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Conceit Collection

"Conceit: The Art of Flapping Wings and Egotistical Charades" In the picturesque countryside of Hungary, a male pheasant proudly flaps its wings

Background imageConceit Collection: Toilet of Helen, La Belle Hélène, 1914. Creator: Bryson Burroughs

Toilet of Helen, La Belle Hélène, 1914. Creator: Bryson Burroughs
Toilet of Helen, La Belle Helene, 1914. Helen of Troy making herself up at a very modern looking dressing-table while Troy burns in the background

Background imageConceit Collection: Portrait of William Herald Heald, c1844. Creator: Alfred Jacob Miller

Portrait of William Herald Heald, c1844. Creator: Alfred Jacob Miller
Portrait of William Herald Heald, c1844. Heald, as a young man, was a member of the firm of John H. Heald and Co. tanners, at North and Madison streets, Baltimore

Background imageConceit Collection: Portrait of Daniel Adolphe Robert Jones, 1841. Creator: Eugene Francois de Block

Portrait of Daniel Adolphe Robert Jones, 1841. Creator: Eugene Francois de Block
Portrait of Daniel Adolphe Robert Jones, 1841

Background imageConceit Collection: Great Blue Heron, 1776. Creator: Jabes Heenck

Great Blue Heron, 1776. Creator: Jabes Heenck
Great Blue Heron, 1776

Background imageConceit Collection: Portrait of Frederik Berregaard, 1743-1747. Creator: Louis Tocque

Portrait of Frederik Berregaard, 1743-1747. Creator: Louis Tocque
Portrait of Frederik Berregaard, 1743-1747

Background imageConceit Collection: Male Pheasant (Phasianus colchicus) flapping wings, Hungary, June

Male Pheasant (Phasianus colchicus) flapping wings, Hungary, June

Background imageConceit Collection: The Actor Ichikawa Danjuro V as Sukeroku in the Joruri 'Sukeroku Kuruwa no Natori... c. 1782

The Actor Ichikawa Danjuro V as Sukeroku in the Joruri "Sukeroku Kuruwa no Natori... c. 1782
The Actor Ichikawa Danjuro V as Sukeroku in the Joruri "Sukeroku Kuruwa no Natori-gusa" (Sukeroku: Peony of the Pleasure Quarters)

Background imageConceit Collection: Kenny Meadows: Captain Rook (engraving)

Kenny Meadows: Captain Rook (engraving)
5989567 Kenny Meadows: Captain Rook (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Captain Rook)

Background imageConceit Collection: Major Bagstock, illustration from Character Sketches from Charles Dickens, c. 1890 (colour litho)

Major Bagstock, illustration from Character Sketches from Charles Dickens, c. 1890 (colour litho)
LLM405125 Major Bagstock, illustration from Character Sketches from Charles Dickens, c.1890 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info)

Background imageConceit Collection: The First Modern Commandment (colour litho)

The First Modern Commandment (colour litho)
5996889 The First Modern Commandment (colour litho) by English School, (20th century); Private Collection; (add.info.: The First Modern Commandment)

Background imageConceit Collection: Oh dear, no, I m not conceited (engraving)

Oh dear, no, I m not conceited (engraving)
3634716 Oh dear, no, I m not conceited (engraving) by English School, (19th century); Private Collection; (add.info.: Oh dear, no, I m not conceited. Illustration for Chatterbox, 1873)

Background imageConceit Collection: Charles Philipon, model c. 1832 / 1835, cast 1929 / 1930. Creator: Honore Daumier

Charles Philipon, model c. 1832 / 1835, cast 1929 / 1930. Creator: Honore Daumier
Charles Philipon, model c. 1832/1835, cast 1929/1930

Background imageConceit Collection: The Representative (Le representant noue sa cravate), model probably after 1860

The Representative (Le representant noue sa cravate), model probably after 1860, cast around November 1954

Background imageConceit Collection: Sic Transit Gloria Mundi, ca. 1762. ca. 1762. Creator: Paul Sandwich

Sic Transit Gloria Mundi, ca. 1762. ca. 1762. Creator: Paul Sandwich
Sic Transit Gloria Mundi, ca. 1762

Background imageConceit Collection: STAGE GESTURE / CONCEIT

STAGE GESTURE / CONCEIT
CONCEIT Date: 1807

Background imageConceit Collection: Of folys that stande so well in their owne conceyt that they thinke none so wyse

Of folys that stande so well in their owne conceyt that they thinke none so wyse
XJF486446 Of folys that stande so well in their owne conceyt that they thinke none so wyse, stronge, fayre, nor eloquent, as they ar themself

Background imageConceit Collection: PHYSIOGNOMY, 1533. Eyelashes of a malicious and mendacious man (left), and of an audacious

PHYSIOGNOMY, 1533. Eyelashes of a malicious and mendacious man (left), and of an audacious and conceited man. Woodcut, 1533, from Bartolommeo Cocles Physiognomonia

Background imageConceit Collection: Fable / Bull and Gnat

Fable / Bull and Gnat
THE BULL AND THE GNAT A gnat settled on a bulls horn, & asked if it should go; the bull said he had not known the gnat was there & would not miss it when it was gone


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"Conceit: The Art of Flapping Wings and Egotistical Charades" In the picturesque countryside of Hungary, a male pheasant proudly flaps its wings, displaying an extravagant spectacle. Its vibrant plumage glistens under the June sun, as if boasting about its unmatched beauty. This ostentatious display is not limited to nature alone. Step into the world of theater, where conceit takes center stage. In 1782, Ichikawa Danjuro V mesmerized audiences with his portrayal of Sukeroku in the Joruri play "Sukeroku Kuruwa no Natori. " Adorned in elaborate costumes designed by Katsukawa Shunko, he embodied the character's flamboyant personality and reveled in his own theatrical prowess. But conceit doesn't confine itself to actors on stage; it permeates every facet of life. Kenny Meadows' engraving captures Captain Rook with an air of self-importance that exudes from every pore. Major Bagstock, depicted in a color lithograph from Charles Dickens' Character Sketches series, epitomizes arrogance with his haughty demeanor. Even art itself becomes a playground for conceited expression. Honore Daumier's sculpture portrays Charles Philipon as a model of vanity during the early 19th century—a testament to how self-obsession transcends time and medium. Similarly, "The Representative" painting showcases someone meticulously tying their tie while reveling in their own perceived importance. Yet amidst this sea of inflated egos lies irony and satire. Paul Sandwich's masterpiece "Sic Transit Gloria Mundi, " created around 1762, reminds us that all worldly glories are fleeting—humbling even those consumed by their own grandiosity. Sometimes though, we find solace in humor when confronted with excessive pride. An amusing engraving titled "Oh dear.