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Coffin Collection (page 5)

"Coffin: A Symbol of Mortality and Reflection" In Hogarth's iconic painting, "Gin Lane, " a coffin lurks in the background

Background imageCoffin Collection: The Village Carpenter Bringing a Coffin for a Dead Child, 1857. Creator: Christen Dalsgaard

The Village Carpenter Bringing a Coffin for a Dead Child, 1857. Creator: Christen Dalsgaard
The Village Carpenter Bringing a Coffin for a Dead Child, 1857

Background imageCoffin Collection: Portrait of Vivien Garry and Teddy Kaye, Dixon's, New York, N.Y. ca. May 1947

Portrait of Vivien Garry and Teddy Kaye, Dixon's, New York, N.Y. ca. May 1947. Creator: William Paul Gottlieb
Portrait of Vivien Garry and Teddy Kaye, Dixon's, New York, N.Y. ca. May 1947

Background imageCoffin Collection: 'Go, Thou Must Play Alone my Boy, Thy Sister is in Heaven 1889, 1890. Creator: Unknown

'Go, Thou Must Play Alone my Boy, Thy Sister is in Heaven 1889, 1890. Creator: Unknown
'Go, Thou Must Play Alone my Boy, Thy Sister is in Heaven 1889, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

Background imageCoffin Collection: Dormition of the Virgin. Creator: Macedonian School

Dormition of the Virgin. Creator: Macedonian School
Dormition of the Virgin

Background imageCoffin Collection: Victor Hugo's coffin covered with wreaths, 1885. Creator: E Durang

Victor Hugo's coffin covered with wreaths, 1885. Creator: E Durang
Victor Hugo's coffin covered with wreaths, 1885

Background imageCoffin Collection: La Violation des caveaux des rois dans la basilique de Saint-Denis, en octobre 1793, c1793

La Violation des caveaux des rois dans la basilique de Saint-Denis, en octobre 1793, c1793. Creator: Hubert Robert
La Violation des caveaux des rois dans la basilique de Saint-Denis, en octobre 1793, c1793

Background imageCoffin Collection: Stone Coffins, found at Bath, 1854. Creator: Unknown

Stone Coffins, found at Bath, 1854. Creator: Unknown
Stone Coffins, found at Bath, 1854. Discovery of human remains in Somerset. In the first coffin was found a skeleton of large size; in the next, two skulls

Background imageCoffin Collection: The Actor Ichikawa Yaozo II as Soga no Juro Sukenari Disguised as the Proefessional Jes... c

The Actor Ichikawa Yaozo II as Soga no Juro Sukenari Disguised as the Proefessional Jes... c. 1769. Creator: Shunsho
The Actor Ichikawa Yaozo II as Soga no Juro Sukenari Disguised as the Proefessional Jester Senraku (?) in the Play Soga Moyo Aigo no Wakamatsu (?), Performed at the Nakamura Theater ()

Background imageCoffin Collection: The Isle of the Dead, 1890. Creator: Max Klinger

The Isle of the Dead, 1890. Creator: Max Klinger
The Isle of the Dead, 1890

Background imageCoffin Collection: Waiting for the Coffin

Waiting for the Coffin
Petri Damstén

Background imageCoffin Collection: Signalman in operating signal levers during wartime, c. 1940

Signalman in operating signal levers during wartime, c. 1940
A signalman in his gas mask continues normal duties at this unknown signalbox. But what is interesting about this photograph is the strange looking metal cabinet with its door ajar stood in

Background imageCoffin Collection: Tutankhamun sarcophagus, 18th dynasty (gold)

Tutankhamun sarcophagus, 18th dynasty (gold)
535714 Tutankhamun sarcophagus, 18th dynasty (gold) by Egyptian 18th Dynasty (c.1567-1320 BC); (add.info.: 18th dynasty Egyptian Pharaoh)

Background imageCoffin Collection: Tomb of Tutankhamun (dc1340 BC) (photo)

Tomb of Tutankhamun (dc1340 BC) (photo)
532442 Tomb of Tutankhamun (dc1340 BC) (photo) by Egyptian 18th Dynasty (c.1567-1320 BC); (add.info.: ): Sarcophagus containing gold coffin of the king which held his mummy

Background imageCoffin Collection: Coffin on a hearse. The carriage is pull by horses led by a coachman and followed by a man by foot

