Chopping Collection (page 3)

Ms 5064 fol. 198v Cutting Trees and Harvesting, from
XIR186270 Ms 5064 fol.198v Cutting Trees and Harvesting, from Livre des Prouffitz Champestres by Pietro de Crescenzi (1230-1320/21) (vellum) by French School

Trees are chopped down to build ships for the Norman fleet
XIR183127 Trees are chopped down to build ships for the Norman fleet, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Label for Champ d Asile liquor, c. 1830 (coloured engraving)
CHT173568 Label for Champ d Asile liquor, c.1830 (coloured engraving) by American School, (19th century); Bibliotheque Nationale, Paris

In Central House, Red Army Park, 1937 (oil on canvas)
SPV212610 In Central House, Red Army Park, 1937 (oil on canvas) by Grigoryev, Nikolai (1880-1943); 72.3x53.3 cm; Springville Museum of Art, Utah, USA; eSpringville Museum of Art; Russian

Patacho Tribesmen (colour engraving)
STC116145 Patacho Tribesmen (colour engraving) by Bramati (19th century); Private Collection; The Stapleton Collection; Italian, out of copyright

Ms 311, fol. 41v Illustration to the Georgics by Virgil, c. 1500 (vellum)
HLK153066 Ms 311, fol.41v Illustration to the Georgics by Virgil, c.1500 (vellum) by Master of the Prayer Books (c.1500); By kind permission of the Earl of Leicester

Ms 1058-1975 f2r Cutting Trees and Binding Faggots, illuminated page for February
FIT133903 Ms 1058-1975 f2r Cutting Trees and Binding Faggots, illuminated page for February, from a Book of Hours, c.1500 (vellum) by Flemish School, (16th century); 19.2x13.3 cm; Fitzwilliam Museum

January: wood-cutters in a winter landscape (chalk, pen & ink on paper)
954927 January: wood-cutters in a winter landscape (chalk, pen & ink on paper) by Brill or Bril, Paul (1554-1626); 19.8x33.2 cm; Private Collection; Photo eAgnew s, London; Flemish, out of copyright

Butcher (w / c on paper)
908414 Butcher (w/c on paper) by Indian School, (19th century); Private Collection; The Stapleton Collection; Indian, out of copyright

The crew evinced an incredible zeal, from Around the World in Eighty Days
3501815 The crew evinced an incredible zeal, from Around the World in Eighty Days by Jules Verne (1828-1905) engraved by Louis Dumont (b.1822), 1873 (engraving) by Benett

War on the Plants! (colour litho)
2778470 War on the Plants! (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: War on the Plants! The Arab uprising in Palestine had singular explosions)

The Grand Old Man (chromolitho)
2817022 The Grand Old Man (chromolitho) by English School, (19th century); Private Collection; (add.info.: The Grand Old Man. British Liberal politician William Ewart Gladstone)

Panel from an Old Oak Chest in the Orphan Asylum, Hooks Mills
2832526 Panel from an Old Oak Chest in the Orphan Asylum, Hooks Mills, showing wood gathering during a winter month, 1828 (pencil & w/c on paper) by Manning

Viaduct on Cheat River, from Album of Virginia, 1858 (colour litho)
619375 Viaduct on Cheat River, from Album of Virginia, 1858 (colour litho) by Beyer, Edward (1820-65); Private Collection; (add.info.: Manager or engineer talking to a navvy)

75572

Dutch seamen armed with matchlock muskets, shooting camels to re-stock their vessels
PNP389312 Dutch seamen armed with matchlock muskets, shooting camels to re-stock their vessels (hand coloured engraving) by English School

Landscape, 1825 (oil on canvas)
488206 Landscape, 1825 (oil on canvas) by Cole, Thomas (1801-1848); 60.33 x 80.01 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Bequest of Mrs. Kate L

Dvornik, 1804 (colour litho)
497820 Dvornik, 1804 (colour litho) by Atkinson, John Augustus (1775-1831); Private Collection; (add.info.: A dvornik is a groundskeeper in a Russian household)

The lumberjack (colour litho)
982608 The lumberjack (colour litho) by French School, (19th century); Private Collection; (add.info.: The lumberjack.); Look and Learn / Valerie Jackson Harris Collection

Woodcutter in the Forest (oil on panel) (recto of 1066032)
1066031 Woodcutter in the Forest (oil on panel) (recto of 1066032) by Millet, Jean-Francois (1814-75); 16.8x28.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

A Fishmonger, plate 39 from The Costumes of China, engraved by J
STC89862 A Fishmonger, plate 39 from The Costumes of China, engraved by J. Dadley, 1800 (engraving) by Mason, Major George Henry (19th century) (after)

A Rest in Woodland, 1800 (oil on canvas)
XKH179502 A Rest in Woodland, 1800 (oil on canvas) by Kobell, Wilhelm Alexander (1766-1855); 44.4x39.2 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Woodchopper, 1858-66 (oil on canvas)
5859058 The Woodchopper, 1858A-66 (oil on canvas) by Millet, Jean-Francois (1814-75); 81A--65 cm; The Art Institute of Chicago, IL, USA; French, out of copyright

The Holy Family with Joseph cutting wood (w / c on paper)
1217861 The Holy Family with Joseph cutting wood (w/c on paper) by Maes, Nicolaes (1634-93); 22.8x27.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

A Sign of the Khalifas Defeat, a New Occupation for his Warriors (litho)
1063966 A Sign of the Khalifas Defeat, a New Occupation for his Warriors (litho) by Nash, Joseph (d.1922); Private Collection; (add.info.: A Sign of the Khalifas Defeat)

