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Colburn Collection

"Colburn: A Journey Through Art and History" Step into the world of Colburn, a name that echoes through time and space

Background imageColburn Collection: North Yorkshire DL9 4 Map

North Yorkshire DL9 4 Map
Postcode Sector Map of North Yorkshire DL9 4

Background imageColburn Collection: Frontispiece to the Florists Manual, 1822. Artist: WH Timms

Frontispiece to the Florists Manual, 1822. Artist: WH Timms
Frontispiece to the Florists Manual, 1822. From The Florists Manual, or, Hints for the Construction of a Gay Flower-Garden, by Maria Elizabeth Jackson. [Henry Colburn & Co. London, 1822]

Background imageColburn Collection: Adeliza of Leuven, Queen of Henry I of England. Artist: Henry Colburn

Adeliza of Leuven, Queen of Henry I of England. Artist: Henry Colburn
Adeliza of Leuven, Queen of Henry I of England. Adeliza (1103-1151) was the second wife of King Henry I. They were married in 1121

Background imageColburn Collection: Marguerite of France, Queen of Edward I of England. Artist: Henry Colburn

Marguerite of France, Queen of Edward I of England. Artist: Henry Colburn
Marguerite of France, Queen of Edward I of England. Marguerite of France (1282-1317) was the second wife of Edward I. They were married in 1299

Background imageColburn Collection: Eleanor of Provence (c1223-1291), 1851. Artist: Henry Colburn

Eleanor of Provence (c1223-1291), 1851. Artist: Henry Colburn
Eleanor of Provence (c1223-1291), 1851. Eleanor was the queen consort of King Henry III of England

Background imageColburn Collection: Eleanor of Castile (1241-1290), 1851. Artist: Henry Colburn

Eleanor of Castile (1241-1290), 1851. Artist: Henry Colburn
Eleanor of Castile (1241-1290), 1851. Eleanor was the queen consort of King Edward I of England

Background imageColburn Collection: Matilda of Flanders. Artist: Henry Colburn

Matilda of Flanders. Artist: Henry Colburn
Matilda of Flanders. Matilda (c1031-1083) was Queen Consort of William the Conqueror

Background imageColburn Collection: Philippa of Hainault, (1851). Artist: Henry Colburn

Philippa of Hainault, (1851). Artist: Henry Colburn
Philippa of Hainault, (1851). Philippa of Hainault (c1314-1369) was Queen Consort of Edward III of England. She acted as regent on several occasions when Edward was on the continent

Background imageColburn Collection: Palmerston / Colburn 1852

Palmerston / Colburn 1852
HENRY JOHN TEMPLE, Third Viscount PALMERSTON Statesman holding a speech in his hand Date: 1784-1865

Background imageColburn Collection: WPA paintings by Yvonne Twining, Waldo Kaufer, Albert Gold

WPA paintings by Yvonne Twining, Waldo Kaufer, Albert Gold, and Francis Colburn Federal Art Gallery, 50 Beacon St. Boston

Background imageColburn Collection: Jane Seymour / Colburn

Jane Seymour / Colburn
JANE SEYMOUR 3rd wife of Henry VIII; died in childbirth; mother of Edward VI Date: 1509 - 1537


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"Colburn: A Journey Through Art and History" Step into the world of Colburn, a name that echoes through time and space. From the quaint North Yorkshire DL9 4 Map to the mesmerizing Frontispiece to the Florists Manual by WH Timms, Colburn's influence is felt far and wide. Delve deeper into history as we uncover artistic masterpieces attributed to Henry Colburn himself. Admire his skill in capturing the regal beauty of Queen Adeliza of Leuven, consort to Henry I of England. Marvel at his portrayal of Isabella of France, who stood by Edward II's side as queen consort. And let us not forget Marguerite of France, whose grace shines through in every brushstroke. Travel further back in time with Henry Colburn's depiction of Eleanor of Provence, a woman whose strength and resilience are immortalized on canvas. Witness her counterpart Eleanor of Castile come alive before your eyes, her noble spirit forever captured by this talented artist. But it doesn't end there - Matilda of Flanders emerges from history books thanks to Henry Colburn's artistry. Her elegance transcends time as she gazes upon us from centuries past. Philippa Hainault takes center stage next, portrayed with such finesse that you can almost hear her voice whispering tales from long ago. As we shift gears towards more contemporary works, Palmerston/Colburn 1852 offers a glimpse into political intrigue and power struggles during an era marked by change and progress. Joan Navarre makes an appearance too - mysterious yet captivating - reminding us that even lesser-known figures have stories worth telling. And finally, WPA paintings by Yvonne Twining, Waldo Kaufer, and Albert Gold bring new life to our exploration. Their vibrant colors breathe vitality into historical scenes once frozen in time.