Charles Knight Co Collection

Ariel (The Tempest), c1870. Artist: Henry James Townsend
Ariel (The Tempest), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Othello Relating His Adventures, c1870. Artist: T. Vernon
Othello Relating His Adventures, c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Scene from Faustus. Margaret Meets Faustus in the Summer House, c1870. Artist
Scene from Faustus. Margaret Meets Faustus in the Summer House, c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Juliet and the Nurse (Romeo & Juliet), c1870. Artist: Samuel Sangster
Juliet and the Nurse (Romeo & Juliet), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Malvolio, c1870. Artist: R Staines
Malvolio, c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The Death of the Earl of Warwick (King Henry VI), c1870. Artist: T Brown
The Death of the Earl of Warwick (King Henry VI), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Prince Arthur and Hubert (King John), c1870. Artist: David Desvachez
Prince Arthur and Hubert (King John), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Juliet in the Cell of Friar Lawrence (Romeo and Juliet), c1870. Artist: Herbert Bourne
Juliet in the Cell of Friar Lawrence (Romeo and Juliet), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Prince Henry, Poins, and Falstaff. (King Henry IV - First Part), c1870. Artists
Prince Henry, Poins, and Falstaff. (King Henry IV - First Part), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The Seven Ages of Man (As You Like It), c1870. Artist: H Bourne
The Seven Ages of Man (As You Like It), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Lear and Cordelia (King Lear), c1870. Artist: W Ridgeway
Lear and Cordelia (King Lear), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The Works of Shakspere - The Globe Theatre, Bankside, 1593, c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Queen Isabella and Her Ladies (King Richard II), c1870. Artist: T Sherratt
Queen Isabella and Her Ladies (King Richard II), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Imogen in the Cave (Cymbeline), c1870. Artist: David Desvachez
Imogen in the Cave (Cymbeline), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Timon and Flavius (Timon of Athens), c1870. Artist: Charles Cousen
Timon and Flavius (Timon of Athens), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Autolycus (The Winters Tale), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Christopher Sly (Taming of the Shrew), c1870. Artist: Charles W Sharpe
Christopher Sly (Taming of the Shrew), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Disarming of Cupid (Sonnet Cliv. ), c1870. Artist: P Lightfoot
Disarming of Cupid (Sonnet Cliv.), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Volumnia Reproaching Brutus and Sicinius (Coriolanus), c1870. Artist: J Stephenson
Volumnia Reproaching Brutus and Sicinius (Coriolanus), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The Ladys Tailor (King Henry IV - Second Part), c1870. Artist: Charles W Sharpe
The Ladys Tailor (King Henry IV - Second Part), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Falstaff and his Friends (The Merry Wives of Windsor), c1870. Artist: W Greatbatch
Falstaff and his Friends (The Merry Wives of Windsor), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Puck and the Fairies. (Midsummer Nights Dream), c1870. Artist: WM Lizare
Puck and the Fairies. (Midsummer Nights Dream), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The Works of Shakspere - The Birth-Place of Shakspere (with Garics Jubilee Procession), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

Interior of St. Pauls, looking East, 1835, (1845). Artist: John Jackson
Interior of St. Paul s, looking East, 1835, (1845). After William Barnard Clarke (1807-1894). From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

Eastern Front of the Banqueting room, Whitehall, 1835, (1845). Artist: John Jackson
Eastern Front of the Banqueting room, Whitehall, 1835, (1845). Begun in 1619 and designed by Inigo Jones in a style influenced by Andrea Palladio, the Banqueting House was completed in 1622

Fac-Simile of Letter by Cromwell to Lenthall, announcing Victory of Naseby, 1649, (1845). Artist: Oliver Cromwell
Fac-Simile of Letter by Cromwell to Lenthall, announcing Victory of Naseby, 1649, (1845). After an original letter by Oliver Cromwell (1599-1658), to Lenthall Speaker of the House of Commons

Tomb of Queen Elizabeth, 1845. Tomb of Queen Elizabeth I, (1533-1603) Queen of England in Westminster Abbey. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

Sir Philip Sidney, 1845. Sir Philip Sidney (1554-1586) was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age

Wolseys Hall, Hampton Court, 1845. Royal palace in Richmond upon Thames, Greater London, England. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

Westminster Abbey. Southern Aisle of the Choir, 1845. Artist: Stephen Sly
Westminster Abbey. Southern Aisle of the Choir, 1845. After Thomas Scandrett (1797-1870). From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities

Kings College Chapel, 1845. Kings College Chapel is the chapel at Kings College in the University of Cambridge, considered one of the finest examples of late Perpendicular Gothic English

St. Georges Chapel, Windsor, 1845. Artist: John Jackson
St. Georges Chapel, Windsor, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume I. [Charles Knight and Co. London, 1845]

The Tower of London, 1597, (1845). Artists: Gulielmus Haiward, John Gascoyne
The Tower of London, 1597, (1845). Historic castle located on the north bank of the River Thames in central London. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

Cathedral of Elgin, 1845. Elgin Cathedral is a historic ruin in Elgin, Moray, north-east Scotland. The cathedral is dedicated to the Holy Trinity and was established in 1224 From Old England

Remains of the Shrine of Edward the Confessor, Westminster Abbey, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume I

St. Nicholas Church, Newcastle-upon-Tyne, 1845. Artist: John Jackson
St. Nicholas Church, Newcastle-upon-Tyne, 1845. The Cathedral Church of St Nicholas was founded in 1091, destroyed by fire in 1216 and rebuilt by 1350, in Perpendicular style

The Nave, Westminster Abbey, looking West from St. Edwards Chapel, 1845. Artist: John Jackson
The Nave, Westminster Abbey, looking West from St. Edwards Chapel, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume I

Edward III. and the Countess of Salisbury, 1845. Catherine Grandison, Countess of Salisbury (c.1304-1349) was an English noblewoman, remembered for her relationship with King Edward III of England

Radcliffes Library, 1845. The Radcliffe Camera is a building of Oxford University, England, designed by James Gibbs in neo-classical style and built in 1737-1749

House of Commons in the time of George II, 1845. The House of Commons is the lower house of the Parliament of the United Kingdom

House of Lords in the time of George II, 1845. The upper house of the Parliament of the United Kingdom. Like the House of Commons, it meets in the Palace of Westminster

Edinburgh Castle, 1843, (1845). Artist: John Jackson
Edinburgh Castle. 1843, (1845). Site occupied since the late Bronze Age; buildings of present castle date from the 12th to 21st centuries

Robin Hood and Little John, 1845. Robin Hood is a heroic outlaw in English folklore who, according to legend, was a highly skilled archer and swordsman

Painted Window - Two Saxon Earls of Mercia, and Seven Norman Earls of Chester, 1808 (1845). Artist: William Fowler
Painted Window - Two Saxon Earls of Mercia, and Seven Norman Earls of Chester, 1808 (1845). The drawing is a reproduction of a sixteenth-century painted glass window in the Brereton Hall, Cheshire

Cathedral of Kildare, 1845. George Edmund Street (1824-1881) was the architect responsible for reconstruction completed in 1896

Hall at Ockwells, Berkshire, 1845. Ockwells Manor is a timber-framed 15th century manor house which preserves a superb set of contemporary heraldic stained glass in the hall

Vault beneath the Old House of Lords, 1845. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal, and Popular Antiquities, Volume II. [Charles Knight and Co

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Immerse yourself in the captivating world of Charles Knight Co. As they bring classic Shakespearean tales to life through stunning artwork. Step into the enchanting realm of Ariel from The Tempest, beautifully depicted by Henry James Townsend in 1870. Feel the intensity as Othello recounts his adventures, skillfully portrayed by T. Vernon. Experience the meeting between Faustus and Margaret in a summer house, an intriguing scene captured with finesse by an unnamed artist. Witness the haunting Act V, Scene I of Macbeth through the eyes of Henry Linton's brushstroke mastery. Delve into Romeo and Juliet's tragic love story with Samuel Sangster's portrayal of Juliet and her beloved Nurse. Chuckle at R Staines' depiction of Malvolio, adding a touch of humor to Twelfth Night. Marvel at Alexander Keith Johnston and Charles W Sharpe's collaborative masterpiece showcasing Macbeth's descent into madness. Grieve alongside T Brown as he immortalizes The Death of Earl Warwick from King Henry VI. Be moved by David Desvachez's poignant representation of Prince Arthur and Hubert from King John, capturing their emotional connection flawlessly. Herbert Bourne captures Juliet seeking solace within Friar Lawrence's cell in Romeo and Juliet. Join Prince Henry, Poins, and Falstaff on their mischievous escapades through H Bourne’s artistic interpretation from King Henry IV - First Part. Lastly, contemplate life’s journey with H Bourne’s evocative illustration depicting The Seven Ages of Man from As You Like It. Charles Knight Co. 's collection transports you back to these timeless stories while celebrating the artistry that brings them alive.