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Coat Of Arms Collection

"Unveiling the Rich Heritage: Exploring Medieval English Shield Designs and Coat of Arms" Step back in time as we delve into the captivating world of coat of arms

Background imageCoat Of Arms Collection: Arms granted to the Carpenters Company of London, 6th Edward IV, 1466

Arms granted to the Carpenters Company of London, 6th Edward IV, 1466
KW278004 Arms granted to the Carpenters Company of London, 6th Edward IV, 1466, from The History of Freemasonry, volume II, published by Thomas C

Background imageCoat Of Arms Collection: Medieval English shield designs

Medieval English shield designs
Shields of English knights and barons, painted during the reign of Edward III. Lithograph reproduction

Background imageCoat Of Arms Collection: Map of the City of Dublin, 1797

Map of the City of Dublin, 1797
Map of the City of Dublin, Ireland. Published in 1797, this map includes details of the canals being built at the time. Canal Harbour (lower right)

Background imageCoat Of Arms Collection: Map of Cornwall from the Theatre of the Empire of Great Britain, pub

Map of Cornwall from the Theatre of the Empire of Great Britain, pub
BAL16023 Map of Cornwall from the Theatre of the Empire of Great Britain, pub. in London by George Humble, 1627 edition (hand coloured engraving) by Speed, John (1552-1629); Map House, London

Background imageCoat Of Arms Collection: The Sicilian coat of arms, Taormina, Sicily, Italy

The Sicilian coat of arms, Taormina, Sicily, Italy

Background imageCoat Of Arms Collection: 16th century map of the British Isles

16th century map of the British Isles
Map of the British Isles, in the 1570 edition of Ortelius Atlas (Theatrum Orbis Terrarum). Abraham Ortelius (1527-1598) was a Flemish mapmaker who is considered to have produced the first true atlas

Background imageCoat Of Arms Collection: Coat of Arms Calvert Lord Baltimore 18th century

Coat of Arms Calvert Lord Baltimore 18th century
Engraving of the Coat of Arms Calvert Lord Baltimore, item 104 of an 18th-century publication.Text on this engraving, including motto, reads: 104. Calvert, Lord Baltimore

Background imageCoat Of Arms Collection: Coat of arms Viscount Conyngham Cunningham 18th century

Coat of arms Viscount Conyngham Cunningham 18th century
Engraving of the coat of arms of Conyngham Viscount Conyngham, item 93 in an 18th-century publication. Text on this engraving, including motto, reads: 93. Conyngham Viscount Conyngham

Background imageCoat Of Arms Collection: Coat of arms Hewitt Lord Lifford 18th century

Coat of arms Hewitt Lord Lifford 18th century
Engraving of the coat of arms of Hewitt, Lord Lifford, item 188 in an 18th century publication. Text on this engraving, including motto, reads: 188. Hewitt, Lord Lifford. BE JUST AND FEAR NOT

Background imageCoat Of Arms Collection: Coat of arms Cole, Lord Mount Florence 18th century

Coat of arms Cole, Lord Mount Florence 18th century
Engraving of the coat of arms of Cole, Lord Mount Florence (Mountflorence), item 126 in an 18th-century publication

Background imageCoat Of Arms Collection: Map of Essex, 1678. Artists: John Ogilby, William Morgan

Map of Essex, 1678. Artists: John Ogilby, William Morgan
Map of Essex, 1678. From Essex, actually surveyed, with the several Roads from London &c. by Francis Lamb. [Philip Lea, Essex, 1678]

Background imageCoat Of Arms Collection: Capitals of the British Empire, 1937. Artist: Charles E Turner

Capitals of the British Empire, 1937. Artist: Charles E Turner
Capitals of the British Empire, 1937. Chief cities and seats of government in Australia, Canada, South Africa, Newfoundland, Northern Ireland, and the Irish Free State

Background imageCoat Of Arms Collection: An Allegory of the Tudor Succession: The Family of Henry VIII, c. 1589-95 (oil on panel)

An Allegory of the Tudor Succession: The Family of Henry VIII, c. 1589-95 (oil on panel)
XYC148717 An Allegory of the Tudor Succession: The Family of Henry VIII, c.1589-95 (oil on panel) by English School, (16th century); 119.5x181.5 cm; Yale Center for British Art

Background imageCoat Of Arms Collection: Coat of Arms of Portugal, 1898

Coat of Arms of Portugal, 1898

Background imageCoat Of Arms Collection: Panorama of the City of London, 1710. Artist

Panorama of the City of London, 1710. Artist
Panorama of the City of London, 1710. View of the City of London from the south bank of the River Thames with the Royal arms in the top left and the City arms in the top right

Background imageCoat Of Arms Collection: Cumberland and the Ancient City of Carlile, engraved by Jodocus Hondius (1563-1612)

