1610

Silver chalice, church plate. 13th century (sacred vessel, Portugal)
542941 Silver chalice, church plate. 13th century (sacred vessel, Portugal); Universal History Archive/UIG.

Russian Orthodox miniature depicting the Apocalypse of Saint John, c.1750
3666129 Russian Orthodox miniature depicting the Apocalypse of Saint John, c.1750; (add.info.: Russian Orthodox miniature depicting the Apocalypse of Saint John)

The host and the chalice (Holy Grail) represented in the "O" letter. Illuminated 15th century codex
GIA5033656 The host and the chalice (Holy Grail) represented in the "O" letter. Illuminated 15th century codex.; (add.info)

The Loan Collection, South-Kensington: Silver-gilt tankard; the Lynn Cup; chrismatory, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. 'Silver-gilt tankard of hexagonal form, narrow in the centre, widening towards the base, ornamented with masks and scrolls

The Loan Collection, South-Kensington: Chalice, cups, ewer, pyx, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. 'A silver-gilt chalice, the work of Master Bartholomew, of Atri...supposed to have...[belonged] to Pope Boniface VIII...around the stem is...[an]

King Cheer - drawn by James Godwin, 1864. Creator: Mason Jackson
King Cheer - drawn by James Godwin, 1864. Illustration to a poem by George MacDonald. 'King Cheer he reigned in Aureoland

Golden vessels in the vestry of the Ipatievsky Monastery, Kostroma, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Golden vessels in the vestry of the Ipatievsky Monastery, Kostroma, 1911.

Finely crafted chalice in the vestry of the Ipatievsky Monastery, Kostroma, 1911.

Silver vessels, in the vestry of the Ipatievsky Monastery, Kostroma, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Silver vessels, in the vestry of the Ipatievsky Monastery, Kostroma, 1911.

Tsar Aleksei Mikhailovich's gospel and Tsar Mikhail Feodorovich's sacramental vessels..., 1911
Tsar Aleksei Mikhailovich's gospel and Tsar Mikhail Feodorovich's sacramental vessels [Trinity Monastery, Aleksandrov], 1911.

Biblical scene: The Holy Grail. Christian symbol with the dove to represent the Holy Spirit (Holy Spirit)
NWI4915964 Biblical scene: The Holy Grail. Christian symbol with the dove to represent the Holy Spirit (Holy Spirit). Engraving to illustrate Wagner's Opera " Parsifal"; (add.info)

Fr 112 f.239 Tristan and Isolde drink the love potion
PHD31353 Fr 112 f.239 Tristan and Isolde drink the love potion; Bibliotheque Nationale, Paris, France.

Still Life with Fruit and a Nautilus Goblet. Creator: Nicolaes van Gelder
Still Life with Fruit and a Nautilus Goblet, Unknown date

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"The Chalice: A Symbol of Divine Quest and Spiritual Enlightenment" The chalice, a vessel steeped in symbolism and mysticism, has captivated the human imagination for centuries. It represents The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Percival – knights whose unwavering faith led them on a quest for spiritual enlightenment. In El Greco's "Portrait of Saint John the Evangelist, " we see the chalice held by this revered figure, embodying his divine connection to Christ. Similarly, in "The Death of Socrates" by Jacques-Louis David, the philosopher's final moments are imbued with profound meaning as he raises a cup resembling a chalice. "The Temptation of Sir Percival" depicted in an oil painting from 1894 showcases how even those on a noble path can be swayed by earthly desires. Here, the chalice serves as both temptation and salvation. A more contemporary representation is found in Cabot workshop's 20th-century creation – a vermeil chalice with a paten. This exquisite piece exemplifies craftsmanship while reminding us of its significance during religious ceremonies such as the 1938 Eucharistic Congress in Budapest or within altars adorned with sacred cloth like that at Sainte-Marie des Batignolles church in Paris. The Catholic mass itself becomes an awe-inspiring spectacle when celebrated in Annecy, Haute Savoie – where priests elevate the chalice filled with consecrated wine amidst prayers and hymns echoing through ancient walls. Artworks like Raphael's "The Mond Crucifixion" transport us back to pivotal moments when Jesus shared his last supper using this very vessel. Meanwhile, Aubrey Beardsley's portrayal of Isolde hints at hidden meanings associated with love potions contained within enchanted cups reminiscent of chalices. Witnessing a priest during Eucharist celebration in Paris or gazing upon the grandeur of St.