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Crimea Collection (page 15)

"Exploring the Rich History and Scenic Beauty of Crimea" Step back in time to the infamous Charge of the Light Brigade at Balaclava on 25 October 1854

Background imageCrimea Collection: Sergeant Ramage, Scots Greys, dashing off single handed to the assistance of Trooper

Sergeant Ramage, Scots Greys, dashing off single handed to the assistance of Trooper
NAM280918 Sergeant Ramage, Scots Greys, dashing off single handed to the assistance of Trooper Macpherson, 1854 (oleolitho) by Payne, Henry A

Background imageCrimea Collection: Company Sergeant Christy and Sergeant McGifford, Royal Artillery, 1856 (sepia photo)

Company Sergeant Christy and Sergeant McGifford, Royal Artillery, 1856 (sepia photo)
NAM280906 Company Sergeant Christy and Sergeant McGifford, Royal Artillery, 1856 (sepia photo) by Cundall, Joseph (1818-95) & Howlett, Robert (1831-58); National Army Museum

Background imageCrimea Collection: The Peace illuminations at the Royal Exchange, London, 29 May 1856 (engraving)

The Peace illuminations at the Royal Exchange, London, 29 May 1856 (engraving)
583105 The Peace illuminations at the Royal Exchange, London, 29 May 1856 (engraving) by English School, (19th century); Private Collection; (add.info.: The illumination of the Royal Exchange)

Background imageCrimea Collection: The Turkish Army Under the Command of Omar Pasha Crossing the Ingour

The Turkish Army Under the Command of Omar Pasha Crossing the Ingour
CHT196223 The Turkish Army Under the Command of Omar Pasha Crossing the Ingour, 6th September 1855 (engraving) by French School, (19th century); Private Collection; eArchives Charmet; French

Background imageCrimea Collection: The Russians went up boldly, illustration from Battles of the Nineteenth Century

The Russians went up boldly, illustration from Battles of the Nineteenth Century
STC400581 The Russians went up boldly, illustration from Battles of the Nineteenth Century by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (litho) by Pearse

Background imageCrimea Collection: Looking at the Black Sea (oil on canvas)

Looking at the Black Sea (oil on canvas)
GG377029 Looking at the Black Sea (oil on canvas) by Aivazovsky, Ivan Konstantinovich (1817-1900); 58.4x88.9 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; Russian, out of copyright

Background imageCrimea Collection: A Tatar of the Crimea, 1780 (coloured engraving)

A Tatar of the Crimea, 1780 (coloured engraving)
468787 A Tatar of the Crimea, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Illustration from Recueil d estampes repreIusentant les grades)

Background imageCrimea Collection: The Embarkation of the Sick at Balaklava, plate from The Seat of War in the East

The Embarkation of the Sick at Balaklava, plate from The Seat of War in the East
FNM340989 The Embarkation of the Sick at Balaklava, plate from The Seat of War in the East, published by Colnaghi and Co. 1856 (colour litho) by Simpson

Background imageCrimea Collection: The Big Three at the Yalta Conference. Prime Minister Churchill

The Big Three at the Yalta Conference. Prime Minister Churchill
STC368778 The Big Three at the Yalta Conference. Prime Minister Churchill, President Roosevelt, and Generalissimus Stalin, February 1945 (b/w photo) by English Photographer

Background imageCrimea Collection: Model of the Cemetery on Cathcarts Hill (engraving)

Model of the Cemetery on Cathcarts Hill (engraving)
2772693 Model of the Cemetery on Cathcarts Hill (engraving) by English School, (19th century); Private Collection; (add.info.: Model of the Cemetery on Cathcarts Hill)

Background imageCrimea Collection: The Fourth Division Burial-Ground, on Cathcarts Hill, Crimea (engraving)

The Fourth Division Burial-Ground, on Cathcarts Hill, Crimea (engraving)
1608546 The Fourth Division Burial-Ground, on Cathcarts Hill, Crimea (engraving) by English School, (19th century); Private Collection; (add.info.: The Fourth Division Burial-Ground)

Background imageCrimea Collection: The Fall of Sebastopol (engraving)

The Fall of Sebastopol (engraving)
1608447 The Fall of Sebastopol (engraving) by Brierly, Oswald Walters (1817-94) (after); Private Collection; (add.info.: The Fall of Sebastopol. Illustration for The Illustrated London News, 1855)

