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Contryside Collection

"Embracing the Tranquil Countryside: A Journey through Artistic Masterpieces" "By The Sea, 1881: An idyllic escape to the countryside's coastal charm

Background imageContryside Collection: Dean and Adams Revolving Rifle (engraving)

Dean and Adams Revolving Rifle (engraving)
7181498 Dean and Adams Revolving Rifle (engraving) by English School, (19th century); Private Collection; (add.info.: Dean and Adams Revolving Rifle)

Background imageContryside Collection: A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)

A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w / c)
6448737 A Red Legged Patridge and a Covey of Grey Patridges by Corn Stooks (pencil and w/c) by Thorburn, Archibald (1860-1935); 22.8x36.8 cm; Private Collection; (add.info.: Thorburn)

Background imageContryside Collection: By The Sea, 1881 (oil on canvas)

By The Sea, 1881 (oil on canvas)
7063397 By The Sea, 1881 (oil on canvas) by Glendening, Alfred Augustus (1840-1921); Private Collection

Background imageContryside Collection: LEON TOLSTOI LABOURANT, 1887 (oil on cardboard)

LEON TOLSTOI LABOURANT, 1887 (oil on cardboard)
7215383 LEON TOLSTOI LABOURANT, 1887 (oil on cardboard) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1887//Oil on cardboard At Iasnaya Polyana in August 1887)

Background imageContryside Collection: A Picturesque Cottage, Warwickshire (pencil and w / c)

A Picturesque Cottage, Warwickshire (pencil and w / c)
6867113 A Picturesque Cottage, Warwickshire (pencil and w/c) by Stannard, Henry John Sylvester (1870-1951); Private Collection

Background imageContryside Collection: The meridian Line also known as The Siesta, 1888-1889 (Oil on Canvas)

The meridian Line also known as The Siesta, 1888-1889 (Oil on Canvas)
7212109 The meridian Line also known as The Siesta, 1888-1889 (Oil on Canvas) by Gogh, Vincent van (1853-90); Musee d Orsay, Paris, France; (add.info.: The meridian Line also known as The Siesta)

Background imageContryside Collection: An Encounter on the Road, c. 1900 (oil on canvas)

An Encounter on the Road, c. 1900 (oil on canvas)
5895234 An Encounter on the Road, c.1900 (oil on canvas) by Walbourn, Ernest (1872-1927); 61x91.5 cm; Private Collection; (add.info.: Walbourn, Ernest (1872-1927))

Background imageContryside Collection: Church Pool, Bettws-y-coed (oil)

Church Pool, Bettws-y-coed (oil)
7064886 Church Pool, Bettws-y-coed (oil) by Parker, Henry (1858-1930); Private Collection

Background imageContryside Collection: The fury of a swan (Colour Litho)

The fury of a swan (Colour Litho)
2809228 The fury of a swan (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The fury of a swan)

Background imageContryside Collection: Earth is breathing

Earth is breathing
Stefan Hogea

Background imageContryside Collection: Mussolini, shirtless under the sun, threshed the wheat of Agro Pontino after twenty centuries

Mussolini, shirtless under the sun, threshed the wheat of Agro Pontino after twenty centuries... (colour litho)
2783813 Mussolini, shirtless under the sun, threshed the wheat of Agro Pontino after twenty centuries... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Mussolini)

Background imageContryside Collection: Alessandria hills, Alessandria province, Piedmont, Italy

Alessandria hills, Alessandria province, Piedmont, Italy

Background imageContryside Collection: Po Valley, Lombardy, Italy, Europe

Po Valley, Lombardy, Italy, Europe

Background imageContryside Collection: A chance meeting at daw

A chance meeting at daw
Irene Perovich

Background imageContryside Collection: Landscape with Cattle and Herdsman, 1810 (Watercolour)

Landscape with Cattle and Herdsman, 1810 (Watercolour)
7290978 Landscape with Cattle and Herdsman, 1810 (Watercolour) by Hills, Robert (1769-1844); 44.2x34.3 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Ben Nevis, 1891 (Watercolour and gouache)

Ben Nevis, 1891 (Watercolour and gouache)
7290955 Ben Nevis, 1891 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 78.5x117.9 cm; Tyne & Wear Archives & Museums; (add.info.: Myles Birket Foster (1825-1899) Ben Nevis

Background imageContryside Collection: Mountainous Landscape, late 19th century

Mountainous Landscape, late 19th century
7290941 Mountainous Landscape, late 19th century by Palmer, Henry Sutton (1854-1933); 52.9x76.8 cm; Tyne & Wear Archives & Museums; (add.info.: Harry S)

Background imageContryside Collection: Lone St Mary s, 1900 (Watercolour on paper)

Lone St Mary s, 1900 (Watercolour on paper)
7290931 Lone St Mary s, 1900 (Watercolour on paper) by Scott, Tom (1854-1927); 37.4x54.7 cm; Tyne & Wear Archives & Museums; (add.info.: Tom Scott (1854-1927) Lone St Mary s