The axe (chromolitho)
977657 The axe (chromolitho) by French School, (19th century); Private Collection; (add.info.: The axe. French educational card, late 19th/early 20th century.); © Look and Learn

The loggers (textile)
3620381 The loggers (textile) by French School; Musee des Arts Decoratifs, Paris, France; Alinari Archives, Florence

The Wood-Cutters, 1873 (oil on canvas)
2829367 The Wood-Cutters, 1873 (oil on canvas) by Linnell, John (1792-1882); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Sir Frederick Wills, 1908.; English

Page from The New Picture Book (colour litho)
2811958 Page from The New Picture Book (colour litho) by English School, (19th century); Private Collection; (add.info.: Illustration for The New Picture Book being Pictorial Lessons on Form)

A Slaughter of Sheep (Colour Litho)
2777683 A Slaughter of Sheep (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A slaughter of sheep)

Woodcutters at work in the winter (colour litho)
2779262 Woodcutters at work in the winter (colour litho) by French School, (20th century); Private Collection; (add.info.: Woodcutters at work in the winter. Tableaux d hiver)

Ancient ceremony of chopping sticks and counting horne-shoes and hob-nails in the Court of Exchequer (engraving)
607751 Ancient ceremony of chopping sticks and counting horne-shoes and hob-nails in the Court of Exchequer (engraving) by English School

The meat house at Hotel Delmonico, 1902 (silver gelatin print)
MNY380631 The meat house at Hotel Delmonico, 1902 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York, USA; (add.info.: Hotel Delmonico)

Battle axe (steel & wood)
490841 Battle axe (steel & wood) by Scandinavian school (15th century); 93.3x18.7 cm; Cleveland Museum of Art, OH, USA; Gift of Mr. and Mrs. John L. Severance; Scandinavian, out of copyright

Elves in the garden, Christmas Card (chromolitho)
731050 Elves in the garden, Christmas Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Elves in the garden)

Winter scene near River Flustal
BAL11831 Winter scene near River Flustal by Dallinger von Dalling, Johann the Yngr.(1741-1806); Oesterreichische Nationalbibliothek, Vienna, Austria; Austrian, out of copyright

Erysichthons Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII
STC415887 Erysichthons Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

The Building of Noahs Ark, from the Nuremberg Chronicle by Hartmann Schedel
BMR249408 The Building of Noahs Ark, from the Nuremberg Chronicle by Hartmann Schedel, 1493 (colour woodcut) by Wolgemut or Wolgemuth, Michael (1434-1519); Bibliotheque Mazarine, Paris

The Carpenter, detail from an altarpiece (stone) (b / w photo)
XIR172613 The Carpenter, detail from an altarpiece (stone) (b/w photo) by French School; Musee des Monuments Francais, Paris, France; French, out of copyright

Opp. p. 194. Part of the Reef & Landing places Sydney Bay
5670864 Opp. p. 194. Part of the Reef & Landing places Sydney Bay; Sirius & Supply endeavouring to work out of the Bay. March 19 1790, c.1802 (w/c) by Bradley, William (1757-1833); Mitchell Library

An Old Posting Yard, Surrey, 1885 (oil on canvas)
3744054 An Old Posting Yard, Surrey, 1885 (oil on canvas) by Hawksley, Arthur (1842-1915); 91.4x71.1 cm; Nottingham City Museums and Galleries (Nottingham Castle)

George Washington confessing to his father (colour litho)
3096561 George Washington confessing to his father (colour litho) by American School, (20th century); Private Collection; (add.info.: George Washington confessing to his father)

Butcher (w / c on paper)
908446 Butcher (w/c on paper) by Indian School, (19th century); Private Collection; The Stapleton Collection; Indian, out of copyright

Nova 2644 fol. 80r The butcher s: Cooking liver, from Tacuinum Sanitatis (vellum)
ALI142956 Nova 2644 fol.80r The butcher s: Cooking liver, from Tacuinum Sanitatis (vellum) by Italian School, (14th century); Osterreichische Nationalbibliothek, Vienna

Capital of the Nautes Pillar depicting Esus cutting mistletoe, 14-37 AD (stone)
XIR205419 Capital of the Nautes Pillar depicting Esus cutting mistletoe, 14-37 AD (stone) by Gallo-Roman, (1st century AD); Musee National du Moyen Age et des Thermes de Cluny

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"Chopping: A Timeless Art of Female Lumberjacks and Craftsmen" In the enchanting realm of St Boniface, where the Sacred Oak stands tall, a group of fearless female lumberjacks wield their axes with grace. An illustration captures their strength, showcasing an axe with a sturdy wooden handle. Venturing further into this world, we stumble upon The Butchers Shop. Here, skilled craftsmen meticulously craft besom brooms and wooden rakes. Their hands move swiftly as they shape each piece to perfection. Transported back in time, we discover an advert for Follows & Bates winding machines from the 1900s. These innovative tools revolutionized the art of woodworking and made it more efficient than ever before. The Wood Cutter painting on oil board mesmerizes us with its vivid depiction of a rugged woodsman immersed in his laborious task. His weathered face tells tales of countless hours spent chopping firewood to warm homes during harsh winters. Traveling even further back in time, we encounter a 17th-century woodcutter diligently working amidst an old posting yard in Surrey. This snapshot offers a glimpse into the daily life and struggles faced by those who relied on timber for survival. As our journey nears its end, we find ourselves in a German kitchen bustling with activity. Chopping firewood is not merely a chore here; it is an integral part of creating hearty meals that bring families together around crackling fires. Through these captivating glimpses into history and culture, "chopping" emerges as more than just splitting wood—it represents resilience, craftsmanship, and sustenance for both body and soul. It reminds us that even mundane tasks can hold profound significance when approached with dedication and passion.