Condemn Collection

Philip II of France condemning disciples of the French theologian Amaury
5308429 Philip II of France condemning disciples of the French theologian Amaury.; (add.info.: Engraving depicting Philip II of France condemning disciples of the French theologian Amaury (Almaricus)

The Sermon: You are Condemned!, 1850-1870, by Velazquez
Eugenio Lucas Velazquez (1817-1870). Spanish painter. The Sermon: You are Condemned!, 1850-1870. Lazaro Galdiano Museum. Madrid. Spain

The Inquisition Scene, 1808-1812, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Inquisition Scene, 1808-1812. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Torquatus condemns his own son to death
Titus Manlius Torquatus, as Roman Consul, condemns his own son to death for leaving his post in wartime against military orders, hence the term Manlian discipline'. Date: 340 BC

"Neither do I comdemn thee", illustration from Harold Copping Pictures
3036988 " Neither do I comdemn thee", illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

Closeup Of A Gavel

Susanna before the judges, Nicolaes de Bruyn, Pieter Schenk (I), 1670 - 1719

Susanna before the judges, Crispijn van de Passe (I), 1574 - 1637

Susanna for judges, Abraham de Bruyn, 1570

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"Condemn: A Glimpse into the Dark Depths of Human Judgment" In the realm of art, condemnation takes various forms, revealing the complexities and cruelties that reside within our collective consciousness. Spanning centuries and encompassing diverse subjects, these artworks offer a haunting reflection on humanity's capacity to condemn. Velazquez's "The Sermon: You are Condemned. " (1850-1870) depicts a powerful sermon where guilt-ridden souls face their own condemnation. The artist captures the weight of judgment in every furrowed brow and clenched fist, reminding us of our innate inclination to pass sentence upon others. Goya's "The Inquisition Scene" (1808-1812) plunges us into an era marked by religious persecution. With chilling precision, he portrays the horrifying consequences faced by those deemed heretics or witches. The painting serves as a stark reminder of how easily fear can lead to condemning innocent lives. In another scene from history, we witness Torquatus condemning his own son to death—a heart-wrenching act captured in paint. This tragic tale forces us to confront the moral dilemmas inherent in familial loyalty versus justice served. "The Story of Virginia, " painted between 1500-04 by an unknown artist, reveals society's cruel verdict on innocence itself. As Virginia is judged and condemned to slavery, we witness both her despair and society's callous disregard for human dignity—an indictment against societal norms that perpetuate injustice. Saint Lawrence prepared for martyrdom in c. 1600-1 showcases one man's unwavering faith even as he faces imminent death at the hands of his oppressors. Through this depiction, we see how conviction can defy condemnation and inspire hope amidst darkness. Mariamne (1887), an oil painting capturing feminine vulnerability under scrutiny, exposes society's tendency to judge women based on superficial standards rather than acknowledging their inner strength and resilience.