Background imageContryside Collection: On the Emmet Burn, on the North Tyne, 1833 (Watercolour)

On the Emmet Burn, on the North Tyne, 1833 (Watercolour)
7290930 On the Emmet Burn, on the North Tyne, 1833 (Watercolour) by Swinburne, Julia (1796-1893); 14.7x19.1 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Milk Boy with Family Group, about 1840 (Watercolour and gouache)

Milk Boy with Family Group, about 1840 (Watercolour and gouache)
7290923 Milk Boy with Family Group, about 1840 (Watercolour and gouache) by Parker, Henry Perlee (1795-1873); 29.1x43.1 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: A Cullercoats Garden Overlooking The Sea (oil on board)

A Cullercoats Garden Overlooking The Sea (oil on board)
7291004 A Cullercoats Garden Overlooking The Sea (oil on board) by Slater, John Falconar (1857-1937); 58x76 cm; Tyne & Wear Archives & Museums; (add.info.: John F)

Background imageContryside Collection: Sand dunes on the Conwy (Oil on canvas)

Sand dunes on the Conwy (Oil on canvas)
7291003 Sand dunes on the Conwy (Oil on canvas) by Leader, Benjamin Williams (1831-1923); 41x61 cm; Tyne & Wear Archives & Museums; (add.info.: [TWCMS : 2013.528] painting - Benjamin W)

Background imageContryside Collection: Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour)

Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour)
7290949 Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour) by Glover, John (1767-1849); 42.4x62.1 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board)

The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board)
5859957 The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board) by Millet, Jean-Francois (1814-75); 39.8--48.2 cm; The Art Institute of Chicago, IL

Background imageContryside Collection: Ravine Near Biskra, 1890-1900 (oil on canvas)

Ravine Near Biskra, 1890-1900 (oil on canvas)
5859645 Ravine Near Biskra, 1890-1900 (oil on canvas) by Huguet, Victor-Pierre (1835-1902); 37.8--46.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Victor Pierre Huguet (1835-1902))

Background imageContryside Collection: Summer (oil on canvas)

Summer (oil on canvas)
885105 Summer (oil on canvas) by Martinelli, Vincenzo (1737-1807); Pinacoteca Nazionale, Bologna, Italy; (add.info.: by Vincenzo Martinelli (1737- 1807))

Background imageContryside Collection: Village on the Island of Ischia, c. 1826 (oil on paper on canvas)

Village on the Island of Ischia, c. 1826 (oil on paper on canvas)
7295246 Village on the Island of Ischia, c.1826 (oil on paper on canvas) by Norblin de la Gourdaine, Sebastien-Louis-Guillaume (1796-1884); 27 x 32.8 cm; National Gallery of Art, Washington DC

Background imageContryside Collection: Bill Point on the Tyne, 1774 (Watercolour and pencil)

Bill Point on the Tyne, 1774 (Watercolour and pencil)
7290972 Bill Point on the Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x17 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera)

The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera)
7290954 The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera) by Garside, Oswald (1879-1942); 49.6x65 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Window at Iden, 1927-29 (Watercolour)

Window at Iden, 1927-29 (Watercolour)
7290944 Window at Iden, 1927-29 (Watercolour) by Nash, Paul (1889-1946); 30.5x23.4 cm; Tyne & Wear Archives & Museums; (add.info.: This watercolour shows the view from Nashs studio in Iden, Sussex)

Background imageContryside Collection: On the Coquet, about 1902 (Watercolour)

On the Coquet, about 1902 (Watercolour)
7290927 On the Coquet, about 1902 (Watercolour) by Waterlow, Ernest Albert (1850-1919); 36.3x53.5 cm; Tyne & Wear Archives & Museums; (add.info.: Ernest Waterlow (1850-1919) On the Coquet

Background imageContryside Collection: Ullswater, about 1842 (Watercolour and gouache)

Ullswater, about 1842 (Watercolour and gouache)
7290937 Ullswater, about 1842 (Watercolour and gouache) by Richardson, Thomas Miles, II (1813-90); 50.8x84.1 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Miles Richardson junior, Ullswater)

Background imageContryside Collection: Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898)

Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898)
7273850 Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageContryside Collection: Nude lying down (oil on canvas)

Nude lying down (oil on canvas)
BRM349543 Nude lying down (oil on canvas) by Henner, Jean-Jacques (1829-1905); Private Collection; (add.info.: Nu couche; formerly in collection Brame & Lorenceau; )

Background imageContryside Collection: A Military Convoy, 1516 (oil on cardboard)

A Military Convoy, 1516 (oil on cardboard)
904941 A Military Convoy, 1516 (oil on cardboard) by Meulen, Adam Frans van der (1632-90); 19x27 cm; Louvre, Paris, France; (add.info.: by Adam Frans van der Meulen (1632-90))

