Corrections Collection

Ms 1-1911, p. 1 Page from Jude the Obscure, c. 1894 (ink on paper)
FIT276969 Ms 1-1911, p.1 Page from Jude the Obscure, c.1894 (ink on paper) by Hardy, Thomas (1840-1928); 26.5x20 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Lotze Manuscript (Fragment)
Two manuscript leaves from Rudolph Hermann Lotze's Metaphysik, written and corrected in the same hand. Corrections are made in ink and red pencil. On paper

Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper
BLT252740 Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper) (b/w photo) by Balzac, Honore de (1799-1850); Bibliotheque de l Institut de France, Paris

Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper
BLT252738 Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper) (b/w photo) by Balzac, Honore de (1799-1850); Bibliotheque de l Institut de France, Paris

Proofing copy of the frontispiece of Et Moi Aussi Je Suis Peintre
CHT177857 Proofing copy of the frontispiece of Et Moi Aussi Je Suis Peintre, 1914 (ink on paper) by Apollinaire, Guillaume (1880-1918); Bibliotheque Litteraire Jacques Doucet, Paris

Corrected proof of Les Fleurs du Mal (pen & ink on paper) (b / w photo)
XIR175145 Corrected proof of Les Fleurs du Mal (pen & ink on paper) (b/w photo) by Baudelaire, Charles Pierre (1821-67); Private Collection; French, out of copyright

Manuscript on electron dynamics, 5th June 1905 (pen and ink on paper)
ACD163306 Manuscript on electron dynamics, 5th June 1905 (pen and ink on paper) by Poincare, Henri (1854-1912); Academie des Sciences, Paris

Title page of Histoire de la Grandeur et de la Decadence de Cesar Birotteau
BLT252741 Title page of Histoire de la Grandeur et de la Decadence de Cesar Birotteau, 1839 (pen & ink on paper) (b/w photo) by Balzac, Honore de (1799-1850); Bibliotheque de l Institut de France

Ms 1-1942, p. 91 Page from Women in Fiction, published as A Room of One
FIT276968 Ms 1-1942, p.91 Page from Women in Fiction, published as A Room of Ones Own, 1929 (ink on paper) by Woolf, Virginia (1882-1941); 26.5x20.5 cm; Fitzwilliam Museum, University of Cambridge

Annotated and illustrated copy of Le Musicien de Saint Merry
CHT177855 Annotated and illustrated copy of Le Musicien de Saint Merry (pen & ink on paper) by Apollinaire, Guillaume (1880-1918); Bibliotheque Litteraire Jacques Doucet, Paris

Manuscript of Alceste (pen & sepia on paper)
745996 Manuscript of Alceste (pen & sepia on paper) by Dorat, Claude-Joseph (1734-80); 24.8x18.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Ms 165. Johannes Belethus, Summa de ecclesiasticis officiis, f. 13v
5979482 Ms 165. Johannes Belethus, Summa de ecclesiasticis officiis, f.13v. Example of a gothic bookhand with rubrics and marginal corrections in red, 14th Century (parchment) by Italian School

Draft page from the Le Cimetiere Marin (pen and ink on paper)
XIR173925 Draft page from the Le Cimetiere Marin (pen and ink on paper) by Valery, Paul (1871-1945); Bibliotheque Nationale, Paris, France; French, out of copyright

Manucript of Ariettes Oublies, III from Romances Sans Parole
CHT162724 Manucript of Ariettes Oublies, III from Romances Sans Parole, 1874 (pen & ink on paper) by Verlaine, Paul (1844-96); Bibliotheque Litteraire Jacques Doucet, Paris

Allegory Virtues Federico II Gonzaga Giulio Romano
An Allegory of the Virtues of Federico II Gonzaga; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); about 1530; Pen and brown ink with black chalk

Portrait Rabe Children Hermann age 14 Edmond
Artokoloro

Saint Catherine Alexandria ca 1620 Etching counterproof
Artokoloro

Apollo Galatea Landscape Neptune Three Nymphs
Artokoloro

Vision Saint John Matha 1646-1707 Pen brown ink
Artokoloro

Volto Santo Lucca 16th century Pen dark brown ink
Artokoloro

Falling Man 1830-77 Black chalk stumped corrections
Artokoloro

Crouching Man Defecating Standing Urinating 1612-75
Artokoloro

Sacrifice Isaac 17th century Pen brown ink wash
Artokoloro

Zhu Shouchang Edo period 1615-1868 19th century
Artokoloro

Lodovico Carracci, The Martyrdom of Saint Lawrence, Italian, 1555-1619, pen and brown and gray ink over black chalk on laid paper; with smaller pieces of paper glued on as compositional corrections

2603416; out of copyright

Last page of A la Recherche du Temps Perdu (pen & ink on paper) (b / w photo)
XIR162324 Last page of A la Recherche du Temps Perdu (pen & ink on paper) (b/w photo) by Proust, Marcel (1871-1922); Bibliotheque Nationale, Paris

An Allegory of the Virtues of Federico II Gonzaga; Giulio Romano (Giulio Pippi), Italian (Roman), before 1499 - 1546; about 1530; Pen and brown ink with black chalk

Independence Draft
Jeffersons draft of the Declaration of Independence showing corrections in the handwriting of Franklin and Adams

Secretary / Boss / Meeting
A man runs through a document with his secretary and together they edit it - he points out the mistakes and she writes in the corrections

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"Capturing the Essence of Corrections: From Manuscripts to Masterpieces" Delving into the world of corrections, we uncover a treasure trove of historical artifacts and literary gems. The Lotze Manuscript (Fragment) whispers secrets from centuries past, its delicate pen strokes preserving knowledge for generations to come. In the Page of the album Pensees, Sujets, Fragments, 1833 (pen & ink on paper), we witness an artist's musings taking shape. Each stroke corrects and refines, transforming mere thoughts into profound expressions. Proofing copy of the frontispiece of Et Moi Aussi Je Suis Peintre reveals meticulous attention to detail. Every correction breathes life into this visual masterpiece, ensuring perfection in every line and shade. The Corrected proof of Les Fleurs du Mal (pen & ink on paper) unveils a poet's relentless pursuit for precision. With each amendment made in black and white, Baudelaire polishes his verses until they gleam with poetic brilliance. Within the pages of Manuscript on electron dynamics, 5th June 1905 (pen and ink on paper), scientific breakthroughs emerge through diligent revisions. Corrections become stepping stones towards groundbreaking discoveries that shape our understanding of the universe. As we turn over the Title page of Histoire de la Grandeur et de la Decadence de Cesar Birotteau, we glimpse an author's quest for literary excellence. Through countless edits and amendments penned with care, Balzac molds his words into a timeless tale that captivates readers across ages. Ms 1-1911 presents us with a Page from Jude the Obscure, c. 1894 (ink on paper). Here Hardy meticulously crafts his characters' destinies amidst crossed-out lines and rewritten passages - each correction breathing life into their tragic journey. Ms 1-1942 offers insight into Women in Fiction, published as A Room of One's Own.