Background imageCrimea Collection: Seat of War in the Crimea, Map of the Country between Simpheropol

Seat of War in the Crimea, Map of the Country between Simpheropol and Baidar to Illustrate the Movements of the Allied
1608372 Seat of War in the Crimea, Map of the Country between Simpheropol and Baidar to Illustrate the Movements of the Allied and Russian Armies (engraving) by Dower

Background imageCrimea Collection: Waterloo Place and Pall Mall (coloured engraving)

Waterloo Place and Pall Mall (coloured engraving)
582247 Waterloo Place and Pall Mall (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Waterloo Place and Pall Mall)

Background imageCrimea Collection: The Allied Generals with the officers of staff before Sebastopol, 1855

The Allied Generals with the officers of staff before Sebastopol, 1855
CH18698 The Allied Generals with the officers of staff before Sebastopol, 1855 by Barker, Thomas Jones (1815-82); Private Collection; Photo eChristies Images; English, out of copyright

Background imageCrimea Collection: Charge of the Heavy Cavalry Brigade at the Battle of Balaclava on 25th October 1854

Charge of the Heavy Cavalry Brigade at the Battle of Balaclava on 25th October 1854
WOO55556 Charge of the Heavy Cavalry Brigade at the Battle of Balaclava on 25th October 1854, engraved by E. Walker, pub. 1855 (litho) by Simpson

Background imageCrimea Collection: Florence Nightingale (1820-1910) (oil on canvas)

Florence Nightingale (1820-1910) (oil on canvas)
BAL5749 Florence Nightingale (1820-1910) (oil on canvas) by Richmond, William Blake (1842-1921); Claydon House, Buckinghamshire, UK (National Trust); English, out of copyright

Background imageCrimea Collection: The Battle Field of the Alma, the Night after the Battle, engraved by D. J

The Battle Field of the Alma, the Night after the Battle, engraved by D. J
STC104098 The Battle Field of the Alma, the Night after the Battle, engraved by D.J. Pound (engraving) by Hind, Robert Neal (1817-79) (after); Private Collection; (add.info)

Background imageCrimea Collection: Balaklava, Looking Towards the Sea, plate from The Seat of War in the East

Balaklava, Looking Towards the Sea, plate from The Seat of War in the East
STC122441 Balaklava, Looking Towards the Sea, plate from The Seat of War in the East, 1856 (litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish

Background imageCrimea Collection: Interior of Lord Raglans Head Quarters, plate from

Interior of Lord Raglans Head Quarters, plate from
STC122428 Interior of Lord Raglans Head Quarters, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co

Background imageCrimea Collection: Kertch from the North, plate from The Seat of War in the East, pub

Kertch from the North, plate from The Seat of War in the East, pub
STC122406 Kertch from the North, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Background imageCrimea Collection: Cavalry Camp, plate from The Seat of War in the East, pub

Cavalry Camp, plate from The Seat of War in the East, pub
STC122400 Cavalry Camp, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Background imageCrimea Collection: Mine of the Bastion du Mat, plate from The Seat of War in the East, pub

Mine of the Bastion du Mat, plate from The Seat of War in the East, pub
STC121091 Mine of the Bastion du Mat, plate from The Seat of War in the East, pub. by Paul & Dominic Colnaghi & Co. 1856 (litho) by Simpson

Background imageCrimea Collection: Panoramic view of the Present Extended Position of the Allied Armies of England, France

Panoramic view of the Present Extended Position of the Allied Armies of England, France
XND70124 Panoramic view of the Present Extended Position of the Allied Armies of England, France, Turkey and Sardinia, from a watercolour drawing by Frank C. Hughes, pub

Background imageCrimea Collection: Cafe in Yalta, 1905 (oil on canvas)

Cafe in Yalta, 1905 (oil on canvas)
BAL75837 Cafe in Yalta, 1905 (oil on canvas) by Korovin, Konstantin Alekseevich (1861-1939); Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Background imageCrimea Collection: Jug with a depiction of the Charge of the Scots Greys at Balaclava (ceramic)

Jug with a depiction of the Charge of the Scots Greys at Balaclava (ceramic)
XZL151808 Jug with a depiction of the Charge of the Scots Greys at Balaclava (ceramic) by English School, (19th century); Private Collection; English, out of copyright

Background imageCrimea Collection: Sebastopol from the Sea, plate from The Seat of War in the East

