Cornet Collection (page 2)

R A Lister Military Band, Roman Baths, Bath. Date: 1935

Two Lady Brass Musicians and a variety of their instruments including trombones, a euphonium, a normal trumpet and a piccolo trumpet. Date: circa 1900s

Royal Sussex Regiment Memorial - Brighton, East Sussex
Royal Sussex Regiment Memorial - Regency Square, Brighton, West Sussex - In memory of those from the regiment who lost their lives during the Second Boer War in South Africa - 1899-1902 - unveiled

Prince Blucher under his Horse at the Battle of Waterloo, engraved by Matthew Dubourg (fl
STC88723 Prince Blucher under his Horse at the Battle of Waterloo, engraved by Matthew Dubourg (fl.1813-20) from Historic, Military and Naval Anecdotes, pub

Acoustic instruments cornets belonging to Ludwig van Beethoven (1770-1827) c
XIR114510 Acoustic instruments cornets belonging to Ludwig van Beethoven (1770-1827) c.1813 (copper) by Maelzel or Malzel, Johann Nepomuk (1772-1838); Beethoven Haus, Bonn, Germany; Austrian

Ms Fr 22532 fol. 336 Concert, from the Des Proprietez des Choses
BNP159937 Ms Fr 22532 fol.336 Concert, from the Des Proprietez des Choses by Barthelemy l Anglais (vellum) by French School, (15th century); Bibliotheque Nationale, Paris

Boy on donkey (colour litho)
3642000 Boy on donkey (colour litho) by Andre, Richard (1834-1907); Private Collection; (add.info.: Boy on donkey. Illustration for Mothers Birthday Review by Juliana Horatia Ewing (SPCK)

General L Botha (chromolitho)
2780047 General L Botha (chromolitho) by English School, (20th century); Private Collection; (add.info.: General L Botha. Illustration for one of a series of cigarette cards on the theme of Allied)

Group of Lady Musicians
EDI38822 Group of Lady Musicians by Le Franc, Martin (15th century); Bibliotheque de Grenoble, France; French, out of copyright

Oliphant of St. Hubert (ivory)
XRZ187011 Oliphant of St. Hubert (ivory) by French School, (12th century); length: 49 cm; Musee Crozatier, Le Puy-en-Velay, France; French, out of copyright

They went around the house, playing under the windows
PT177499 They went around the house, playing under the windows, illustration from Old Christmas by Washington Irving (1783-1859) published by Hodder and Stoughton, 1908 (colour litho) by Aldin

Recruits to the Household Cavalry Unit, with their cornet, Count A. A. Ignatiev, c
781395 Recruits to the Household Cavalry Unit, with their cornet, Count A.A. Ignatiev, c.1899 (b/w photo) by Russian Photographer, (19th century); Private Collection; (add.info.: Count A.A)

A Quartette in Character : George IV, Wellington, Lady Conynham, Robert Peel
BRO43303 A Quartette in Character : George IV, Wellington, Lady Conynham, Robert Peel, May 1829 (coloured engraving) by Heath

The Concert of Angels, 1534-36 (fresco) (detail) (see 175762)
BEN175770 The Concert of Angels, 1534-36 (fresco) (detail) (see 175762) by Ferrari, Gaudenzio (1474/80-1546); Sanctuary of Santa Maria delle Grazie, Saronno, Italy; Photo eRaffaello Bencini; Italian

The Concert of Angels, 1534-36 (fresco) (detail) (see 175762)
BEN175768 The Concert of Angels, 1534-36 (fresco) (detail) (see 175762) by Ferrari, Gaudenzio (1474/80-1546); Sanctuary of Santa Maria delle Grazie, Saronno, Italy; Photo eRaffaello Bencini; Italian

Cornet owned by Maxine Sullivan, 1977. Creator: F. E. Olds
A brass cornet made by Olds Ambassador and owned by African-American musician Maxine Sullivan. The body of the cornet (2013.46.29.1.1a) is brass with a straight bell and three (3)

Bob Dunning a member of the Ashington Colliery Band raises his glass in a toast to his brnad new cornet in 1972

The Desert City Six seen on their arrival in Newcastle, on August 25, 1986. Pictured with Janusz Carmello (front) are Ted Babcock, Bob Schrader, Dick Knutson, Gene Bruhjell

A young boy enjoys a 99 ice cream at Coventrys War Memorial Park, Coventry, during the carnival. 9th June 1984

A young boy and girl enjoy their ice creams at Wyken Slough pool, Coventry. Kely and Karl Thompson from Bell Green, have queued for a while to get their refreshments. 22nd April 1984

Cornet, from the Musical Instruments series (N82) for Duke brand cigarettes, 1888. 1888
Cornet, from the Musical Instruments series (N82) for Duke brand cigarettes, 1888

Euterpean Band, Westerville, Ohio, USA
Members of the Euterpean Band (nicknamed the Rube Band of Otterbein), Westerville, Ohio, USA. Date: 1907

Maskelyne & Cooks automata performing in London Maskelyne & Cooks automata
Maskelyne & Cooks automata perform at the Egyptian Hall in Piccadilly, London. Date: 1878

Ronnie Scott, c1963. Creator: Brian Foskett
Ronnie Scott, c1963

The Cornet, 1910. Creator: Unknown
The Cornet, 1910. From " The Musical Educator Vol. 5" edited by John Greig, M.A. Mus. Doc. [Caxton Publishing Company, Limited, London, ]