Background imageContryside Collection: The Pretty Dove (oil on canvas)

The Pretty Dove (oil on canvas)
904884 The Pretty Dove (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Background imageContryside Collection: Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour)

Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour)
7290977 Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour) by Oldfield, John (1789-1863); 19.1x28.7 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Morpeth Bridge, about 1802 (Ink and watercolour)

Morpeth Bridge, about 1802 (Ink and watercolour)
7290951 Morpeth Bridge, about 1802 (Ink and watercolour) by Girtin, Thomas (1775-1802); 32.1x52.9 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Girtin (1775-1802) Morpeth Bridge

Background imageContryside Collection: The Bridge (pencil, watercolour on paper)

The Bridge (pencil, watercolour on paper)
7290948 The Bridge (pencil, watercolour on paper) by Hodgkins, Frances (1869-1947); 46.7x53.4 cm; Tyne & Wear Archives & Museums; (add.info.: Frances Hodgkins (1869-1947) The Bridge, pencil

Background imageContryside Collection: Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash)

Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash)
7290961 Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash) by Cozens, Alexander (1717-86); 26x32.5 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Barnard Castle, about 1835 (watercolour and gouache)

Barnard Castle, about 1835 (watercolour and gouache)
7290953 Barnard Castle, about 1835 (watercolour and gouache) by Gastineau, Henry (1791-1876); 49.4x73 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Gastineau (about 1791-1876)

Background imageContryside Collection: Conway Valley - Midday, 1932 (Watercolour and gouache)

Conway Valley - Midday, 1932 (Watercolour and gouache)
7290933 Conway Valley - Midday, 1932 (Watercolour and gouache) by Rushton, George Robert (1868-1948); 58.2x80.1 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink)

Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink)
7290929 Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink) by Towne, Francis (1740-1816); 27.8x43.5 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageContryside Collection: Master John Heathcote, c. 1771-72 (oil on canvas)

Master John Heathcote, c. 1771-72 (oil on canvas)
7296104 Master John Heathcote, c. 1771-72 (oil on canvas) by Gainsborough, Thomas (1727-88); 127 x 101.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Thomas Gainsborough (1727-88))

Background imageContryside Collection: View of La Cava, c. 1840 (oil on canvas)

View of La Cava, c. 1840 (oil on canvas)
7295253 View of La Cava, c.1840 (oil on canvas) by Lanoue, Felix Hippolyte (1812-72); 41 x 34 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Felix Hippolyte Lanoue (1812-72))

Background imageContryside Collection: Forest Scene, c. 1655 (oil on canvas)

Forest Scene, c. 1655 (oil on canvas)
7295173 Forest Scene, c.1655 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 105.5 x 123.4 cm; National Gallery of Art, Washington DC

Background imageContryside Collection: Landscape, c. 1670 (oil on canvas)

Landscape, c. 1670 (oil on canvas)
7295160 Landscape, c.1670 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 53.2 x 60 cm; National Gallery of Art, Washington DC

Background imageContryside Collection: Landscape, about 1760-1770 (Watercolour on paper)

Landscape, about 1760-1770 (Watercolour on paper)
7290975 Landscape, about 1760-1770 (Watercolour on paper) by Zuccarelli, Francesco (1702-88); 41.3x62.8 cm; Tyne & Wear Archives & Museums; (add.info.: Francesco Zuccarelli (1702-1788) Landscape



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"Embracing the Tranquil Countryside: A Journey through Artistic Masterpieces" "By The Sea, 1881: An idyllic escape to the countryside's coastal charm. " "A Picturesque Cottage, Warwickshire: Capturing the essence of rural beauty in delicate pencil and watercolor strokes. " "An Encounter on the Road, c. 1900: Exploring unexpected connections amidst nature's embrace. " "Church Pool, Bettws-y-coed: Immersed in serenity as vibrant oil paints bring this countryside oasis to life. " "The Meridian Line - The Siesta, 1888-1889: Surrendering to leisurely moments under a sun-kissed sky amidst breathtaking landscapes. " "The Fury of a Swan: Witnessing nature's power and grace through vivid color lithography. " "A Chance Meeting at Dawn: Unforgettable encounters unfold against the backdrop of rustic tranquility. " "Mussolini Threshes Wheat under the Sun - Agro Pontino's Legacy Revived in Colorful Lithography" "Captivating Alessandria Hills - Piedmont's hidden gem beckons with its undulating landscapes and timeless allure. " "Po Valley, Lombardy - Europe’s verdant heartland unfolds in an awe-inspiring panorama of natural splendor. " “Landscape with Cattle and Herdsman, 1810 – Watercolors that breathe life into pastoral scenes. ” “Ben Nevis, 1891 – A mesmerizing blend of watercolor and gouache capturing Scotland’s majestic peak.