Charles The Well Served Collection (page 6)

Hundred Years War: the dolphin and future king Charles VII returns to Paris after
JLJ4646166 Hundred Years War: the dolphin and future king Charles VII returns to Paris after having fled to Bourges at the time of the civil war between Armagnacs and Burgundians on 29/05/1418

Illustration taken from the book "Joan of Arc "
JLJ4625068 Illustration taken from the book " Joan of Arc " by Theodore Cahu and illustrated by Paul De Semant (1855-1915): Sacre of King Charles VII in Reims on July 17

Illustration taken from the book "Joan of Arc "
JLJ4625018 Illustration taken from the book " Joan of Arc " by Theodore Cahu and illustrated by Paul De Semant (1855-1915): On May 13

Portrait of Charles VII (1403 - 1461), King of France engraving of 1830
GIA4745173 Portrait of Charles VII (1403 - 1461), King of France engraving of 1830 by Unknown Artist, (19th century); Private Collection; (add.info.: Portrait of Charles VII (1403 - 1461)

Joan of Arc (1412-1431) before King Charles VII (1403-1481) at Chinon
JLJ4669804 Joan of Arc (1412-1431) before King Charles VII (1403-1481) at Chinon, answer to the prelats who question, February 1429 Painting by Gillot Saint-Evre (1791-1858) 1832 Sun

Louis II of Anjou and Yolande of Aragon greet the one who will become their son-in-law
JLJ4660629 Louis II of Anjou and Yolande of Aragon greet the one who will become their son-in-law, then Charles VII. In the background; the city of Paris

Siege of Chateau-Gaillard (Chateau Gaillard) by the Hire and release of Barbazan, 1449
JLJ4660555 Siege of Chateau-Gaillard (Chateau Gaillard) by the Hire and release of Barbazan, 1449. Miniature of the manuscript " Vigilles du roi Charles VII" (Folio 69v)

The seat of Chateau Gaillard (Chateau-Gaillard) commissioned by Charles VII, 1449
JLJ4660552 The seat of Chateau Gaillard (Chateau-Gaillard) commissioned by Charles VII, 1449. Miniature of the manuscript " Vigilles du roi Charles VII" (Folio 169v)

Charles VII with the geneaological tree of the House of Valois
AIS5344210 Charles VII with the geneaological tree of the House of Valois, from the Grandes Chroniques de France (vellum) by French School, (15th century); Biblioteca Nacional, Madrid

Charles VII of France (coloured engraving)
968941 Charles VII of France (coloured engraving) by French School, (19th century); Private Collection; (add.info.: King Charles VII of France (1403-1461) in military regalia

Charles VII holding a public audience (chromolitho)
979237 Charles VII holding a public audience (chromolitho) by Fouquet, Jean (c.1420-80); Private Collection; (add.info.: Charles VII of France holding a public audience)

Charles the VII, King of France (engraving)
3649920 Charles the VII, King of France (engraving) by English School, (18th century); Private Collection; (add.info.: Charles the VII, King of France. Henry VI. From a print by De Bie)

Joan of Arc at the coronation of King Charles VII of France (chromolitho)
963882 Joan of Arc at the coronation of King Charles VII of France (chromolitho) by French School, (19th century); Private Collection; (add.info.: Chocolat Guerin-Boutron trade card)

The Arrival of Joan of Arc (c. 1412-31) at the Castle of Chinon on the 6th of March, 1423
XIR146638 The Arrival of Joan of Arc (c.1412-31) at the Castle of Chinon on the 6th of March, 1423, received by Charles VII (1403-61)

Codex Gallicus 369 / 6 fol. 2v The Court of Justice: Charles VII (1403-61
XIR198489 Codex Gallicus 369/6 fol.2v The Court of Justice: Charles VII (1403-61) of Vendome against Jean, Duc d Alencon, from Cas des Nobles Hommes et Femmes by Boccaccio

Joan of Arc at the Coronation of Charles VII at Rheims (engraving)
1102676 Joan of Arc at the Coronation of Charles VII at Rheims (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: Joan of Arc at the Coronation of Charles VII at Rheims)

Charles VII of France and Joan of Arc entering Paris (chromolitho)
1094073 Charles VII of France and Joan of Arc entering Paris (chromolitho) by French School, (19th century); Private Collection; (add.info.: Charles VII of France and Joan of Arc entering Paris)

Joan of Arc, 1882. Artist: Anonymous
Joan of Arc, 1882. Private Collection

The Maid of Orleans in Prison, 1882. Artist: Anonymous
The Maid of Orleans in Prison, 1882. Private Collection

Joan of Arc Recognizes the King, 1882. Artist: Anonymous
Joan of Arc Recognizes the King, 1882. Private Collection

Portrait of the King Charles VII of France. Artist: Fouquet, Jean (1420?1481)
Portrait of the King Charles VII of France. Found in the collection of Louvre, Paris

Entry of Charles VII into Rouen, 10 November 1449. Artist: Decaisne, Henri (1799-1852)
Entry of Charles VII into Rouen, 10 November 1449. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

1272839; out of copyright

1272840; out of copyright

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"Charles the Well Served: A Tale of Noblemen, Clerics, and Courage" In this captivating miniature from Boccaccio's work on the praise and virtue of noblemen and clerics in 1493, we are transported to a time of great valor and resilience. The engraving of Charles VII reminds us of his indomitable spirit during the siege of Orleans, where he stood as a beacon of hope for his people. The colored engraving depicting Joan of Arc further immerses us in her remarkable story. Her unwavering faith and determination shine through as she leads her troops with unwavering conviction, and is no wonder that even in defeat at the Grand-Baugy in Anjou, Charles' bravery remains unmatched. The battle between Louis XI and Charles, Count of Charolais during the War of the League of Public Good showcases their strategic prowess. As they clash at Montlhery on that fateful day in 1465, their actions shape history forever. The Hundred Years War comes alive through illuminated miniatures like the one depicting the battle at Formigny. Thomas Kyriell's English army faces off against Jean de Clermont's forces with both sides fighting valiantly for their cause. However, amidst these tales of heroism lies a darker side - civil war ravages France as depicted by Martial d'Auvergne's haunting miniature showing the massacre of Armagnacs by Burgundians. Such internal conflicts test not only loyalty but also humanity itself. Yet amid turmoil emerges moments that define greatness - Joan "of Bow, " installed on a butcher according to Martial d'Auvergne's manuscript illuminates her symbolic role as an inspiration to all who fight for justice. Even within courtrooms exists drama; Jean Fouquet's facsimile reveals how accusations can tarnish reputations when Jean Duke Alencon stands accused alongside conspiring Englishmen against the French.