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Cobbled Collection (page 13)

"Cobbled streets tell stories of bygone eras and timeless charm. In Aberdeen, Scotland, the 1950s come alive as locals stroll along the historic pathways

Background imageCobbled Collection: East Gate and Walter Savage Landor, Warwick (b / w photo)

East Gate and Walter Savage Landor, Warwick (b / w photo)
3094885 East Gate and Walter Savage Landor, Warwick (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: East Gate and Walter Savage Landor, Warwick)

Background imageCobbled Collection: Apres la Repetition (After the Rehearsal). Cover of Le Figaro Illustre, April 1896 (colour litho)

Apres la Repetition (After the Rehearsal). Cover of Le Figaro Illustre, April 1896 (colour litho)
3098755 Apres la Repetition (After the Rehearsal). Cover of Le Figaro Illustre, April 1896 (colour litho) by Beraud, Jean (1849-1935); Private Collection; (add.info)

Background imageCobbled Collection: Sortie de la Messe (Leaving Church after Mass) (colour litho)

Sortie de la Messe (Leaving Church after Mass) (colour litho)
3098650 Sortie de la Messe (Leaving Church after Mass) (colour litho) by Delort, Charles Edouard (1841-95); Private Collection; (add.info.: Sortie de la Messe (Leaving Church after Mass)

Background imageCobbled Collection: Rue du Fer-a-Moulin, Paris, 1858-78 (b / w photo)

Rue du Fer-a-Moulin, Paris, 1858-78 (b / w photo)
XIR217798 Rue du Fer-a-Moulin, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Doctor Syntax robbed in St. Giles s, from The Tour of Doctor Syntax through

Doctor Syntax robbed in St. Giles s, from The Tour of Doctor Syntax through
STC213552 Doctor Syntax robbed in St. Giles s, from The Tour of Doctor Syntax through London, or the Pleasures and Miseries of the Metropolis

Background imageCobbled Collection: There was not a reader, illustration from Around the World in Eighty Days

There was not a reader, illustration from Around the World in Eighty Days
CHT213087 There was not a reader, illustration from Around the World in Eighty Days by Jules Verne (1828-1905) late 19th century (engraving) (b/w photo) by Neuville

Background imageCobbled Collection: To the Nick, 1893 (zincograph)

To the Nick, 1893 (zincograph)
615508 To the Nick, 1893 (zincograph) by Vallotton, Felix Edouard (1865-1925); 32.8x50 cm; Private Collection; (add.info.: Au Violon); Photo eChristies Images; Swiss, out of copyright

Background imageCobbled Collection: Paris, la Basilique du Sacre Coeur, c. 1900 (gelatin silver print)

Paris, la Basilique du Sacre Coeur, c. 1900 (gelatin silver print)
660333 Paris, la Basilique du Sacre Coeur, c.1900 (gelatin silver print) by Atget, Eugene (1856-1927); Private Collection; Photo eChristies Images; French, out of copyright

Background imageCobbled Collection: Cast-Iron Billy, from Street Life in London, by J

Cast-Iron Billy, from Street Life in London, by J
659998 Cast-Iron Billy, from Street Life in London, by J. Thomson and Adolphe Smith, 1877 (b/w photo) by Thomson, John (1837-1921); Private Collection; The Stapleton Collection; Scottish

Background imageCobbled Collection: St. Malo, (watercolour and black chalk)

St. Malo, (watercolour and black chalk)
658166 St. Malo, (watercolour and black chalk) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: St.Malo. Christopher Wynne Nevinson (1889-1946)

Background imageCobbled Collection: The Gardeners House in the Moonlight, Gerberoy; La Maison du Jardinier au Clair de

The Gardeners House in the Moonlight, Gerberoy; La Maison du Jardinier au Clair de
653020 The Gardeners House in the Moonlight, Gerberoy; La Maison du Jardinier au Clair de Lune, Gerberoy, 1926 (oil on canvas) by Le Sidaner

Background imageCobbled Collection: London, Old Tothull St. Leading to Westminster Abbey, 1776 (w / c on paper)

London, Old Tothull St. Leading to Westminster Abbey, 1776 (w / c on paper)
BIR108316 London, Old Tothull St.Leading to Westminster Abbey, 1776 (w/c on paper) by Miller, James (fl.1773-91); 31x49.3 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageCobbled Collection: Old Pye Street, Westminster, 1849 (w / c on paper)

