Confidante Collection

Page 2, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper)
3427858 Page 2, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper) by American School, (18th century); Massachusetts Historical Society, Boston, MA

Summer Evening on the Skagen Southern Beach with Anna Ancher and Marie Kroyer, 1893
BAL23422 Summer Evening on the Skagen Southern Beach with Anna Ancher and Marie Kroyer, 1893 (oil on canvas) by Kroyer, Peder Severin (1851-1909); 100x150 cm; Skagens Museum, Denmark; Danish

Page 3, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper)
3427859 Page 3, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper) by American School, (18th century); Massachusetts Historical Society, Boston, MA

In a Rose Garden, (oil on panel)
1199614 In a Rose Garden, (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 37.5x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Franz Josef I and Katharina Schratt
3786319 Franz Josef I and Katharina Schratt; (add.info.: Franz Josef I and Katharina Schratt. KS: Austrian actress and mistress of Franz Josef I, 11 September 1853 - 17 April 1940)

Radha's Hidden Endeavors That Indicate Her Preoccupation with Love... between c1650 and c1700. Creator: Unknown
Radha's Hidden Endeavors That Indicate Her Preoccupation with Love (Prachanna Chesta), Folio from a Rasikapriya (The Connoiseur's Delights), between c1650 and c1700

Radha's Confidante Meets with Krishna (Arudhayauvana Madhya)... c1635. Creator: Unknown
Radha's Confidante Meets with Krishna (Arudhayauvana Madhya), Folio from a Rasikapriya (The Connoisseur's Delights), c1635

The Courtesan Shinahara of Tsuruya with the Kamuro Shinobu, c1800. Creator: Kitagawa Utamaro
The Courtesan Shinahara of Tsuruya with the Kamuro Shinobu, c1800

Patamanjari Ragini, Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1675 Creator: Unknown
Patamanjari Ragini, Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1675

Radhika's Manifest Small Arrogance (Prakasha Laghumana)... between c1650 and c1700. Creator: Unknown
Radhika's Manifest Small Arrogance (Prakasha Laghumana), Folio from a Rasikapriya (The Connoisseur's Delights), between c1650 and c1700

Patamanjari Ragini, the Fourth Wife of Bhairava Raga, Folio from a Ragamala... between 1700-1750. Creator: Unknown
Patamanjari Ragini, the Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), between 1700 and 1750

Radha and her Confidante Admiring Krishna Depicted in a Mural (Chitra Darshana), c1675. Creator: Unknown
Radha and her Confidante Admiring Krishna Depicted in a Mural (Chitra Darshana), Folio from a Rasikapriya (The Connoisseur's Delights), c1675

Julie and the nurse, 1874. Creator: Kristian Zahrtmann
Julie and the nurse, 1874

Tonetti, Misses, at Sneding's Landing, 1921 June 7. Creator: Arnold Genthe
Tonetti, Misses, at Sneding's Landing, 1921 June 7

La Confidence, c. 1774/1775. Creator: Jacques Firmin Beauvarlet
La Confidence, c. 1774/1775

Portrait of a woman, known as Gabrielle d'Estrées (1573-1599), c1590. Creator: Unknown
Portrait of a woman, known as Gabrielle d'Estrees (1573-1599), c1590

The Willow Song, plate nine from Othello, 1844. Creator: Theodore Chasseriau
The Willow Song, plate nine from Othello, 1844

The Willow Song, plate nine from Othello, 1844. Creator: Theodore Chasseriau
The Willow Song, plate nine from Othello, 1844

The Willow Song, plate nine from Othello, 1844. Creator: Theodore Chasseriau
The Willow Song, plate nine from Othello, 1844

If I Do Die Before Thee, plate eight from Othello, 1844. Creator: Theodore Chasseriau
If I Do Die Before Thee, plate eight from Othello, 1844

If I Do Die Before Thee, plate eight from Othello, 1844. Creator: Theodore Chasseriau
If I Do Die Before Thee, plate eight from Othello, 1844

If I Do Die Before Thee, plate eight from Othello, 1844. Creator: Theodore Chasseriau
If I Do Die Before Thee, plate eight from Othello, 1844

Man and Two Women Conversing, 1817. Creator: Vivant Denon
Man and Two Women Conversing, 1817

Two Women in Late Eighteenth Century Dress, n.d. Creator: William Edward Frost
Two Women in Late Eighteenth Century Dress, n.d

Sarah Jennings, Duchess of Marlborough, (early-mid 19th century). Creator: Henry Thomas Ryall
Sarah Jennings, Duchess of Marlborough, (early-mid 19th century). Portrait of English aristocrat Sarah Churchill, Duchess of Marlborough (1660-1744)

Meeting between Louis XIII (1601-43) and Marie-Louise Motier de la Fayette (1615-65) at l'Hotel-Dieu, Paris (coloured engraving) Musee d'Histoire de la Medecine, Paris

Two Friends, 1918 (oil on board)
NUL118382 Two Friends, 1918 (oil on board) by Valtat, Louis (1869-1952); 34x36 cm; Private Collection

The Confidante, 1910 (oil on canvas)
658439 The Confidante, 1910 (oil on canvas) by Villegas y Cordero, Jose (1844-1921); 150x150 cm; Private Collection; (add.info.: The Confidante. Jose Villegas Cordero (1848-1921). Oil on canvas

The Confidence, 1891 (oil on canvas)
NUL386988 The Confidence, 1891 (oil on canvas) by Benson, Frank Weston (1862-1951); 110.5x138 cm; Private Collection

