Courteous Love Collection (page 3)

The curtain of the Lordship Life: a galante scene. Wool
JLJ4589719 The curtain of the Lordship Life: a galante scene. Wool and silk tapestry made around 1520 in the Netherlands. Sun 2, 6x3, 7 m Paris, national museum of the Middle Ages

Gallant scene in the Middle Ages. Illumination of the songwriter Manesse, 1300
JLJ4602068 Gallant scene in the Middle Ages. Illumination of the songwriter Manesse, 1300. Heidelberg Library, Germany. by German School, (14th century); Bibliotheca Palatina, Heidelberg

Allegory of love or allegory of court of Isabella d Este (tempera and oil on canvas
LRI4604640 Allegory of love or allegory of court of Isabella d Este (tempera and oil on canvas, c.1505) by Costa, Lorenzo (1459/60-1535); Louvre, Paris

Page from La Belle Dame Sans Merci by Alain Chartier, Paris
3082253 Page from La Belle Dame Sans Merci by Alain Chartier, Paris, early 15th century (pen & ink and tempera on vellum) by Dunois Master (fl.c.1430-65)

Page from La Belle Dame Sans Merci by Alain Chartier, Paris
3082249 Page from La Belle Dame Sans Merci by Alain Chartier, Paris, early 15th century (pen & ink and tempera on vellum) by Dunois Master (fl.c.1430-65)

Bucolic scene: plowing and village, chambriere and menestriers, 15th century (lithograph)
LSE4093440 Bucolic scene: plowing and village, chambriere and menestriers, 15th century (lithograph) by Unknown Artist, (19th century); Bibliotheque des Arts Decoratifs, Paris

The Lady Venus receiving the messenger of L Amour
LLM454117 The Lady Venus receiving the messenger of L Amour by English School, (19th century) (after); Private Collection; (add.info.: The Lady Venus receiving the messenger of L Amour)

Ms 3480 Yvain, the Knight with the Lion, fighting a dragon
2639675 Ms 3480 Yvain, the Knight with the Lion, fighting a dragon, miniature from Roman de Lancelot, detail (vellum) by French School, (15th century); Bibliotheque de L Arsenal, Paris

Tragicomedia de Calisto y Melibea, 1502 (woodcut)
2653543 Tragicomedia de Calisto y Melibea, 1502 (woodcut) by Spanish School, (16th century); Private Collection; (add.info)

Ms 2617 The scribe dedicating La Teseida to an unknown young woman, from La Teseida
STC205198 Ms 2617 The scribe dedicating La Teseida to an unknown young woman, from La Teseida, by Giovanni Boccaccio (1313-75) 1340-41 (vellum) by French School

Ms 2617 Arcitas praying to Mars, Palemon praying to Venus, Emily praying to Diana
STC205197 Ms 2617 Arcitas praying to Mars, Palemon praying to Venus, Emily praying to Diana, from La Teseida, by Giovanni Boccaccio (1313-75) 1340-41 (vellum) by French School

The End of the Quest, 1921 (oil on canvas)
LGH162589 The End of the Quest, 1921 (oil on canvas) by Dicksee, Frank (1853-1928); 144.7x106.7 cm; Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

Detail from The Tristan hanging, 1370-1400 (wool)
3738212 Detail from The Tristan hanging, 1370-1400 (wool) by German School, (14th century); Victoria & Albert Museum, London

Courteous love scene in the Middle Ages. College - 19th century imitation
LSE4104788 Courteous love scene in the Middle Ages. College - 19th century imitation. by Unknown Artist, (19th century); Private Collection; (add.info.: Courteous love scene in the Middle Ages)

Abecedary. Letters like Serenade. Small encyclopedic alphabet, popular series
DUV4200018 Abecedary. Letters like Serenade. Small encyclopedic alphabet, popular series. Epinal imaging, late 19th century by French School

Courteous love scenes. Ivory mirror box valves. The beginning of the 14th century. Dim
JLJ4580053 Courteous love scenes. Ivory mirror box valves. The beginning of the 14th century. Dim. 11 cm. Paris, Louvre Museum by Unknown Artist, (14th century); Louvre, Paris

The four temperaments: phlegmatic (slow and apathetic). Xylography, Augsburg 1480
GIA4746991 The four temperaments: phlegmatic (slow and apathetic). Xylography, Augsburg 1480 by German School, (15th century); Private Collection; (add.info.: The four temperaments)

The French Comedy par Watteau, Jean Antoine (1684-1721), after 1716 - Oil on canvas
FIA5402328 The French Comedy par Watteau, Jean Antoine (1684-1721), after 1716 - Oil on canvas, 37x48 - Staatliche Museen, Berlin by Watteau, Jean Antoine (1684-1721); Staatliche Museen, Berlin

Representation of a young boy in love in the garden of delights discovering the fountain
AIS5344904 Representation of a young boy in love in the garden of delights discovering the fountain of Narcissus, miniature in " Roman de la Rose" by Guillaume Lorris

Page from La Belle Dame Sans Merci by Alain Chartier, Paris
3082247 Page from La Belle Dame Sans Merci by Alain Chartier, Paris, early 15th century (pen & ink and tempera on vellum) by Dunois Master (fl.c.1430-65)

Death of Troilus (colour litho)
957823 Death of Troilus (colour litho) by German School, (19th century); Private Collection; (add.info.: Death of Troilus. Illustration of Greek vase painting.); © Look and Learn

Ms 2617 Theseus makes a triumphal entry into Athens, from La Teseida
STC205195 Ms 2617 Theseus makes a triumphal entry into Athens, from La Teseida, by Giovanni Boccaccio (1313-75) 1340-41 (vellum) by French School, (14th century); Osterreichische Nationalbibliothek

All Professionally Made to Order for Quick Shipping

"Courteous Love: A Tapestry of Chivalry and Devotion" In a realm steeped in romance, where honor and valor reigned supreme, the study of Guinevere for Sir Launcelot in the Queen's Chamber captured their timeless bond. With delicate strokes of pencil and watercolor, their love blossomed amidst regal opulence. Within the grandeur of a 19th-century palace, a man and woman danced through corridors adorned with gold accents. Their steps echoed courtesy as they embraced the elegance that defined their affectionate connection. In an enchanting lithograph from The Book of Romance, Guenevere sent her page to Lancelot seeking his gallant aid. A testament to her trust in his unwavering loyalty, it showcased the essence - selflessly supporting one another through life's trials. Elaine's act of devotion unfolded before our eyes in another lithograph from The Book of Romance. She tenderly tied her sleeve around Sir Lancelot's helmet as he embarked on perilous quests. Her gesture symbolized not only her affection but also her unwavering belief in his noble cause. Lancelot brought Guenevere back to Arthur's court, illustrated vividly by color lithography. In this momentous scene from The Book of Romance, courteous love prevailed over personal desires as chivalry triumphed above all else. The Castles of Loves stood tall as witnesses to countless tales woven by knights who fought valiantly for true love’s embrace. These fortresses became symbols not only for physical protection but also for safeguarding cherished relationships built on respect and kindness. With vibrant colors dancing across each stroke, Lancelot bore off Guenevere into realms unknown – an image immortalized within The Book of Romance. Their union defied conventions yet remained rooted in courtesy and adoration that transcended time itself. Stepping back centuries earlier, we find ourselves in the garden of love, circa 1370.