Cumberland and the Ancient City of Carlile, engraved by Jodocus Hondius (1563-1612)
XCF113480 Cumberland and the Ancient City of Carlile, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612)

The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612)
XCF113465 The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: Wight Island, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre

Wight Island, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre
XCF113459 Wight Island, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: Map of Mediterranean Sea by Francois Ollive, Marseille, 1664

Map of Mediterranean Sea by Francois Ollive, Marseille, 1664
Cartography, 17th century. Map of the Mediterranean Sea by Francois Ollive, Marseille, 1664

Background imageCoat Of Arms Collection: The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving)

The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving)
XJF328605 The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving) by Hondius, Jodocus (1567-1611); Private Collection; (add.info)

Background imageCoat Of Arms Collection: Inns of Court 17th century copperplate armorials

Inns of Court 17th century copperplate armorials
This image is from a copperplate engraving, and shows part of a roll of arms from Richard Blome s

Background imageCoat Of Arms Collection: Savory & Moores Pharmacy, 143 New Bond Street, London, 1912

Savory & Moores Pharmacy, 143 New Bond Street, London, 1912. Shop front with window display and royal coat of arms over the door indicating by appointment to the royal family

Background imageCoat Of Arms Collection: The Countie and Citie of Lyncolne, engraved by Jodocus Hondius (1563-1612) from John

The Countie and Citie of Lyncolne, engraved by Jodocus Hondius (1563-1612) from John
XCF113458 The Countie and Citie of Lyncolne, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: Rutlandshire with Oukham and Stanford, engraved by Jodocus Hondius (1563-1612)

Rutlandshire with Oukham and Stanford, engraved by Jodocus Hondius (1563-1612)
XCF113456 Rutlandshire with Oukham and Stanford, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: Map of Sicily region, by Joan Blaeu

Map of Sicily region, by Joan Blaeu
Cartography, Italy, 17th century. Map of Sicily region, by Joan Blaeu

Background imageCoat Of Arms Collection: The Banquet

The Banquet
Artist: Linton, James Dromgole - Title: The Banquet - Date: 1882 - Original Medium and Size: Oil on Canvas 127 x 251.5

Background imageCoat Of Arms Collection: Map of ancient Abruzzo, by Giovan Battista Pacichelli, engraving, 1702

Map of ancient Abruzzo, by Giovan Battista Pacichelli, engraving, 1702
Cartography, Italy, 18th century. Ancient Abruzzo. From The Kingdom of Naples in perspective by Giovan Battista Pacichelli, 1702. Engraving

Background imageCoat Of Arms Collection: Leicester, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre

Leicester, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre
XJF113467 Leicester, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: Hartfordshire and the situation of Hartford, engraved by Jodocus Hondius (1563-1612)

Hartfordshire and the situation of Hartford, engraved by Jodocus Hondius (1563-1612)
XCF113460 Hartfordshire and the situation of Hartford, engraved by Jodocus Hondius (1563-1612) from John Speeds Theatre of the Empire of Great Britain, pub

Background imageCoat Of Arms Collection: Medieval tiles, Cleeve Abbey, property of English Heritage, Somerset, England

Medieval tiles, Cleeve Abbey, property of English Heritage, Somerset, England, United Kingdom, Europe

Background imageCoat Of Arms Collection: Coat of Arms of Austria, 1898

Coat of Arms of Austria, 1898. Showing a doble headed imperial eagle hold a sword and orb

Background imageCoat Of Arms Collection: Knight with the Arms of Jean de Daillon, c1480 (1946). Artist: Guillaume Desremaulx

Knight with the Arms of Jean de Daillon, c1480 (1946). Artist: Guillaume Desremaulx
Knight with the Arms of Jean de Daillon, c1480 (1946). This tapestry is held by the Montacute House, Somerset. From The Connoisseur Vol. 117, edited by H. Granville Fell. [The National Magazine Co

Background imageCoat Of Arms Collection: Henry VIII and Anne Boleyn Observed by Queen Catherine, 1870. Artist: Marcus Stone

Henry VIII and Anne Boleyn Observed by Queen Catherine, 1870. Artist: Marcus Stone
Henry VIII and Anne Boleyn Observed by Queen Catherine, 1870. Painting by Marcus Stone (1840-1921), British history painter

Background imageCoat Of Arms Collection: GWR Coat of Arms

GWR Coat of Arms
The Great Western Railway Coat of Arms, also known as the Garter Crest. A garter can be seen surrounding the original coat of arms which contained the city shields for London (left)

Background imageCoat Of Arms Collection: Coat of Arms of Russia, 1898

Coat of Arms of Russia, 1898

Background imageCoat Of Arms Collection: Coat of arms Lord Southwell 18th century