Sebastopol from the Sea, plate from The Seat of War in the East
STC142011 Sebastopol from the Sea, plate from The Seat of War in the East, published by Colnaghi and Co. 1856 (colour litho) (detail of 142010) by Simpson

Background imageCrimea Collection: Sentinel of the Zouaves, plate from The Seat of War in the East

Sentinel of the Zouaves, plate from The Seat of War in the East
STC142027 Sentinel of the Zouaves, plate from The Seat of War in the East, published by Colnaghi and Co. 1856 (colour litho) by Simpson

Background imageCrimea Collection: Head of the Harbour, Sebastopol, plate from The Seat of War in the East

Head of the Harbour, Sebastopol, plate from The Seat of War in the East
STC142022 Head of the Harbour, Sebastopol, plate from The Seat of War in the East, published by Colnaghi and Co. 1856 (colour litho) by Simpson

Background imageCrimea Collection: Sebastopol from the Extreme Right of the Trench Attack, plate from

Sebastopol from the Extreme Right of the Trench Attack, plate from
STC142019 Sebastopol from the Extreme Right of the Trench Attack, plate from The Seat of War in the East, published by Colnaghi and Co

Background imageCrimea Collection: Nearing Home, 1858 (oil on canvas)

Nearing Home, 1858 (oil on canvas)
VFS109777 Nearing Home, 1858 (oil on canvas) by Luard, John Dalbiac (1830-60); Private Collection; English, out of copyright

Background imageCrimea Collection: 'Plan de Sebastopol avec les fortifications et remparts

"Plan de Sebastopol avec les fortifications et remparts
FIA5395955 " Plan de Sebastopol avec les fortifications et remparts, Crimee" (Plan of Sevastopol with its roadstead & fortifications) Aquarelle anonyme vers 1858 Dim 26x35

Background imageCrimea Collection: The Battle of Balaclava (Balaklava) on 25 October 1854 - Norie

The Battle of Balaclava (Balaklava) on 25 October 1854 - Norie
FIA5395882 The Battle of Balaclava (Balaklava) on 25 October 1854 - Norie, Orlando (1832-1901) - 1855 - Colour lithograph - 55, 4x74, 3 - Private Collection by Norie

Background imageCrimea Collection: Map: Crimea, according to Huot and Demidoff, drawn and engraved by J Bartholomew

Map: Crimea, according to Huot and Demidoff, drawn and engraved by J Bartholomew, Edinburgh; Sebastopol
6004708 Map: Crimea, according to Huot and Demidoff, drawn and engraved by J Bartholomew, Edinburgh; Sebastopol, according to a reduced original Russian Plan published at Berlin (colour litho)

Background imageCrimea Collection: Harbour of Balaklava looking toward the Black Sea, 1859

Harbour of Balaklava looking toward the Black Sea, 1859
3744631 Harbour of Balaklava looking toward the Black Sea, 1859 by English School, (19th century); Private Collection; (add.info.: From a drawing by Marigny)

Background imageCrimea Collection: Florence Nightingale and Mr Bracebridge on Cathcart

Florence Nightingale and Mr Bracebridge on Cathcart
3744628 Florence Nightingale and Mr Bracebridge on Cathcarts Hill overlooking Sebastopol (lithograph) by Simpson, William Crimea (1823-99); Private Collection; (add.info)

Background imageCrimea Collection: Redan and Advanced Trenches of British Right Attack, 1856 (lithograph)

Redan and Advanced Trenches of British Right Attack, 1856 (lithograph)
3744626 Redan and Advanced Trenches of British Right Attack, 1856 (lithograph) by Simpson, William Crimea (1823-99); Private Collection; (add.info.: Plate 38 of The Seat of War in the East, 1856)

Background imageCrimea Collection: Charge of the Light Brigade under Major General the Earl of Cardigan, 1855 (lithograph)

Charge of the Light Brigade under Major General the Earl of Cardigan, 1855 (lithograph)
3744625 Charge of the Light Brigade under Major General the Earl of Cardigan, 1855 (lithograph) by Simpson, William Crimea (1823-99); Private Collection; (add.info)

Background imageCrimea Collection: Sebastopol from the rear of the English batteries, 1855 (lithograph)

Sebastopol from the rear of the English batteries, 1855 (lithograph)
3744623 Sebastopol from the rear of the English batteries, 1855 (lithograph) by Simpson, William Crimea (1823-99); Private Collection; (add.info.: Plate 5 of The Seat of War in the East, 1855)