Coffin on a hearse. The carriage is pull by horses led by a coachman and followed by a man by foot. Europe. Date of Photograph:1880-1900

Background imageCoffin Collection: Hearse with a coffin of a child. The carriage is pull by two horses led by a coachman

Hearse with a coffin of a child. The carriage is pull by two horses led by a coachman. Europe. Date of Photograph:1880-1900

Background imageCoffin Collection: Hearse transporting the coffin of a child. The carriage is pull by horses led by a coachman

Hearse transporting the coffin of a child. The carriage is pull by horses led by a coachman. Europe. Date of Photograph:1880-1900

Background imageCoffin Collection: Coachman driving a hearse

Coachman driving a hearse. Europe. Date of Photograph:1880-1900

Background imageCoffin Collection: World War I: German soldiers bury the coffins of their comrades

World War I: German soldiers bury the coffins of their comrades Europe. Date of Photograph:1915-1918

Background imageCoffin Collection: Catacombs of the ex-Convent of the Capuchin friars in Palermo

Catacombs of the ex-Convent of the Capuchin friars in Palermo. Palermo Ex-Convento of the Capuchins, Catacombs. Date of Photograph:1900-1910

Background imageCoffin Collection: A room of the Crematorium of the Monumental Cemetery of Milan

A room of the Crematorium of the Monumental Cemetery of Milan. Milan Monumental Cemetery, Crematorium Cemetery Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Background imageCoffin Collection: Parade for transporting the body of the Unknown Soldier in Via Nazionale, Rome

Parade for transporting the body of the Unknown Soldier in Via Nazionale, Rome Rome Via Nazionale. Date of Photograph:04/11/1921

Background imageCoffin Collection: Napoleon's body returns to Cherbourg, France, December 8, 1840 (print)

Napoleon's body returns to Cherbourg, France, December 8, 1840 (print)
7419976 Napoleon's body returns to Cherbourg, France, December 8, 1840 (print) by French School, (19th century); (add.info.: Napoleon's body returns to Cherbourg, France, December 8, 1840)

Background imageCoffin Collection: Allegory of the return of french emperor Napoleon Bonaparte's ashes in 1840

Allegory of the return of french emperor Napoleon Bonaparte's ashes in 1840
ELD4841311 Allegory of the return of french emperor Napoleon Bonaparte's ashes in 1840. 19th century (engraving from "Clours, mores, usages, costumes, inventions)

Background imageCoffin Collection: Tresor of Tutankhamun representing the protective goddess of the canopy chest

Tresor of Tutankhamun representing the protective goddess of the canopy chest
THT4308085 Tresor of Tutankhamun representing the protective goddess of the canopy chest. by Egyptian 18th Dynasty (c.1567-1320 BC); (add.info.: Cairo: archeological museum)

Background imageCoffin Collection: The well preserved body of Napoleon revealed when his coffin was opened on Saint Helena in 1840

The well preserved body of Napoleon revealed when his coffin was opened on Saint Helena in 1840 before his remains were returned to France. He had died 19 years earlier, on May 5, 1821

Background imageCoffin Collection: Coffin of Nesi-pa-her-hat, Ancient Egypt, Third Intermediate Period

Coffin of Nesi-pa-her-hat, Ancient Egypt, Third Intermediate Period, Dynasty 21 (about 1069 -945 BCE)

Background imageCoffin Collection: The Triumph of Death (fresco) 1333-36

The Triumph of Death (fresco) 1333-36
BAL34572 The Triumph of Death (fresco) 1333-36 by Master of the Triumph of Death, (fl.1360-80) (attributed to); Camposanto, Pisa

Background imageCoffin Collection: Exhumation of the body of Ugo Foscolo in the cemetery of Chiswick in 1871 - photo atelier

Exhumation of the body of Ugo Foscolo in the cemetery of Chiswick in 1871 - photo atelier
XEE4157385 Exhumation of the body of Ugo Foscolo in the cemetery of Chiswick in 1871 - photo atelier Fratelli Caldesi - Exhumation of the body of Ugo Foscolo in the cemetery of Chiswick in 1871 by

Background imageCoffin Collection: Cabaret du Neant (Cabaret of Nothingness or Death)

Cabaret du Neant (Cabaret of Nothingness or Death) - a ghost show cabaret, where ghosts were shown before the amazed audience via optical trickery and special effects

