Criminals Collection (page 4)

Customs officers attacked by smugglers (colour litho)
2819117 Customs officers attacked by smugglers (colour litho) by French School, (19th century); Private Collection; (add.info.: Customs officers attacked by smugglers on the Andorran border)

An off-duty policeman attacked by a group of men leaving the screening of an antimilitarist film... (colour litho)
2779477 An off-duty policeman attacked by a group of men leaving the screening of an antimilitarist film... (colour litho) by French School

In the cemetery of Portici (Naples), two carabinieri, to surprise a blackmailer who had to... (colour litho)
2777985 In the cemetery of Portici (Naples), two carabinieri, to surprise a blackmailer who had to... (colour litho) by Beltrame

Fight between Apaches and the police on the Place de la Bastille in Paris (colour litho)
2795863 Fight between Apaches and the police on the Place de la Bastille in Paris (colour litho) by French School, (20th century); Private Collection; (add.info)

A fight on a barge (colour litho)
2795556 A fight on a barge (colour litho) by French School, (20th century); Private Collection; (add.info.: A fight on a barge)

An eventful confrontation (colour litho)
2779268 An eventful confrontation (colour litho) by French School, (20th century); Private Collection; (add.info.: An eventful confrontation)

The ways of the Apaches (colour litho)
2779264 The ways of the Apaches (colour litho) by French School, (20th century); Private Collection; (add.info.: The ways of the Apaches. The revenge of a dying man)

The Dramas Of Smuggling, A Group Of Smugglers Surprised By The Finance Guards... (colour litho)
2798446 The Dramas Of Smuggling, A Group Of Smugglers Surprised By The Finance Guards... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Dramas Of Smuggling)

Shootout between police and criminals on a Paris street (colour litho)
2779422 Shootout between police and criminals on a Paris street (colour litho) by French School, (20th century); Private Collection; (add.info)

Cyclists attacked in the Bois de Vincennes, Paris (colour litho)
2782210 Cyclists attacked in the Bois de Vincennes, Paris (colour litho) by French School, (20th century); Private Collection; (add.info.: Cyclists attacked in the Bois de Vincennes, Paris)

A French river steamboat in China attacked by pirates (colour litho)
2779938 A French river steamboat in China attacked by pirates (colour litho) by French School, (20th century); Private Collection; (add.info.: A French river steamboat in China attacked by pirates)

Grave robbers (colour litho)
2779373 Grave robbers (colour litho) by French School, (20th century); Private Collection; (add.info.: Grave robbers. Two teenagers stealing jewellery from the body of a woman in a cemetery)

Deeds of the Apaches (colour litho)
2779298 Deeds of the Apaches (colour litho) by French School, (20th century); Private Collection; (add.info.: Deeds of the Apaches)

Violent robbery of a farm near Aalst, Belgium (colour litho)
2795700 Violent robbery of a farm near Aalst, Belgium (colour litho) by French School, (20th century); Private Collection; (add.info.: Violent robbery of a farm near Aalst, Belgium)

Reckless Apaches! (colour litho)
2779331 Reckless Apaches! (colour litho) by French School, (20th century); Private Collection; (add.info.: Reckless Apaches)

A public whipping in the London Sessions House Yard (engraving)
1094564 A public whipping in the London Sessions House Yard (engraving) by English School, (19th century); Private Collection; (add.info.: A public whipping in the London Sessions House Yard)

The scourging of Titus Oates from Newgate to Tyburn (engraving)
1094563 The scourging of Titus Oates from Newgate to Tyburn (engraving) by English School, (19th century); Private Collection; (add.info.: The scourging of Titus Oates from Newgate to Tyburn)

Bandits Scene (oil on canvas)
XIR417091 Bandits Scene (oil on canvas) by Wouwermans or Wouwerman, Philips (1619-68); Musee des Beaux-Arts, Nimes, France; (add.info.: Scene de Brigands; )

Morgan at Porto Bello, 1887 (litho)
PNP268184 Morgan at Porto Bello, 1887 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Henry Morgan (c.1665-88)

Burma- Dacoits in jail at Mandalay, 1888. Creator: Unknown
Burma- Dacoits in jail at Mandalay, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888

A manhunt (colour litho)
2807808 A manhunt (colour litho) by Tofani, Oswaldo (1849-1915) (after); Private Collection; (add.info.: A manhunt. A crowd beating up a pair of acrobats who had attacked two young men at a)

A collection will be taken, highwayman holds up clergyman in the early 19th century (colour litho)
2654223 A collection will be taken, highwayman holds up clergyman in the early 19th century (colour litho) by Parry, D. H

Bandit ambush, 1846 (oil on canvas)
5917376 Bandit ambush, 1846 (oil on canvas) by Belopotocky, Frantisek (1819-78); 57x71 cm; Slovenska Narodna Galeria, Bratislava, Slovakia

Highwayman holds up stagecoach in the early 19th century (colour litho)
2654219 Highwayman holds up stagecoach in the early 19th century (colour litho) by Parry, D. H. (20th century); Private Collection; Peter Newark Pictures; British, out of copyright

In the Rue Capron Branch of the Mont de Piete (engraving)
3635144 In the Rue Capron Branch of the Mont de Piete (engraving) by Vidal, Pierre (b.1849) (after); Private Collection; (add.info.: In the Rue Capron Branch of the Mont de Piete)

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"Criminals: A Glimpse into the Wild Bunch of Humanity" In a world filled with complexities, criminals emerge as enigmatic figures, challenging societal norms and leaving an indelible mark on history. Like The Wild Bunch, they defy expectations and blur the lines between right and wrong. Just as Jesus on the Cross symbolizes redemption, criminals too possess multifaceted narratives that often delve into their pasts. Nicolai A. Yaroshenko's belief that life is everywhere reminds us that even within these outlaws lies a story waiting to be understood. From smugglers navigating treacherous paths to Dick Turpin meeting his fellow highwayman Tom King, we witness alliances forged in the shadows of society. Cover design for Popular Aviation Magazine captures the allure of those who live outside the law, soaring through skies untouched by conventional rules. Yet amidst this captivating underworld lurks betrayal and violence. As Dick Turpin shoots Tom King, we are reminded of how loyalty can crumble under pressure. L'Apache est la plaie de Paris serves as a vivid reminder of crime's impact on urban landscapes - its scars etched upon every corner. Ned Kelly's capture by Police Constable Kelly and railwayman Jesse Dowsett showcases both sides of justice clashing head-on. Tableau synoptic des traits physionomiques reveals how studying criminal features became an attempt at understanding their motives - an intricate puzzle waiting to be solved. Illustrations depicting crime scenes evoke fear but also curiosity about what drives individuals down such dark paths. The image of a man being fired at from a car window while two men in suits observe raises questions about power dynamics and hidden motivations lurking beneath polished facades. Lastly, convict transportation to Australia unveils another chapter in criminal history - exile serving as punishment for transgressions committed across oceans. Intriguing yet unsettling, criminals force us to confront our own moral compasses.