Background imageCrimea Collection: Battle of the Alma (engraving)

Battle of the Alma (engraving)
818760 Battle of the Alma (engraving) by English School, (19th century); Private Collection; (add.info.: Battle of the Alma, 1854)

Background imageCrimea Collection: The Crimean War, 1855 (colour litho)

The Crimean War, 1855 (colour litho)
3621865 The Crimean War, 1855 (colour litho) by English School, (19th century); Private Collection; (add.info.: The Crimean War, 1855)

Background imageCrimea Collection: Florence Nightingale during the Crimean War (engraving)

Florence Nightingale during the Crimean War (engraving)
3621979 Florence Nightingale during the Crimean War (engraving) by English School, (19th century); Private Collection; (add.info.: Florence Nightingale during the Crimean War)

Background imageCrimea Collection: Colt Third Model Dragoon Percussion Revolver, c. 1853 (steel, brass, gold and walnut wood)

Colt Third Model Dragoon Percussion Revolver, c. 1853 (steel, brass, gold and walnut wood)
3615971 Colt Third Model Dragoon Percussion Revolver, c.1853 (steel, brass, gold and walnut wood) by Colt, Samuel (1814-62); 35.6 long cm; Metropolitan Museum of Art, New York

Background imageCrimea Collection: Exhibition of Sculptures from Sebastopol, in front of the Orangery at the Tuileries (engraving)

Exhibition of Sculptures from Sebastopol, in front of the Orangery at the Tuileries (engraving)
2772373 Exhibition of Sculptures from Sebastopol, in front of the Orangery at the Tuileries (engraving) by English School

Background imageCrimea Collection: The Ordnance Wharf, Balaclava (engraving)

The Ordnance Wharf, Balaclava (engraving)
2772332 The Ordnance Wharf, Balaclava (engraving) by English School, (19th century); Private Collection; (add.info.: The Ordnance Wharf, Balaclava)

Background imageCrimea Collection: General Codrington, late Commander-in-Chief of the Army in the Crimea (engraving)

General Codrington, late Commander-in-Chief of the Army in the Crimea (engraving)
2772330 General Codrington, late Commander-in-Chief of the Army in the Crimea (engraving) by English School, (19th century); Private Collection; (add.info.: General Codrington)

Background imageCrimea Collection: Sketches of the Crimean War (engraving)

Sketches of the Crimean War (engraving)
2772300 Sketches of the Crimean War (engraving) by Janet, Gustave (b. 1829); Private Collection; (add.info.: Sketches of the Crimean War)

Background imageCrimea Collection: Royal Palace, Livadia, Crimea (colour litho)

Royal Palace, Livadia, Crimea (colour litho)
727564 Royal Palace, Livadia, Crimea (colour litho) by Haenen, Frederic de (1853-1928); Private Collection; (add.info.: Royal Palace, Livadia, Crimea)



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"Exploring the Rich History and Scenic Beauty of Crimea" Step back in time to the infamous Charge of the Light Brigade at Balaclava on 25 October 1854, immortalized in a captivating colour lithograph. Witness the bravery and valor of the Rifleman of 95th (Rifles) Regiment of Foot, who stood tall amidst chaos. Experience the intensity captured in "The Colours: advance of the Scots Guards at Alma, " an oil painting from 1899 that depicts a pivotal moment during the Crimean War. Delve into history with "The Remnants of an Army, " a poignant reminder of sacrifice. Enter "The Valley of Death, " where shadows loom large and echoes whisper tales from this haunting chapter. Watch as Grenadier Guards Depart, leaving behind their mark on this war-torn land. Discover Mary Seacole's indomitable spirit through Punch's portrayal, showcasing her unwavering dedication to care for wounded soldiers. Learn about Lord Cardigan, whose name became synonymous with courage amidst adversity. Escape to Yalta's picturesque seafront along Crimea's coast, where tranquility meets remnants of conflict. Marvel at its beauty while contemplating how it has witnessed both triumphs and tribulations throughout history. Immerse yourself in Crimea's rich past during the Crimean War – a testament to human resilience amid turmoil. Observe people sitting on benches near Lenin's statue; symbols representing different eras coexisting harmoniously. Crimea beckons you with its intriguing blend of historical significance and natural splendor – an invitation to explore its multifaceted identity that continues to captivate visitors from around Europe and beyond.