Dargah Collection

The Tomb of Sufi Saint Nizamuddin Auliya
Nizamuddin Dargah complex, in Nizamuddin West, Delhi, India. The Well near the Tomb of Muhammad Nizamuddin Auliya (or Awliya) (12381325) - also known as Hazrat Nizamuddin

The Tomb of Sufi Saint Nizamuddin Auliya
Nizamuddin Dargah complex, in Nizamuddin West, Delhi, India. The Well near the Tomb of Muhammad Nizamuddin Auliya (or Awliya) (12381325) - also known as Hazrat Nizamuddin

The Tombs of Sufi Saint Nizamuddin and Jahanara Begum
Nizamuddin Dargah complex, in Nizamuddin West, Delhi, India. The Tomb of Muhammad Nizamuddin Auliya (or Awliya) (12381325) and Jahanara Begum (16141681), daughter of the Emperor Shah Jahan

Tombs of Nizamuddin Aulia, Delhi, India (b/w photo)
2598040 Tombs of Nizamuddin Aulia, Delhi, India (b/w photo) by Indian photographer, (19th century); Private Collection; (add.info.: Sultan-ul-Mashaikh, Mehboob-e-Ilahi)

The Cauldron at the Entrance to the Dargah, Ajmere (colour litho)
2810640 The Cauldron at the Entrance to the Dargah, Ajmere (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: The Cauldron at the Entrance to the Dargah)

The Dargah at Nizamuddin (opaque w / c on paper)
425423 The Dargah at Nizamuddin (opaque w/c on paper) by Yusuf, Muhammad (19th century); 44.5x58.8 cm; Arthur M. Sackler Gallery, Smithsonian Institution

The Tank at the Back of the Dargah, Ajmere (colour litho)
2810642 The Tank at the Back of the Dargah, Ajmere (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: The Tank at the Back of the Dargah, Ajmere)

India: The Dargah, Ajmir (engraving)
6007354 India: The Dargah, Ajmir (engraving) by English School, (19th century); Private Collection; (add.info.: The Dargah, Ajmir)

The Dargah, Ajmere (b / w photo)
2810889 The Dargah, Ajmere (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: The Dargah, Ajmere)

The Tomb of Khwajah Muin-ud-Din Chisti, in the Dargah, Ajmere (colour litho)
2810641 The Tomb of Khwajah Muin-ud-Din Chisti, in the Dargah, Ajmere (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info)

The Tank at the Back of the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tank at the Back of the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Tomb of Nizamuddin Auliya, Delhi, India, late 19th or early 20th century. Nizamuddin Auliya was a Sufi saint of the late 13th and early 14th century. Lantern slide

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"Dargah: A Spiritual Oasis of Devotion and Serenity" Nestled in the heart of India, lies a sacred sanctuary known as the Dargah. This mystical place holds immense significance for followers of Sufism, as it houses the final resting place of the revered Sufi Saint Nizamuddin Auliya. The Tomb of Sufi Saint Nizamuddin Auliya stands tall within the Dargah premises, emanating an aura of tranquility and spirituality. It serves as a beacon for devotees who seek solace and guidance on their spiritual journey. As you wander through this hallowed ground, you will come across another tomb that belongs to Jahanara Begum - a testament to her devotion towards Sufism. These tombs stand side by side, symbolizing unity and harmony among different souls seeking enlightenment. The Cauldron at the Entrance to the Dargah in Ajmere greets visitors with its vibrant colors, inviting them into a world where faith transcends boundaries. The Dargah itself is depicted in various art forms like opaque watercolors on paper or black-and-white photographs, capturing its timeless beauty. One cannot miss exploring The Tank at the Back of the Dargah in Ajmere – a serene oasis amidst bustling city life. Its still waters reflect not only physical purity but also serve as a metaphorical representation of inner peace attained through devotion. India's rich history comes alive when gazing upon engravings or color lithographs showcasing The Dargah in Ajmir from different eras. Each artwork tells tales of countless pilgrims who have sought blessings here throughout centuries past. Lastly, we encounter The Tomb of Khwajah Muin-ud-Din Chisti within this sacred complex - yet another reminder that they are not just places for individual veneration but also spaces where multiple saints find eternal rest together. The Dargah is more than just a physical structure.