Dean Wolstenholme Collection

Walberton House, 1835. Creator: Dean Wolstenholme
Walberton House, (1835). Grade II listed Regency manor house in Walberton, Sussex, built by Robert Prime in 1817. Antique engraving by Dean Wolstenholm after a drawing by Thomas Henwood

East View of Brighton from Kemp Town, 1835. Creator: Dean Wolstenholme
East View of Brighton from Kemp Town, 1835. Antique engraving by Dean Wolstenholme Junior after Thomas Henwood. From " The History, Antiquities, and Topography of the County of Sussex

Shooting: Verse 4, 1819. Creator: Thomas Sutherland
Shooting: Verse 4, 1819

Shooting: Verse 3, 1819. Creator: Thomas Sutherland
Shooting: Verse 3, 1819

Shooting: Verse 2, 1819. Creator: Thomas Sutherland
Shooting: Verse 2, 1819

Shooting: Verse 1, 1819. Creator: Thomas Sutherland
Shooting: Verse 1, 1819

The Essex Hunt, 1831, (1922). Artist: Dean Wolstenholme
The Essex Hunt, 1831, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Fox Hunting, 1806, (1944). Creator: Richard Gilson Reeve
Fox Hunting, 1806, (1944). Traditional English hunting scene with foxhounds and riders. Aquatint made mid 19th century after a work of 1806. From " Horses of Britain", by Lady Wentworth

Warnham Court, 1835. Creators: Unknown, Dean Wolstenholme
Warnham Court, 1835. Grade II listed Jacobean mansion in Horsham, East Sussex built by Henry Tredcroft. Antique engraving by Dean Wolstenholm after Thomas Henwood

The Anchor Brewery, Mile End Road, Stepney, London, c1820. View showing brewers, barrels and horses and carts in the courtyard

The Hour Glass Brewery, London, 1821. Artist: J Bromley
The Hour Glass Brewery, London, 1821. The courtyard of the Hour Glass Brewery in Upper Thames Street, belonging to Felix Calvert and Co

The Brook, c1831, (1922). Artist: Dean Wolstenholme
The Brook, c1831, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

An Anglers Catch of Coarse Fish The Anglers Trophies Signed in black paint, lower right: " D Wolstenholme", Dean Wolstenholme, 1798-1882, British

Red pied carrier Carrier Pigeons: Red Pied Carrier (plumage apricot and white), facing right (Pigeon, facing right) Signed and dated in paint, lower left: " D Wolfstenholme | 1837"

Studies of carrier pigeon Carrier pigeons Carrier Pigeons: Grizzle Carrier Signed and dated, lower left: " D Wolstenholme 1937", Dean Wolstenholme, 1798-1882, British

Lord Glamis and his Staghounds, Dean Wolstenholme, 1757-1837, British

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Dean Wolstenholme was a talented artist known for his detailed and captivating works. One of his notable creations is Walberton House, a masterpiece that showcases his artistic prowess in 1835. Another remarkable piece by Wolstenholme is The Essex Hunt, which depicts the thrilling chase of hunters on horseback, capturing the essence of the sport in 1831. Wolstenholme's love for fox hunting is evident in Fox Hunting, where he skillfully portrays the excitement and energy of this traditional British pastime from 1806. His versatility as an artist shines through Warnham Court, a collaborative work with unknown creators that highlights both architectural beauty and natural landscapes. In East View of Brighton from Kemp Town, Wolstenholme captures the charm and vibrancy of this seaside town in 1835. Moving away from scenic views, he also delves into urban life with The Anchor Brewery on Mile End Road in Stepney, London circa 1820; showcasing his ability to depict industrial scenes with precision. Not limited to landscapes or architecture alone, Wolstenholme's talent extends to capturing significant events such as The Burial of John Wesley's Mother in Bunhill Fields, Finsbury London in 1866. This poignant artwork reflects his ability to convey emotions through brushstrokes. His attention to detail can be seen once again in The Hour Glass Brewery located in London during 1821; every brick meticulously painted by J Bromley brings life to this historical establishment. In The Brook c1831 (1922), we witness nature at its finest as Dean Wolstenholme beautifully illustrates a serene stream surrounded by lush greenery. Beyond paintings depicting scenery or events are pieces like An Angler's Catch of Coarse Fish -The Angler's Trophies signed boldly with black paint- revealing another facet of Wolstenholme’s artistry: still-life compositions that capture everyday objects with remarkable precision.