Old Pye Street, Westminster, 1849 (w / c on paper)
CWA93319 Old Pye Street, Westminster, 1849 (w/c on paper) by English School, (19th century); 24.1x16.8 cm; City of Westminster Archive Centre, London

Background imageCobbled Collection: Ulice k Mostu, Mala Strana, Prague, illustration from Stara Praha (Old Prague)

Ulice k Mostu, Mala Strana, Prague, illustration from Stara Praha (Old Prague)
CHT167909 Ulice k Mostu, Mala Strana, Prague, illustration from Stara Praha (Old Prague), 1896 (litho) by Jansa, Vaclav (1859-1913); Private Collection; eArchives Charmet; Austrian, out of copyright

Background imageCobbled Collection: Paris, rue Soufflot, the Pantheon, 1858-78 (b / w photo)

Paris, rue Soufflot, the Pantheon, 1858-78 (b / w photo)
CHT163415 Paris, rue Soufflot, the Pantheon, 1858-78 (b/w photo) by Marville, Charles (1816-79); Private Collection; (add.info)

Background imageCobbled Collection: Cast Iron Billet, 1876-77 (woodburytype)

Cast Iron Billet, 1876-77 (woodburytype)
SC28154 Cast Iron Billet, 1876-77 (woodburytype) by Thomson, John (1837-1921); Victoria & Albert Museum, London, UK; Scottish, out of copyright

Background imageCobbled Collection: St. Jamess Palace, from The History of the Royal Residences

St. Jamess Palace, from The History of the Royal Residences
STC170316 St. Jamess Palace, from The History of the Royal Residences, engraved by Richard Reeve (b.1780), by William Henry Pyne (1769-1843), 1819 (litho) by Wild

Background imageCobbled Collection: Avignon, 1873 (oil on canvas)

Avignon, 1873 (oil on canvas)
MMT181287 Avignon, 1873 (oil on canvas) by Jongkind, Johan-Barthold (1819-91); 46x33 cm; Musee Marmottan Monet, Paris, France; Dutch, out of copyright

Background imageCobbled Collection: Via di Stabia (photo)

Via di Stabia (photo)
BAL176123 Via di Stabia (photo) by Roman, (1st century BC); Area archeologica di Pompei, Naples, Campania, Italy; out of copyright

Background imageCobbled Collection: Rue Laffitte, from the church Notre-Dame-de-Lorette, Paris, 1858-78 (b / w photo)

Rue Laffitte, from the church Notre-Dame-de-Lorette, Paris, 1858-78 (b / w photo)
XIR202779 Rue Laffitte, from the church Notre-Dame-de-Lorette, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Rue des Anglais, from Boulevard Saint-Germain, Paris, 1858-78 (b / w photo)

Rue des Anglais, from Boulevard Saint-Germain, Paris, 1858-78 (b / w photo)
XIR202775 Rue des Anglais, from Boulevard Saint-Germain, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Village of Genappe, from An Historical Account of the Battle of Waterloo

Village of Genappe, from An Historical Account of the Battle of Waterloo
1268417 Village of Genappe, from An Historical Account of the Battle of Waterloo, engraving by James Rouse, 1817 (coloured aquatint) by Hamilton, C. C

Background imageCobbled Collection: La Belle Alliance, from An Historical Account of the Battle of Waterloo

La Belle Alliance, from An Historical Account of the Battle of Waterloo
1268412 La Belle Alliance, from An Historical Account of the Battle of Waterloo, 1817 (coloured aquatint) by Rouse, James (19th century); National Army Museum

Background imageCobbled Collection: Part of the village of Mont St Jean, from An Historical Account of the Battle of

Part of the village of Mont St Jean, from An Historical Account of the Battle of
1268405 Part of the village of Mont St Jean, from An Historical Account of the Battle of Waterloo, 1817 (coloured aquatint) by Rouse, James (19th century); National Army Museum

Background imageCobbled Collection: Headquarters of the Duke of Wellington in the village of Waterloo

Headquarters of the Duke of Wellington in the village of Waterloo
1268403 Headquarters of the Duke of Wellington in the village of Waterloo, from An Historical Account of the Battle of Waterloo, 1817 (coloured aquatint) by Rouse