Individuality in Ecclesiastical Architecture Carried to Extremes, c1935. Artist: GPA
Individuality in Ecclesiastical Architecture Carried to Extremes, c1935. From Our Wonderful World, Volume III, edited by J.A. Hammerton. [The Amalgamated Press, Ltd. London]

Antoni Gaudi i Cornet (1852-1926), Catalan architect

Detail of the chimneys of La Pedrera or Mila House with the Sagrada Familia at background, work by Antoni Gaudi i Cornet

Interior of the crypt of the Church in the Colonia Guell, built between 1908 and 1915, unfinished work of architect Antoni Gaudi i Cornet (1852-1926)

Detail of the roof of dining room of Vicens House, built between 1883 and 1885, designed by Antoni Gaudi i Cornet

Detail of the roof of the smoking lounge of Vicens House, decorated in Islamic style, it should stand out the muqarnas and the lamp, built between 1883 and 1885, designed by Antoni Gaudi i Cornet

View of the dome of the first floor of the Vicens House, built between 1883 and 1885, designed by Antoni Gaudi i Cornet

Detail of the main facade of the College of St. Therese or Teresinas, its construction began in 1888 and between 1889 and 1890 was charged to Antoni Gaudi i Cornet

View of the dome of the checkpoint building of Güell House, built between 1884 and 1887
View of the dome of the checkpoint building of Guell House, built between 1884 and 1887, designed by Antoni Gaudi i Cornet

Dome of the stables pavilion in the Güell House, built between 1884 and 1887
Dome of the stables pavilion in the Guell House, built between 1884 and 1887, designed by Antoni Gaudi i Cornet

Güell House, detail of the dome of the stables pavilion, built between 1884 and 1887
Guell House, detail of the dome of the stables pavilion, built between 1884 and 1887, designed by Antoni Gaudi i Cornet (1852-1926)

Inside view of the stables pavilion in the Guell House, it was built between 1884 and 1887, designed by Antoni Gaudi i Cornet

Outside of the stables pavilion with its great dome in the Guell House, it was built between 1884 and 1887, designed by Antoni Gaudi i Cornet

Detail of the facade of the checkpoint building in the Güell House, built between 1884
Detail of the facade of the checkpoint building in the Guell House, built between 1884 and 1887, designed by Antoni Gaudi i Cornet

Detail of the facade of the Guell Palace, it was built between 1886 and 1891, designed by Antoni Gaudi i Cornet

Wood coffered ceiling in one of the upstairs ceilings of the Güell Palace, built
Wood coffered ceiling in one of the upstairs ceilings of the Guell Palace, built between 1886 and 1891, designed by Antoni Gaudi i Cornet

Dome of the great hall of the Guell Palace parabolic shaped, built between 1886 and 1891, designed by Antoni Gaudi i Cornet

Basements of the Güell Palace, built between 1886 and 1891, designed by Antoni
Basements of the Guell Palace, built between 1886 and 1891, designed by Antoni Gaudi i Cornet

Upper finishing of the facade of Batllo House with a pinnacle finished in a four-armed cross, built between 1904 and 1907 by Antoni Gaudi

Courtyard of the Batllo House, built between 1904 and 1907 by Antoni Gaudi i Cornet

View of one of the chimneys crowning La Pedrera or Mila House, by Antoni Gaudi i Cornet (1852 - 1926)

Chimneys on the roof of the Güell Palace 1886-1890, designed by Antoni Gaudi i Cornet
Chimneys on the roof of the Guell Palace 1886-1890, designed by Antoni Gaudi i Cornet, renovated by an architect of the Council of Barcelona in 1992

Chimneys on the east sector of the Güell Palace, 1886-1890, designed by Antoni
Chimneys on the east sector of the Guell Palace, 1886-1890, designed by Antoni Gaudi i Cornet, renovated by an architect of the Council of Barcelona in 1992

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The cornet, a versatile musical instrument, has made its mark in various contexts throughout history. From the iconic Sagrada Familia designed by Antoni Gaudi i Cornet to self-portrait photographs with multiple mirror systems, this brass instrument has left an indelible impression. In the realm of music, the cornet stands out among other instruments. Whether it's played solo or as part of an ensemble like the Distin family brass quintet from 1844, its melodic tones captivate listeners and evoke emotions that words cannot express. The vocal cornet by Wurlitzer adds another dimension to its sound, showcasing its ability to mimic human voices. Not limited to just music, the it has found itself in military settings. As seen with Corporal - Drummer Royal Welsh Fusiliers and Scots Greys Trumpeter on horseback, it plays a crucial role in military bands and parades. Its commanding presence resonates through the air as soldiers march proudly. Beyond music and military affairs, the cornet even makes appearances at fairs and exhibitions where strong men showcase their skills, and is a testament to its versatility that it can seamlessly transition from grand orchestral performances to entertaining fairgoers. One cannot overlook how influential figures like Antoni Gaudi i they have incorporated this instrument into their works of art. From parks like Park Güell to architectural marvels such as Sagrada Familia, Gaudi's vision intertwines with the essence of the cornet – both exuding creativity and beauty. As we delve into history further still, we discover connections between German culture and this remarkable instrument within military marches or traditional folk tunes. The harmonious blend of music and heritage creates a sense of unity that transcends borders. Whether admired for its musical prowess or appreciated for its cultural significance across different eras and mediums – be it architecture or photography – there is no denying that the cornet holds a special place in the hearts of many.