Circlehigh Renaissance Collection

Drawing from the Codex Forster III, c.56r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Study on bodies sliding over ice, writings from the Codex Forster III, c.46r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Geometry notes on the circle, study from the Codex Forster III, c.26v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Geometric figures, drawings from the Codex Forster III, c.11v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Physics study on the difference of weights, writings from the Codex Forster II, c.122r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Physical and geometrical studies on a circle, writings from the Codex Forster II, c.119r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Studies on physics and some examples, writings from the Codex Forster II, c.108r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Reflections and sketches, writings from the Codex Forster II, c.41v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Mathematical calculations and geometrical sketches, writings from the Codex Forster II, c.36r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance

Notes on arithmetic and perspective, writings from the Codex Forster II, c.16r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Geometric study on circles, writings from the Codex Forster II, c.4v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Study of geometry for the building of an hexagon: work of Leonardo da Vinci belonging to the Manuscript A (2172), c.16v, preserved at the Institute of France in Paris

Geometric studies on the intersection of circles, writings belonging to the Codex Forster I, c.39v, by Leonardo da Vinci, housed in the Victoria and Albert Museum in London Drawing High Renaissance

Geometric studies of circles and semi-circles, writings belonging to the Codex Forster I, c.39r, by Leonardo da Vinci, housed in the Victoria and Albert Museum in London Drawing High Renaissance

Various geometrical figures and other sketches, pen drawing on yellowed paper, by Leonardo da Vinci, housed at the Royal Library of Windsor Drawing High Renaissance, Renaissance

Geometric study to calculate the center of a circle, writings from the Codex Forster III, c.71v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance

Geometric study to calculate the area of a circle, writings from the Codex Forster III, c.71r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance

Circles, drawing from the Codex Forster III, c.24r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Triangles, circles and squares, drawing from the Codex Forster III, c.16r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Drawing from the Codex Forster II, c.133v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Circles and angles, drawings from the Codex Forster II, c.109v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Drawing from the Codex Forster II, c.109r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Drawings and geometry calculations, page from the Codex Forster II, c.55v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

A circle, drawing from the Codex Forster II, c.26r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

A cube, a square and some circles, drawing from the Codex Forster II, c.17r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Study on the circular movements of water; written by Leonardo da Vinci. Codex A (2172), c.61r, Institut de France, Paris Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Study of circles: work of Leonardo da Vinci belonging to the Code A (2172), c.18r, preserved at the Institute of France in Paris

Study of circles, triangles and squares: work of Leonardo da Vinci belonging to Manuscript A (2172), c.14r, preserved at the Institute of France in Paris

Notes on perspective: work of Leonardo da Vinci belonging to the Manuscript A (2172), c.10r, preserved at the Institute of France in Paris

Study to calculate the diameter of a circle, writings from the Codex Forster III, c.69v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Various drawings and notes, study from the Codex Forster III, c.45v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Geometrical studies on angles and intersections, writings from the Codex Forster III, c.29v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance

How to build a triangular balance, writings from the Codex Forster II, c.123r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Geometric study on the intersection of circles and squares, writings from the Codex Forster II, c.5v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance

Study on the intersection of two circles, writings from the Codex Forster II, c.4r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Study of sight: work of Leonardo da Vinci belonging to the Manuscript A (2172), c.38r, preserved at the Institute of France in Paris

Study to measure the width of the sun: work of Leonardo da Vinci belonging to the Code A (2172), c.12r, preserved at the Institute of France in Paris

Study of geometry with circles and squares: work of Leonardo da Vinci belonging to the Manuscript A (2172), c.15r, preserved at the Institute of France in Paris

Study of circles, pentagons and hexagons; work belonging to the Manuscript A (2172), c.13v, preserved at the Institute of France in Paris

Study of glasses: work of Leonardo da Vinci belonging to the Manuscript A (2172), c.12v, preserved at the Institute of France in Paris

Study of geometry with circular figures: work of Leonardo da Vinci belonging to the Manuscript A (2172), c.11v, preserved at the Institute of France in Paris

Studies on optics and perspective, writings by Leonardo da Vinci, belonging to the Codex Arundel 263, c.244r, housed in the British Museum, London Drawing High Renaissance, Renaissance

Physics notes, writings by Leonardo da Vinci, belonging to the Codex Arundel 263, c.238r, housed in the British Museum, London Drawing High Renaissance, Renaissance

Study on weights and levers, writings by Leonardo da Vinci, belonging to the Codex Arundel 263, c.228v, housed in the British Museum, London Drawing High Renaissance, Renaissance

Geometric studies on lines and circles, written by Leonardo da Vinci, part of the Arundel Codex 263, c.219r, housed in the British Museum of London Drawing High Renaissance, Renaissance

Studies on weight and gravity, written by Leonardo da Vinci, part of the Arundel Codex 263, c.213v, housed in the British Museum of London Drawing High Renaissance, Renaissance

Studies on the sun, written by Leonardo da Vinci, part of the Arundel Codex 263, c.205v, housed in the British Museum of London Drawing High Renaissance, Renaissance

Various notes on physics, written by Leonardo da Vinci, part of the Arundel Codex 263, c.204r, housed in the British Museum of London Drawing High Renaissance, Renaissance

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"Circlehigh Renaissance: Unveiling Leonardo da Vinci's Multifaceted Genius" Leonardo da Vinci, the epitome of a polymath, left behind an extraordinary legacy that continues to captivate and inspire generations. Within the depths of his Codex Forster III, housed in London's prestigious Victoria and Albert Museum, lies a treasure trove of his intellectual prowess. Amongst the pages of this remarkable collection are glimpses into da Vinci's fascination with circles and their profound significance in various disciplines. From geometry to physics, arithmetic to perspective, he delved deep into the intricacies of these perfect shapes. In one drawing from c. 56r, we witness da Vinci's meticulous study on bodies sliding over ice. His keen observations reveal not only his artistic mastery but also his scientific curiosity as he sought to understand motion and its relationship with friction. The Codex Forster II further unveils da Vinci's insatiable thirst for knowledge. In c. 119r, we find physical and geometrical studies on circles that showcase his ability to seamlessly merge artistry with scientific inquiry. These sketches serve as a testament to his unwavering dedication towards unraveling nature's mysteries. Through writings scattered across numerous pages such as c. 108r and c. 122r, Leonardo explores physics alongside practical examples involving weight disparities—a testament to his relentless pursuit of understanding natural phenomena through empirical observation. Delving deeper into these manuscripts reveals reflections upon reflections—cogitations captured within c. 41v—that offer us a glimpse into the mind of this genius who effortlessly traversed between realms of art and science. Mathematical calculations interwoven with geometrical sketches grace pages like c36. r—an intricate dance between numbers and shapes that showcases Leonardo’s unparalleled mathematical acumen. Moreover, notes on arithmetic and perspective found in c16. r demonstrate how he harnessed both logic and aesthetics in equal measure while exploring new frontiers of artistic expression.