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Craftswoman Collection

Craftswoman: Honoring the Artisans of History In a world where talent and dedication intertwine, the craftswoman emerges as a symbol of creativity and resilience

Background imageCraftswoman Collection: American seamstress and patriot. Betsy Ross making the first American flag

American seamstress and patriot. Betsy Ross making the first American flag. Drawing by Elisabeth Moore Hallowell
BETSY ROSS (1752-1836). American seamstress and patriot. Betsy Ross making the first American flag. Drawing by Elisabeth Moore Hallowell

Background imageCraftswoman Collection: Mrs Clamp The Carpenters Wife (colour litho)

Mrs Clamp The Carpenters Wife (colour litho)
2797307 Mrs Clamp The Carpenters Wife (colour litho) by English School, (19th century); Private Collection; (add.info.: Mrs Clamp The Carpenters Wife)

Background imageCraftswoman Collection: Regency era window curtains

Regency era window curtains
6339805 Regency era window curtains by British School, (18th-19th century); (add.info.: Regency era window curtains. Drapes in blue and white with lilies in the French royal colours)

Background imageCraftswoman Collection: Ceramic artist working in her workshop with a potters wheel, turning a vase, Geisenhausen

Ceramic artist working in her workshop with a potters wheel, turning a vase, Geisenhausen, Bavaria, Germany, Europe

Background imageCraftswoman Collection: The Little Miss Pussy Cats helping in the kitchen (colour litho)

The Little Miss Pussy Cats helping in the kitchen (colour litho)
7157455 The Little Miss Pussy Cats helping in the kitchen (colour litho) by Wain, Louis (1860-1939) (after); Private Collection; (add.info.: The Little Miss Pussy Cats helping in the kitchen)

Background imageCraftswoman Collection: Ogre cooking people for breakfast (litho)

Ogre cooking people for breakfast (litho)
7149264 Ogre cooking people for breakfast (litho) by Kley, Heinrich (1863-1945); Private Collection; (add.info.: Ogre cooking people for breakfast)

Background imageCraftswoman Collection: BANK NOTE PRINTING PRESS. Steam printing-press at the Bureau of Engraving and Printing

BANK NOTE PRINTING PRESS. Steam printing-press at the Bureau of Engraving and Printing, Washington, D. C
BANK NOTE PRINTING PRESS. Steam printing-press at the Bureau of Engraving and Printing, Washington, D.C. Line engraving, 1890

Background imageCraftswoman Collection: Vol-au-vent (litho)

Vol-au-vent (litho)
7158785 Vol-au-vent (litho) by French School, (19th century); Private Collection; (add.info.: Vol-au-vent. Illustration for Le Livre de Cuisine by Jules Gouffe (8th edn, Hachette)

Background imageCraftswoman Collection: Menu illustration: Mustard (colour litho)

Menu illustration: Mustard (colour litho)
6029942 Menu illustration: Mustard (colour litho) by English School, (19th century); Private Collection; (add.info.: Mustard. Menu illustration published by Marcus Ward, late 19th century)

Background imageCraftswoman Collection: French kitchen (b / w photo)

French kitchen (b / w photo)
2796989 French kitchen (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: French kitchen. Postcard, early 20th century.); © Look and Learn

Background imageCraftswoman Collection: BANK NOTE PRINTING PRESS. Numbering machine at the Bureau of Engraving and Printing, Washington

BANK NOTE PRINTING PRESS. Numbering machine at the Bureau of Engraving and Printing, Washington, D. C
BANK NOTE PRINTING PRESS. Numbering machine at the Bureau of Engraving and Printing, Washington, D.C. Line engraving, 1890

Background imageCraftswoman Collection: PRINTING OFFICE, 1861. Women employed as compositors at a printing office in London, England

PRINTING OFFICE, 1861. Women employed as compositors at a printing office in London, England. Color engraving, 1861

Background imageCraftswoman Collection: NAVAJO WEAVER, c1915. A Navajo woman weaving a blanket on a loom

NAVAJO WEAVER, c1915. A Navajo woman weaving a blanket on a loom, with a herd of sheep in the background. Photograph, c1915

Background imageCraftswoman Collection: Catalan azulejos of 17th-18th century representing the former artisans (weaver, fisherman, hunter)

Catalan azulejos of 17th-18th century representing the former artisans (weaver, fisherman, hunter, drum on horseback)
AIS5351145 Catalan azulejos of 17th-18th century representing the former artisans (weaver, fisherman, hunter, drum on horseback, cooper, cook, carpenter) (ceramic); © Iberfoto.