The Confidante, (oil on canvas)
658843 The Confidante, (oil on canvas) by Portielje, Edward (1861-1949); 47.7x56 cm; Private Collection; (add.info.: The Confidante. Edward Antoon Portielje (1861-1949). Oil on canvas

Dejeuner Intime, (oil on canvas)
991071 Dejeuner Intime, (oil on canvas) by Icart, Louis (1888-1950); 46x55.5c cm; Private Collection; (add.info.: Dejeuner Intime. Louis Icart (1888-1950). Oil on canvas. 46 x 55.5cm

Tsarina of Russia, Alexandra of Russia, talks with a courtier Behind her is her faithful companion Anna Vyrubova
5672102 Tsarina of Russia, Alexandra of Russia, talks with a courtier Behind her is her faithful companion Anna Vyrubova by Unknown photographer, (20th century); (add.info.: Tsarina of Russia)

Two Women, 1902. Creator: Theophile Alexandre Steinlen
Two Women, 1902

The Conversation, c. 1896 (pastel on paper laid on canvas)
623100 The Conversation, c.1896 (pastel on paper laid on canvas) by Cassatt, Mary Stevenson (1844-1926); 64.6x81.2 cm; Private Collection; Photo eChristies Images; American, out of copyright

The Confidante, 1895 (woodcut)
714788 The Confidante, 1895 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.4 cm; Private Collection; (add.info.: V and G 161); Photo eChristies Images; Swiss, out of copyright

Two Women in the Countryside; Deux Femmes a la Campagne, (oil on canvas)
652592 Two Women in the Countryside; Deux Femmes a la Campagne, (oil on canvas) by Lebasque, Henri (1865-1937); 69.3x92.1 cm; Private Collection; (add.info)

Page 1, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper)
3427857 Page 1, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper) by American School, (18th century); Massachusetts Historical Society, Boston, MA

Marlborough House, a Grade I listed mansion in St Jamess, City of Westminster, London, is the headquarters of the Commonwealth of Nations and the seat of the Commonwealth Secretariat

The Secret (Confession) c. 1867 (oil on canvas)
CH377747 The Secret (Confession) c.1867 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: La Confidence; ); Photo eChristies Images; French, out of copyright

Chiton, plate from Los Caprichos, 1799 (etching & aquatint)
3112267 Chiton, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Unwelcome Confidence, 1895 (oil on panel)
Ma198343 Unwelcome Confidence, 1895 (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 45.7x28.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Thamar, an Israelite in the Retinue of Esther, costume for Esther
STC96515 Thamar, an Israelite in the Retinue of Esther, costume for Esther by Jean Racine, from Volume I of Research on the Costumes and Theatre of All Nations, 1802 (coloured engraving) by Chery

Queen Victoria, Empress of India and Abdul Karim The Munshi, c
ILN128675 Queen Victoria, Empress of India and Abdul Karim The Munshi, c.1894 (b/w photo) by English Photographer, (19th century); The Illustrated London News Picture Library, London

The Princess of Lamballe (colour litho)
2818333 The Princess of Lamballe (colour litho) by Rioult, Louis Edouard (1790-1855); Private Collection; (add.info.: The Princess of Lamballe)

The Secret, 1855 (oil on canvas)
659816 The Secret, 1855 (oil on canvas) by Witherington, William Frederick (1785-1865); 81.2x99.1 cm; Private Collection; (add.info.: The Secret. William Frederick Witherington (1785-1865)

Man waiting for a woman to confide a secret to him (colour litho)
6001503 Man waiting for a woman to confide a secret to him (colour litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info.: Man waiting for a woman to confide a secret to him)

Page 4, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper)
3427860 Page 4, Letter from Abigail Adams to John Adams, 31 March - 5 April 1776 (ink on paper) by American School, (18th century); Massachusetts Historical Society, Boston, MA

Confidence, 1897 (oil on canvas)
1769031 Confidence, 1897 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 41.3x33.4 cm; Private Collection; (add.info.: Confidence. Pierre-Auguste Renoir (1841-1919). Oil on canvas

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"Unveiling the Power of a Confidante: From Ink on Paper to Oil on Canvas" In the depths of history, through ink on paper and strokes of oil on canvas, the concept of a confidante has transcended time, and is an enduring bond that weaves its way into our lives, offering solace and understanding when words fail us. Page 2 reveals a letter from Abigail Adams to John Adams in 1776, showcasing their profound connection as confidantes amidst turbulent times. Their correspondence serves as a testament to the strength found in sharing one's deepest thoughts with another soul. Meanwhile, "Summer Evening on the Skagen Southern Beach" captures Anna Ancher and Marie Kroyer immersed in conversation. The painting exudes warmth and intimacy, illustrating how friends can become trusted confidantes under serene skies. Turning back to page 3, Abigail Adams once again pours her heart out to John Adams through ink on paper. This glimpse into their relationship reminds us that even during historical upheavals like those surrounding Louis XIII and Marie-Louise Motier de la Fayette at l'Hotel-Dieu in Paris, true confidantes remain pillars of support. "The Confidante, " painted by an unknown artist in 1910, portrays two women engaged in deep conversation. Their body language speaks volumes about trust and reliance—a visual representation of what it means to be someone's unwavering source of comfort. Similarly, "The Confidence" by an anonymous artist from 1891 depicts another moment between two individuals bound by unbreakable trust—an embodiment of the essence behind being a confidante. As we delve further into artistry with "The Confidante, " we witness yet another portrayal capturing this unique relationship dynamic—where secrets are shared freely without fear or judgment—reminding us that true companionship knows no bounds or limitations.