Background imageCoffin Collection: King Edward VII lying in state, Westminster Hall, London

King Edward VII lying in state, Westminster Hall, London. 1910

Background imageCoffin Collection: Punk singer and actress Toyah Willcox in her coffin in Battersea, London. 13th May 1979

Punk singer and actress Toyah Willcox in her coffin in Battersea, London. 13th May 1979

Background imageCoffin Collection: Queen Alexandra lying in state November 1925. The coffin of Queen Alexandra

Queen Alexandra lying in state November 1925. The coffin of Queen Alexandra, covered with a purple pall and draped in a standard

Background imageCoffin Collection: Scene from Tom Jones, comic opera by Edward German

Scene from Tom Jones, comic opera by Edward German
Scene from Tom Jones, a comic opera by Edward German, based on the 18th century novel by Henry Fielding, with a libretto by Robert Courtneidge and Alexander Thompson, and lyrics by Charles Taylor

Background imageCoffin Collection: Shrine of Edward the Confessor, Westminster Abbey, 1890. Creator: Unknown

Shrine of Edward the Confessor, Westminster Abbey, 1890. Creator: Unknown
Shrine of Edward the Confessor, Westminster Abbey, 1890. Shrine of Edward the Confessor (c1003-1066) one of the last Anglo-Saxon kings of England built under Henry III by workmen from Italy

Background imageCoffin Collection: WW1 - Return of the body of Heroine Nurse Edith Cavell

WW1 - Return of the body of Heroine Nurse Edith Cavell into Dover Harbour on the R class destroyer HMS Rowena on 14th May 1919. Date: 1919

Background imageCoffin Collection: Victorian satirical cartoon, Death and inheritance, 19th Century

Victorian satirical cartoon, Death and inheritance, 19th Century
Vintage engraving of a Victorian satire on death and inheritance, 19th Century. The End of Life, Beginneth strfe

Background imageCoffin Collection: Roman leaden coffin found in Bethnal-Green, 1862. Creator: Unknown

Roman leaden coffin found in Bethnal-Green, 1862. Creator: Unknown
Roman leaden coffin found in Bethnal-Green, [east London], 1862. As Mr. Buckmaster, weaver...was digging in a corner of his garden...he uncovered a leaden coffin about 4ft. from the surface

Background imageCoffin Collection: Coffin of Yuya (18th Dynasty), Egyptian Museum, Cairo, Egypt

Coffin of Yuya (18th Dynasty), Egyptian Museum, Cairo, Egypt

Background imageCoffin Collection: Coffin of Thuya (18th Dynasty), Egyptian Museum, Cairo, Egypt

Coffin of Thuya (18th Dynasty), Egyptian Museum, Cairo, Egypt

Background imageCoffin Collection: USA, Wyoming, Hulett, gift shop

USA, Wyoming, Hulett, gift shop



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"Coffin: A Symbol of Mortality and Reflection" In Hogarth's iconic painting, "Gin Lane, " a coffin lurks in the background, serving as a grim reminder of the consequences of intemperance. The Welsh Funeral depicted by Henry Clarence Whaite captures the solemnity and connection to the cold earth that accompanies laying loved ones to rest. From The Gin Shop in 1829 to Poussin's "Et in Arcadia Ego" from 1650, coffins have been intertwined with themes of drinking and excess. They stand as memento mori, urging us to reflect on our choices before it is too late. The Unknown Warrior Burial Service evokes feelings of reverence and gratitude for those who made the ultimate sacrifice. Similarly, Sir Francis Drake's burial at sea near Portobelo reminds us that even great explorers are not exempt from mortality. Coffins also find their place in whimsical tales like Alice in Wonderland's Mad Hatter Tea Party. Here they serve as a macabre backdrop against which fantasy unfolds. In Lord Have Mercy Upon Us: The Plague in London woodcut or Edward VII lying in state at Westminster Hall, coffins symbolize loss and grief on a grand scale. These images capture moments where society confronts its own fragility. Whether found within St Dubhthach's Church or Clachan Duich Cemetery or amidst derelict Tirpentwys Colliery in Pontypool, South Wales - coffins silently remind us that life is fleeting and should be cherished while we can. Ultimately, coffins transcend time and culture; they encapsulate humanity's shared experience with mortality. Their presence serves as an invitation for introspection – reminding us to live fully while we still can.