Coypel Charles Antoine Collection

Plate 30: Don Quixote consults the enchanted head at Don Antonio Morenos house (Don Quich... 1745)
Plate 30: Don Quixote consults the enchanted head at Don Antonio Morenos house (Don Quichotte consulte la teste enchantee chez Don Antonio Mereno), 1745

Don Quichotte (Don Quixote) (Furnishing Fabric), France, c. 1785. Creator: Unknown
Don Quichotte (Don Quixote) (Furnishing Fabric), France, c. 1785. Possibly after design by Jean Jacques Lagrenee le Jeune after engravings by Charles Nicolas Cochin l Aine

Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets), 1714-39

Ecce Homo, 1720-62. Creator: Francois Joullain
Ecce Homo, 1720-62

Rinaldo abandoning Armida, 1720-62. Creator: Francois Joullain
Rinaldo abandoning Armida, 1720-62

Jacob crying into his sons robe while his other sons pull it away from him, 1724. [Tunica filii mei est, fera pessima, comedit eum, bestia devoravit Joseph

Heads after the Ecce Homo, 1720-78. Creator: Francois Joullain
Heads after the Ecce Homo, 1720-78. Principales tetes du Tableau de l oratoire. (Principle heads of the Oratory Painting)

Aymon Premier, 1726. Creators: Caylus, Anne-Claude-Philippe de, Francois Joullain
Aymon Premier, 1726

Spring (Le Printemps), 1742-62 Creator: Simon Francois Ravenet
Spring (Le Printemps), 1742-62

Plate 13: entrance of Love and Wealth to Gamaches wedding (Entré
Plate 13: entrance of Love and Wealth to Gamaches wedding (Entree de L amour et de la Richesse aux Noces de Gamache), 1745

Portrait of Adrienne Lecouvreur as Cornelia in Corneilles "La Mort de Pompé
Portrait of Adrienne Lecouvreur as Cornelia in Corneilles " La Mort de Pompee", 1730

Youth under the clothing of decrepitude (La jeunesse sous les habillements de la dé
Youth under the clothing of decrepitude (La jeunesse sous les habillements de la decrepitude), 1751

Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue,s entretenant de nuit avec Don Quichotte)

Childrens Games (Jeux des Enfants), 1731. Creator: Francois Bernard Lepicie
Childrens Games (Jeux des Enfants), 1731

The Coquettish Widow, 1724. Creator: Francois Bernard Lepicie
The Coquettish Widow, 1724

Cupid teaching (L Amour-Precepteur), 1730. Creator: Francois Bernard Lepicie
Cupid teaching (L Amour-Precepteur), 1730

The Story that Stops Time (L Histoire qui arrete le temps), 1708-54

Cat atop a tomb, 1714-52. 1714-52. Creator: Charles-Antoine Coypel
Cat atop a tomb, 1714-52

Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49. 1744-49
Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49

The Coquettish Widow, 1747. 1747. Creator: Simon Nicolas Duflos
The Coquettish Widow, 1747

Joseph Recognized by his Brothers, 18th century. Creator: Charles-Antoine Coypel
Joseph Recognized by his Brothers, 18th century

Design for a Tapestry Seat of a Sofa, 1721. Creator: Charles-Antoine Coypel
Design for a Tapestry Seat of a Sofa, 1721

Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Seré
Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Sere de Rieux, 1724-1795), 1743

Apollo, Mercury, and the Shepherdesses, Fable X in La Motte, Fables Nouvelles, 1719

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Coypel Charles Antoine was a renowned artist known for his captivating and diverse works of art. One of his notable pieces is Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house, which showcases his exceptional talent in capturing the essence of this iconic literary character. The attention to detail and vibrant colors used in Coypel's artwork bring the scene to life, allowing viewers to immerse themselves in Don Quixote's world. Another fascinating creation by Coypel is the Furnishing Fabric titled Don Quichotte (Don Quixote), originating from France around 1785. This fabric design reflects Coypel's ability to seamlessly blend different artistic styles, resulting in a visually stunning piece that adds elegance and sophistication to any interior space. In Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets), Coypel demonstrates his mastery of satirical art. Through clever symbolism and exaggerated imagery, he critiques societal norms with wit and humor. This thought-provoking artwork challenges viewers to question their own beliefs while appreciating Coypel's skillful execution. One cannot overlook Ecce Homo, Rinaldo abandoning Armida, Jacob crying into his sons' robe while his other sons pull it away from him or Heads after Ecce Homo - all masterpieces created by Francois Joullain but influenced greatly by Coypel Charles Antoine himself. These collaborations showcase both artists' shared passion for storytelling through visual art forms. Additionally, Aymon Premier highlights another collaboration between Caylus Anne-Claude-Philippe de and Francois Joullain under the guidance of Coypel Charles Antoine. This historical depiction captures a significant moment in French history with remarkable accuracy and attention to detail. Spring (Le Printemps) and Summer (L'Ete) are two more Simon Francois Ravenet collaborating with Coypel Charles Antoine.