"Chouette: A Captivating Creature Through Time and Art" From the Les Saltimbanks painting by Gustave Dore in 1874 to the Fibula of an Owl dating back to the 2nd-3rd century AD, it has left its mark on various forms of art. Even as early as 1814, illustrations from a French Alphabet Book showcased the allure of this majestic bird. Whether it's depicted in watercolor or colored engravings like the Barn Owl from 1916 or Strix Flammea from 1796, chouette continues to captivate artists and viewers alike. However, not all representations are flattering. As seen in "Chouette qui se pensait superieure mais qui n'est que ridicule, " we witness a comical twist on this seemingly superior creature. The Frontispice du livre "Scenes de la vie privee et publique des animaux" further explores the complex world of animals with a bat listening to a singing owl and hibou. Even beyond paintings and illustrations, it has found its place in literature too. In The Farnley Book of Birds circa 1816, a White Barn Owl is beautifully captured through pencil and watercolor on paper. Meanwhile, John James Audubon's Birds of America showcases a Barred Owl in all its glory through colored engraving. But let us not forget Georges de Buffon's Histoire Naturelle des Oiseaux where an owl takes center stage among other avian wonders described by this renowned naturalist. Lastly, Bartklime Linck adds another layer to our understanding through Swiss clown lithography based on Edmond Lechevallier-Chevignard's illustration from "Costumes historiques des 16e, 17th et18th Siecles" by Georges Duplessis (1867 edition).