Background imageCraftswoman Collection: Bronze Age Swords and rapiers from Torres de Oeste, Catoira, Spain, 8th century BC (metal)

Bronze Age Swords and rapiers from Torres de Oeste, Catoira, Spain, 8th century BC (metal)
AIS5355979 Bronze Age Swords and rapiers from Torres de Oeste, Catoira, Spain, 8th century BC (metal); Museo de Pontevedra, Galicia, Spain; (add.info.: Pontevedra, Pontevedra Museum); © Iberfoto.

Background imageCraftswoman Collection: The first European typographic competition in Barcelona, May 30, 1878

The first European typographic competition in Barcelona, May 30, 1878, published in the Spanish magazine "La
AIS5361056 The first European typographic competition in Barcelona, May 30, 1878, published in the Spanish magazine "La Ilustracion Espanola y Americana"

Background imageCraftswoman Collection: A wallpaper maker, c.1735 (engaving)

A wallpaper maker, c.1735 (engaving)
8698377 A wallpaper maker, c.1735 (engaving) by Engelbrecht, Martin (1684-1756); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Society. Economy. A wallpaper maker)

Background imageCraftswoman Collection: The clothier monsieur Guillaume, 1830 (Engraving)

The clothier monsieur Guillaume, 1830 (Engraving)
8698366 The clothier monsieur Guillaume, 1830 (Engraving) by Meissonnier, Jean Louis Ernest (1815-91); (add.info.: Literature. The clothier monsieur Guillaume)

Background imageCraftswoman Collection: Portrait of Thomas Earnshaw

Portrait of Thomas Earnshaw
MMM5462895 Portrait of Thomas Earnshaw by Shee, Martin Archer (1769-1850); National Maritime Museum, London, UK; (add.info.: Portrait of Thomas Earnshaw (1749-1829), watchmaker

Background imageCraftswoman Collection: Weaving (low relief)

Weaving (low relief)
BEN5471587 Weaving (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: Weaving)

Background imageCraftswoman Collection: The art of building (low relief)

The art of building (low relief)
BEN5471582 The art of building (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany

Background imageCraftswoman Collection: Carpenter, 19th century (pen, ink)

Carpenter, 19th century (pen, ink)
7341824 Carpenter, 19th century (pen, ink) by Rowlandson, Thomas (1756-1827); 24.1x18 cm; National Maritime Museum, London, UK; (add.info.: Creator: Thomas Rowlandson Depicts clothing)

Background imageCraftswoman Collection: Johann Tetzel, 1460-1519 (engraving)

Johann Tetzel, 1460-1519 (engraving)
8632093 Johann Tetzel, 1460-1519 (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Johann Tetzel, 1460-1519)

Background imageCraftswoman Collection: Little Workers: The Carpenter (colour litho)

Little Workers: The Carpenter (colour litho)
8629554 Little Workers: The Carpenter (colour litho) by Hardy, Evelyn Stuart (1865-1935); Private Collection; (add.info.: The Carpenter)

Background imageCraftswoman Collection: Little Workers: The Blacksmith (colour litho)

Little Workers: The Blacksmith (colour litho)
8629543 Little Workers: The Blacksmith (colour litho) by Hardy, Evelyn Stuart (1865-1935); Private Collection; (add.info.: The Blacksmith)

Background imageCraftswoman Collection: How idle waifs are made industrious workmen (colour litho)

How idle waifs are made industrious workmen (colour litho)
8644887 How idle waifs are made industrious workmen (colour litho) by English School, (19th century); Private Collection; (add.info.: How idle waifs are made industrious workmen)

Background imageCraftswoman Collection: John Cayford, the original of Joe Gargery, the Blacksmith, in Dickens's Great Expectations

John Cayford, the original of Joe Gargery, the Blacksmith, in Dickens's Great Expectations (b/w photo)
8641407 John Cayford, the original of Joe Gargery, the Blacksmith, in Dickens's Great Expectations (b/w photo) by English Photographer