Background imageCobbled Collection: Cafe Terrace at Night, September 1888 (reed pen and ink with graphite on laid paper)

Cafe Terrace at Night, September 1888 (reed pen and ink with graphite on laid paper)
1069554 Cafe Terrace at Night, September 1888 (reed pen and ink with graphite on laid paper) by Gogh, Vincent van (1853-90); 87.6x74.9 cm; Dallas Museum of Art, Texas

Background imageCobbled Collection: La Fete de Papa (colour litho)

La Fete de Papa (colour litho)
3098488 La Fete de Papa (colour litho) by Gilbert, Victor Gabriel (1847-1933); Private Collection; (add.info.: La Fete de Papa)

Background imageCobbled Collection: A Busy Paris Square, 1878 (oil on canvas)

A Busy Paris Square, 1878 (oil on canvas)
827207 A Busy Paris Square, 1878 (oil on canvas) by Buhot, Felix Hilaire (1847-98); 27.4x35.5 cm; Private Collection; (add.info.: A Busy Paris Square. Felix Hilaire Buhot (1847-1898). Oil on canvas

Background imageCobbled Collection: Men with sandwich boards, London (colour litho)

Men with sandwich boards, London (colour litho)
3104129 Men with sandwich boards, London (colour litho) by English School, (20th century); Private Collection; (add.info.: Men with sandwich boards, London)

Background imageCobbled Collection: View from Capel-Street, looking over Essex-Bridge, Dublin, 1797 (hand-coloured engraving)

View from Capel-Street, looking over Essex-Bridge, Dublin, 1797 (hand-coloured engraving)
740384 View from Capel-Street, looking over Essex-Bridge, Dublin, 1797 (hand-coloured engraving) by Malton, James (1761-1803); Private Collection; The Stapleton Collection; English, out of copyright

Background imageCobbled Collection: Justice Prevails, 1887 (oil on canvas)

Justice Prevails, 1887 (oil on canvas)
659116 Justice Prevails, 1887 (oil on canvas) by Aranda, Jose-Jimenes (1837-1903); 97.3x160.7 cm; Private Collection; (add.info.: Justice Prevails. Jose Jimenez Aranda (1837-1903). Oil on canvas

Background imageCobbled Collection: The Palazzo Borghese, 1833 (etching with brown wash)

The Palazzo Borghese, 1833 (etching with brown wash)
STC384934 The Palazzo Borghese, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

Background imageCobbled Collection: White Hart Inn Yard, Southwark, c. 1881 (b / w photo)

White Hart Inn Yard, Southwark, c. 1881 (b / w photo)
JHL394914 White Hart Inn Yard, Southwark, c.1881 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old)

Background imageCobbled Collection: North American Street Scene (w / c on glass)

North American Street Scene (w / c on glass)
BON67592 North American Street Scene (w/c on glass) by American School, (19th century); 19x19 cm; Private Collection; Photo eBonhams, London, UK; American, out of copyright

Background imageCobbled Collection: A view of Lindau, c. 1910 (b / w photo)

A view of Lindau, c. 1910 (b / w photo)
XIR215504 A view of Lindau, c.1910 (b/w photo) by Jousset, (fl.1910); Private Collection; French, out of copyright

Background imageCobbled Collection: Church of St. Vincent de Paul, Paris, illustration from Paris dans sa splendeur

Church of St. Vincent de Paul, Paris, illustration from Paris dans sa splendeur
REV326503 Church of St. Vincent de Paul, Paris, illustration from Paris dans sa splendeur, published by Henri Charpentier

Background imageCobbled Collection: Hotel de Sens, late 19th century-early 20th century (see also 345988) (b / w photo)

Hotel de Sens, late 19th century-early 20th century (see also 345988) (b / w photo)
XIR345987 Hotel de Sens, late 19th century-early 20th century (see also 345988) (b/w photo) by Giraudon, Adolphe (1849-1929); Paris

Background imageCobbled Collection: A Gentleman holding a Saddled Horse in a Street by a Canal (oil on panel)

A Gentleman holding a Saddled Horse in a Street by a Canal (oil on panel)
CH402080 A Gentleman holding a Saddled Horse in a Street by a Canal (oil on panel) by Agasse, Jacques-Laurent (1767-1849) (circle of); Private Collection; Photo eChristies Images; Swiss