Coat of arms Lord Southwell 18th century
Engraving of the coat of arms of Southwell, Lord Southwell, item 111 in an 18th-century publication. Text on this engraving, including motto, reads: 111 Southwell

Background imageCoat Of Arms Collection: Trenethick House, Gatehouse, Wendron, Cornwall. Early 1900s

Trenethick House, Gatehouse, Wendron, Cornwall. Early 1900s
A view of Trenethick House gatehouse, a fortified 16th century Cornish Manor House. Through the gate can be seen the main doorway of the house. Also in the picture are four men and one lady

Background imageCoat Of Arms Collection: Digital illustration of Wales national football association crest

Digital illustration of Wales national football association crest

Background imageCoat Of Arms Collection: ORDER OF HIBERNIANS. Certificate of membership to the Ancient Order of Hibernians of America

ORDER OF HIBERNIANS. Certificate of membership to the Ancient Order of Hibernians of America. Lithograph, c1894

Background imageCoat Of Arms Collection: Coat of Arms of USA, 1898

Coat of Arms of USA, 1898

Background imageCoat Of Arms Collection: Coat of Arms of Hungary, 1898

Coat of Arms of Hungary, 1898

Background imageCoat Of Arms Collection: Seal of the United Grand Chapter of Royal Arch Masons of England, 1817, from The

Seal of the United Grand Chapter of Royal Arch Masons of England, 1817, from The
KW277992 Seal of the United Grand Chapter of Royal Arch Masons of England, 1817, from The History of Freemasonry, volume II, published by Thomas C

Background imageCoat Of Arms Collection: Map of The Kingdom of Naples, by Giovan Battista Pacichelli, engraving, 1702

Map of The Kingdom of Naples, by Giovan Battista Pacichelli, engraving, 1702
Cartography, Italy, 18th century. The Kingdom of Naples. From The Kingdom of Naples in perspective by Giovan Battista Pacichelli, 1702. Engraving

Background imageCoat Of Arms Collection: GLAT2A-00023

GLAT2A-00023
Coat-of-arms of Mexico, an eagle on a cactus with a snake in its beak. Color lithograph, 19th century

Background imageCoat Of Arms Collection: British flags and coat of arms

British flags and coat of arms
Flags and the coat of arms of Great Britain. Color lithograph reproduction

Background imageCoat Of Arms Collection: The Loves of the Fox and The Badger, or The Coalition Wedding. January 7, 1784

The Loves of the Fox and The Badger, or The Coalition Wedding. January 7, 1784

Background imageCoat Of Arms Collection: Coat of Arms Mackenzie Viscount Fortrose

Coat of Arms Mackenzie Viscount Fortrose
Engraving of the Coat of Arms of Mackenzie Viscount Fortrose, page 99 of an 18th-century publication

Background imageCoat Of Arms Collection: Armorial City of London 19th century

Armorial City of London 19th century
These are the arms of the City of London from a copper engraving dated 1806. Text on this engraving reads: (Motto) DOMINE DIRIGE NOS (God guide us; O Lord direct us) London



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"Unveiling the Rich Heritage: Exploring Medieval English Shield Designs and Coat of Arms" Step back in time as we delve into the captivating world of coat of arms, a symbol steeped in history. From medieval shield designs to intricate maps, join us on a journey through centuries of heritage. Immerse yourself in the enchanting Map of Cornwall from the Theatre of the Empire of Great Britain, published during an era when these shields adorned knights' armor. Discover how each design told a unique story, representing noble families and their valiant deeds. Travel further with the Map of the City of Dublin from 1797, where coat of arms proudly displayed their allegiance to this vibrant city. Witness its evolution over time through a mesmerizing 16th-century map showcasing British Isles' diverse heraldry. Marvel at exquisite examples like Hewitt Lord Lifford's 18th-century Coat of Arms or Calvert Lord Baltimore's regal emblem. These symbols epitomized power and prestige, embodying family legacies that spanned generations. Delight in Cole, Lord Mount Florence's majestic coat of arms—a testament to his lineage and influence during this golden age. Such emblems were more than mere decorations; they represented honor and social standing within society. Venture beyond England as we uncover historical gems like Savory & Moores Pharmacy on New Bond Street—an unexpected place for coats-of-arms. This London establishment embraced tradition while serving modern needs. Admire John Ogilby and William Morgan's stunning Map of Essex from 1678—where cartography meets artistry—revealing hidden tales behind every crest depicted across its pages. Lose yourself amidst Capitals of the British Empire by Charles E Turner (1937), capturing an empire united under various banners. Lastly, behold Portugal’s timeless Coat Of Arms (1898), reflecting national identity etched onto shields passed down through generations.