Background imageCraftswoman Collection: Gable-roof, Gallery, Gas-burner, General, Gentleman, Glass-blower, Goatsucker, Gondola

Gable-roof, Gallery, Gas-burner, General, Gentleman, Glass-blower, Goatsucker, Gondola, Gooseberry, Gorilla, Governor
8650094 Gable-roof, Gallery, Gas-burner, General, Gentleman, Glass-blower, Goatsucker, Gondola, Gooseberry, Gorilla, Governor, Grasshopper (engraving) by German School

Background imageCraftswoman Collection: Berry, Bevel, Bible, Billiards, Bird-cage, Bison, Bittern, Blackbird, Black-board, Blacksmith

Berry, Bevel, Bible, Billiards, Bird-cage, Bison, Bittern, Blackbird, Black-board, Blacksmith, Black snake
8650034 Berry, Bevel, Bible, Billiards, Bird-cage, Bison, Bittern, Blackbird, Black-board, Blacksmith, Black snake, Blindfold (engraving) by German School

Background imageCraftswoman Collection: Sturgeon, Sulky, Sunrise, Sunset, Survey, Swallow, Switchman, Swivel, Sword-fish, Table, Tadpole

Sturgeon, Sulky, Sunrise, Sunset, Survey, Swallow, Switchman, Swivel, Sword-fish, Table, Tadpole, Tailor (engraving)
8651550 Sturgeon, Sulky, Sunrise, Sunset, Survey, Swallow, Switchman, Swivel, Sword-fish, Table, Tadpole, Tailor (engraving) by German School

Background imageCraftswoman Collection: Glazed brick and tile fireplace (b/w photo)

Glazed brick and tile fireplace (b/w photo)
8639685 Glazed brick and tile fireplace (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Glazed brick and tile fireplace. Bricks by Lamb and Sons)

Background imageCraftswoman Collection: Brick chimneypiece, and kerb in 'Tudor' style (b/w photo)

Brick chimneypiece, and kerb in "Tudor" style (b/w photo)
8639682 Brick chimneypiece, and kerb in "Tudor" style (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Brick chimneypiece)

Background imageCraftswoman Collection: Entrance to Martin's Bank, Bexley Heath (b/w photo)

Entrance to Martin's Bank, Bexley Heath (b/w photo)
8639679 Entrance to Martin's Bank, Bexley Heath (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Entrance to Martin's Bank, Bexley Heath)

Background imageCraftswoman Collection: Placing quoin bricks in a square angled wall with stopped ends (b/w photo)

Placing quoin bricks in a square angled wall with stopped ends (b/w photo)
8639677 Placing quoin bricks in a square angled wall with stopped ends (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Background imageCraftswoman Collection: Detail of bay, the king's arms, Kingston-on-thames (b/w photo)

Detail of bay, the king's arms, Kingston-on-thames (b/w photo)
8639675 Detail of bay, the king's arms, Kingston-on-thames (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Detail of bay, the king's arms)

Background imageCraftswoman Collection: Imperial chemical house, elevation in smith square, Westminster (b/w photo)

Imperial chemical house, elevation in smith square, Westminster (b/w photo)
8639666 Imperial chemical house, elevation in smith square, Westminster (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Imperial chemical house)

Background imageCraftswoman Collection: Twin chimney shafts with ornamental base and caps (b/w photo)

Twin chimney shafts with ornamental base and caps (b/w photo)
8639662 Twin chimney shafts with ornamental base and caps (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Twin chimney shafts with ornamental base and caps)

Background imageCraftswoman Collection: A range of four chimney shafts (b/w photo)

A range of four chimney shafts (b/w photo)
8639661 A range of four chimney shafts (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: A range of four chimney shafts)

Background imageCraftswoman Collection: Advertising card for Wanamaker & Brown, Philadelphia (litho)

Advertising card for Wanamaker & Brown, Philadelphia (litho)
8677259 Advertising card for Wanamaker & Brown, Philadelphia (litho) by American School, (19th century); Private Collection; (add.info.: Advertising card for menswear from Wanamaker & Brown)