Background imageCobbled Collection: The Pink Tablecloth, 1924 (oil on canvas)

The Pink Tablecloth, 1924 (oil on canvas)
CH445101 The Pink Tablecloth, 1924 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 73x92.1 cm; Private Collection; (add.info)

Background imageCobbled Collection: A soldier in Reims with his bicycle, France, April 1, 1917 (autochrome)

A soldier in Reims with his bicycle, France, April 1, 1917 (autochrome)
2606740 A soldier in Reims with his bicycle, France, April 1, 1917 (autochrome) by Castelnau, Paul (1880-1944); eGalerie Bilderwelt; French, out of copyright

Background imageCobbled Collection: Entrance to La Halle aux Vins from Quai Saint-Bernard, Paris, c

Entrance to La Halle aux Vins from Quai Saint-Bernard, Paris, c
XIR253006 Entrance to La Halle aux Vins from Quai Saint-Bernard, Paris, c.1900 (b/w photo) by Gaillard (19th-20th century); Private Collection; (add.info.: vin; ); French, out of copyright

Background imageCobbled Collection: Rue Basse des Ursins, Paris, 1858-78 (b / w photo)

Rue Basse des Ursins, Paris, 1858-78 (b / w photo)
XIR230836 Rue Basse des Ursins, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Rue des Marmousets Saint-Marcel, from rue Saint-Hippolyte, Paris, 1858-78 (b / w photo)

Rue des Marmousets Saint-Marcel, from rue Saint-Hippolyte, Paris, 1858-78 (b / w photo)
XIR230828 Rue des Marmousets Saint-Marcel, from rue Saint-Hippolyte, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Rue Tirechape, from rue St. Honore, Paris, 1858-78 (b / w photo)

Rue Tirechape, from rue St. Honore, Paris, 1858-78 (b / w photo)
XIR230825 Rue Tirechape, from rue St. Honore, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Rue des Moineaux, from Rue des Orties, Paris, 1858-78 (b / w photo)

Rue des Moineaux, from Rue des Orties, Paris, 1858-78 (b / w photo)
XIR230823 Rue des Moineaux, from Rue des Orties, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Impasse Briard, from cite Coquenard, Paris, 1858-78 (b / w photo)

Impasse Briard, from cite Coquenard, Paris, 1858-78 (b / w photo)
XIR230822 Impasse Briard, from cite Coquenard, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCobbled Collection: Rue Descartes, from the Rue Mouffetard, Paris, 1858-78 (b / w photo)

Rue Descartes, from the Rue Mouffetard, Paris, 1858-78 (b / w photo)
XIR217797 Rue Descartes, from the Rue Mouffetard, Paris, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris



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"Cobbled streets tell stories of bygone eras and timeless charm. In Aberdeen, Scotland, the 1950s come alive as locals stroll along the historic pathways. Meanwhile, in Trastevere, Rome's vibrant district in Italy's Lazio region, a red Vespa zips through the narrow cobblestone alleys. Traveling to Orleans, France, one can admire the elegance of a Citroen D. S. , gracefully gliding over cobbled roads. Across Europe, from Serbia's Terazije Square to England's Hampshire countryside in The New Forest town of Lymington with its colorful shop fronts on Quay Hill – cobblestones connect us to history and culture. In Mexico's Tepoztlan near bustling Mexico City lies a picturesque scene: a red Volkswagen Beetle parked on a charming cobblestone street where city dwellers seek respite during weekends. Further south in Morelos state lies an enchanting market square at dusk in St Andrews, Fife - Scotland; its cobbled paths illuminated by soft lights. As we journey across continents and time periods, we find ourselves transported back to Paris' rainy days captured beautifully by Gustave Caillebotte’s painting 'Paris Street; Rainy Day' from 1877. And just around the corner is Wilton Mews' Grenadier pub where coachmen once gathered but drink no more since 1935. Finally arriving at Oxfordshire's Oxford cityscape with its iconic Radcliffe Camera building standing tall amidst cyclists navigating the ancient cobbles. And what better way to end our journey than sitting at a Parisian café? Here in Paris itself – epitome of romance and sophistication – we sip coffee while admiring yet another European gem. " [Note: The given caption exceeds 150 words.