Background imageCraftswoman Collection: Advertising card for Wanamaker & Brown, Philadelphia (litho)

Advertising card for Wanamaker & Brown, Philadelphia (litho)
8677308 Advertising card for Wanamaker & Brown, Philadelphia (litho) by American School, (19th century); Private Collection; (add.info.: Advertising card for menswear from Wanamaker & Brown)

Background imageCraftswoman Collection: Gulliver's Travels: He was conveyed to the Lilliputian capital

Gulliver's Travels: He was conveyed to the Lilliputian capital, on an engine contrived by a small army of engineers
8666333 Gulliver's Travels: He was conveyed to the Lilliputian capital, on an engine contrived by a small army of engineers and carpenters (colour litho) by English School

Background imageCraftswoman Collection: Miederschneider / Corset Tailor (colour litho)

Miederschneider / Corset Tailor (colour litho)
8666198 Miederschneider / Corset Tailor (colour litho) by Christophe (Colomb, Georges) (1856-1945); Private Collection; (add.info.: Miederschneider)

Background imageCraftswoman Collection: Food and Beverage. A bakery. (engraving)

Food and Beverage. A bakery. (engraving)
3434798 Food and Beverage. A bakery. (engraving); (add.info.: Coll. Part. Food and Beverage. A bakery.); Photo © CCI.

Background imageCraftswoman Collection: Craftsmen in a copper pottery workshop

Craftsmen in a copper pottery workshop
LSE4112464 Craftsmen in a copper pottery workshop.; Private Collection; Photo © Leonard de Selva.

Background imageCraftswoman Collection: Orphan children, 1884

Orphan children, 1884
3478908 Orphan children, 1884; (add.info.: Orphan children: Older brother buying material at the drapers for his sister's school frocks. London, 1884.); Universal History Archive/UIG.

Background imageCraftswoman Collection: A locksmith's workshop

A locksmith's workshop
3330932 A locksmith's workshop; (add.info.: Engraving depicting a locksmith's workshop. Dated 17th Century.); Universal History Archive/UIG.

Background imageCraftswoman Collection: The Desborough Necklace

The Desborough Necklace
3330220 The Desborough Necklace; (add.info.: The Desborough Necklace of Anglo-Saxon England. Dated 7th Century.); Universal History Archive/UIG.

Background imageCraftswoman Collection: Ring Brooch with linked hoop from Ireland

Ring Brooch with linked hoop from Ireland
3330366 Ring Brooch with linked hoop from Ireland; (add.info.: Ring brooch with linked hoop from Ireland. Dated 8th Century.); Universal History Archive/UIG.



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Craftswoman: Honoring the Artisans of History In a world where talent and dedication intertwine, the craftswoman emerges as a symbol of creativity and resilience. From Betsy Ross, an American seamstress and patriot who stitched together the first American flag, to Elisabeth Moore Hallowell's intricate drawings capturing moments in history, their artistry has left an indelible mark. Across continents, we find ourselves in Geisenhausen, Bavaria, Germany. Here, a ceramic artist deftly shapes clay on her potter's wheel. With each turn and twist of her skilled hands, she breathes life into a vase that will tell its own story for generations to come. Meanwhile in Washington D. C. , at the Bureau of Engraving and Printing stands a steam printing-press from 1890. This marvel of technology churns out banknotes with precision under the watchful eye of dedicated artisans. The numbering machine hums alongside it - another testament to craftsmanship merging with innovation. Traveling back in time to the Regency era reveals window curtains adorned with exquisite patterns that transport us to an era steeped in elegance and refinement. These curtains were meticulously crafted by skilled hands that understood how fabric could transform any space into one filled with grace. A menu illustration captures mustard's vibrant hue through color lithography - showcasing how even everyday items can be elevated through artistic vision. And within a French kitchen captured in black-and-white photography lies another example of craftsmanship; culinary creations born from passion and technique. London becomes our next stop as we witness women employed as compositors at a printing office during 1861 - breaking barriers while leaving their imprint on history's pages through colorful engravings produced by their skillful hands. Venturing further westward brings us face-to-face with Navajo weavers enveloped by breathtaking landscapes c1915 – they skillfully create blankets on looms while tending to their herds of sheep.